Benjamin West Elizabeth Shewell West and Her Son, Raphael, c. 1770
Omnia Vincit Amor, or The Power of Love in the Three Elements
Benjamin West (American, 1738–1820)
- Date
- 1809
- Medium
- Oil on canvas
- Size
- 70½ × 80½ in (178.8 × 204.5 cm)
- Museum
- The Metropolitan Museum of Art, New York, accession 95.22.1. See the museum’s record
- Credit
- Maria DeWitt Jesup Fund, 1923
Public domain image courtesy of The Metropolitan Museum of Art (Open Access, CC0).
Palette
- #2F1F16, 47 % of the picture, closest to Chocolate walls
- #57402A, 24 % of the picture, closest to Chocolate walls
- #84684B, 14 % of the picture, closest to Olive walls
- #A98F72, 9 % of the picture, closest to Taupe walls
- #DCC9AF, 5 % of the picture, closest to Sand walls
Closest wall colors:
Fits these rooms
Hang it
Pick the furniture and a print size to see it to scale on your wall.
- 17½ × 20 in, the whole painting on 20 × 20 in paper
- Center
- 66 in (168 cm) from the floor
- Above the headboard
- 8 in (20 cm) from the headboard to the frame
- Ideal width
- 40 to 45 in over a 60 in headboard
- Why this height
- Centered at eye level, this frame would not sit 6 to 10 in above the headboard, so the 8 in gap sets the height.
Try it on your wall color
Default greige
Print it
No standard paper matches this painting’s proportions closely, so print it whole with a white border, or trim the edges to fill the paper.
| Paper | Filling the paper | Printed whole | Frame | Frame with a 2 in mat | Frame with a 3 in mat | Sharpness |
|---|---|---|---|---|---|---|
| 8 × 10 in | trims 8.5 % | 8 × 9¼ in | 8 × 10 in ready-made | 12 × 14 in custom | 14 × 16 in custom | 412 dpi, crisp up close |
| 12 × 12 in | trims 12.6 % | 10½ × 12 in | 12 × 12 in ready-made | 16 × 16 in ready-made | 18 × 18 in custom | 316 dpi, crisp up close |
| 11 × 14 in | trims 10.1 % | 11 × 12½ in | 11 × 14 in ready-made | 15 × 18 in custom | 17 × 20 in custom | 301 dpi, crisp up close |
| 16 × 16 in | trims 12.6 % | 14 × 16 in | 16 × 16 in ready-made | 20 × 20 in ready-made | 22 × 22 in custom | 237 dpi, crisp from a step back |
| 16 × 20 in | trims 8.5 % | 16 × 18¼ in | 16 × 20 in ready-made | 20 × 24 in ready-made | 22 × 26 in custom | 207 dpi, crisp from a step back |
| 20 × 20 in | trims 12.6 % | 17½ × 20 in | 20 × 20 in ready-made | 24 × 24 in ready-made | 26 × 26 in custom | 189 dpi, crisp from a step back |
Sharpness is worked out from the largest file the museum offers. Above 300 dpi a print holds up at arm’s length; 150 dpi is plenty for a picture seen from across a sofa.
Download
Free for any use, including commercial: this image is public domain (CC0).
- Thumbnail (WebP) 560 × 493 px from Room Paintings
- Web image 600 × 528 px from The Met
- Print and original file 3,793 × 3,340 px from The Met
- The museum’s record of this painting The Met
Public domain image courtesy of The Metropolitan Museum of Art (Open Access, CC0). You may print, share, change and sell it without asking. Read what that means on our image license page, and how to get a good result in how to print a public-domain painting.
More like this
By Benjamin West, or in the same style or subject.
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Jean-Auguste-Dominique Ingres Amédée-David, the Comte de Pastoret, 1823–26
Georges Seurat A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89
Giovanni Battista Tiepolo Armida Encounters the Sleeping Rinaldo, c. 1742–45