Paintings for Navy Walls (page 29)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 1,345 to 1,392 of 2,066.

A scene in brown and green tones of people dancing indoors. In the foreground, three women stand near boothed tables while a man sits.

Henri de Toulouse-Lautrec Moulin de la Galette, 1889 Art Institute of Chicago

Heavy daubs of pigment form a crowded scene of roughly defined, finely dressed individuals in a brightly color park along a riverbank.

Georges Seurat Oil Sketch for "A Sunday on La Grande Jatte — 1884", 1884 Art Institute of Chicago

Painting of four women with blue shawls walking near red fence.

Paul Gauguin Arlésiennes (Mistral), 1888 Art Institute of Chicago

Sea and Cliffs, Pierre-Auguste Renoir, ca. 1885, oil on canvas

Pierre-Auguste Renoir Sea and Cliffs, ca. 1885 The Met

This painting shows a man seated on a decorative red chair, his body turned towards the left and his head turned to look at us. He has a round face, light skin, and gray curly hair that goes down past his shoulders.

John Singleton Copley Baron Graham, 1804 National Gallery of Art

Shown from the knees up, a light-skinned man and woman are seated side-by-side on grassy rise in a landscape in this horizontal portrait painting.

Charles Willson Peale Benjamin and Eleanor Ridgely Laming, 1788 National Gallery of Art

Shown from about the knees up, an older, bearded, pale-skinned man sits at a desk with his head in one hand in a shadowy room in this vertical painting. His body is angled to our right, and he sits in a heavy wooden armchair next to a desk.

Rembrandt van Rijn The Apostle Paul, c. 1657 National Gallery of Art

Rêverie (Portrait of Gabrielle Borreau), Gustave Courbet, 1862, oil on paper, mounted on canvas

Gustave Courbet Rêverie (Portrait of Gabrielle Borreau), 1862 Art Institute of Chicago

This painting is a portrait of a seated woman shown from the knees upwards. She is seated in a woven yellow armchair, with her right arm resting on one arm of the chair, while her left hand rests on her lap.

George Bellows Florence Sittenham Davey (Mrs. Randall Davey), 1914 National Gallery of Art

Louis-Marie, Vicomte de Noailles, Gilbert Stuart, 1798, oil on canvas

Gilbert Stuart Louis-Marie, Vicomte de Noailles, 1798 The Met

Several people sit, stand, or stroll along a dirt road that winds from the lower left corner of this horizontal landscape painting into the distance, past trees and cottages under a vivid blue sky.

Meindert Hobbema A View on a High Road, 1665 National Gallery of Art

Shown from the knees up, a cleanshaven, young man with pale, peachy skin leans on his right elbow, to our left, against a ledge and holds a black top hat in that hand in this vertical portrait painting.

Francisco de Goya Bartolomé Sureda y Miserol, c. 1803/1804 National Gallery of Art

George Washington, Gilbert Stuart, begun 1795, oil on canvas

Gilbert Stuart George Washington, begun 1795 The Met

Virgin and Child, Hans Memling, c. 1485, oil on panel

Hans Memling Virgin and Child, c. 1485 Art Institute of Chicago

Wooded Landscape with Cottage and Horseman, Meindert Hobbema, 1663, oil on canvas

Meindert Hobbema Wooded Landscape with Cottage and Horseman, 1663 Art Institute of Chicago

The Forest of Fontainebleau, Narcisse Virgilio Díaz de la Peña, 1874, oil on wood

Narcisse Virgilio Díaz de la Peña The Forest of Fontainebleau, 1874 The Met

Louis Gueymard (1822–1880) as Robert le Diable, Gustave Courbet, 1857, oil on canvas

Gustave Courbet Louis Gueymard (1822–1880) as Robert le Diable, 1857 The Met

The Curious Little Girl, Camille Corot, 1860–64, oil on cardboard, laid down on wood

Camille Corot The Curious Little Girl, 1860–64 The Met

A long-haired, small white dog with tawny-brown ears and spots sits on a garnet-red cushion in this loosely painted vertical portrait. The dog looks just to our left with large, round, black eyes under perked eyebrows.

Édouard Manet A King Charles Spaniel, c. 1866 National Gallery of Art

The House with the Cracked Walls, Paul Cézanne, 1892–94, oil on canvas

Paul Cézanne The House with the Cracked Walls, 1892–94 The Met

Study of Two Heads, Peter Paul Rubens, ca. 1609, oil on wood

Peter Paul Rubens Study of Two Heads, ca. 1609 The Met

Portrait of a Woman, Frans Hals, ca. 1650, reworked probably 18th century, oil on canvas

Frans Hals Portrait of a Woman, ca. 1650, reworked probably 18th century The Met

George Sand's Garden at Nohant, Eugène Delacroix, ca. 1842–43, oil on canvas

Eugène Delacroix George Sand's Garden at Nohant, ca. 1842–43 The Met

Under the Cypress Trees at Corfu, John Singer Sargent, 1909, oil on canvas

John Singer Sargent Under the Cypress Trees at Corfu, 1909 Art Institute of Chicago

Ecce Agnus Dei, Bartolomé Esteban Murillo, c. 1655, oil on canvas

Bartolomé Esteban Murillo Ecce Agnus Dei, c. 1655 Art Institute of Chicago

Three light-skinned girls hold hands to create a loose ring with their arms extended, in a grassy field in this horizontal painting. All three girls wear white headdresses, ankle-length, long-sleeved dresses, and clogs.

Paul Gauguin Breton Girls Dancing, Pont-Aven, 1888 National Gallery of Art

A woman holds and looks toward a nude, young child, who sits on her lap and looks out at us, smiling, in this vertical painting. They both have pale skin and thin, gold halos floating above their heads.

Raphael The Niccolini-Cowper Madonna, 1508 National Gallery of Art

Two women reach for or touch the arm of a man wearing a uniform and standing next to a chestnut-brown horse in front of a deep landscape in this horizontal painting.

John Singleton Copley Colonel William Fitch and His Sisters Sarah and Ann Fitch, 1800/1801 National Gallery of Art

Four elegantly dressed men and women, plus a brown and white dog, gather around a rug-covered table in a shadowy room in this vertical painting. The people all have pale skin and are lit from our left.

Pieter de Hooch The Greeting, c. 1675 National Gallery of Art

This painting depicts the upper half of a person's body. Their body is facing us, but their head is turned to the right in a three-quarters view, looking away from us.

Gustave Courbet Portrait of a Young Girl, 1857 National Gallery of Art

Arches in Ruins, Hubert Robert, 1781, oil on canvas

Hubert Robert Arches in Ruins, 1781 The Met

Two young boys sit side by side on some boulders with a cloudy sky behind them and dark tree branches above in this vertical portrait painting.

Henry Raeburn The Binning Children, probably c. 1811 National Gallery of Art

A man with sparse brown facial hair stands in a full-length black robe on a multicolored tiled floor, a white and brown dog behind him.

Giovanni Battista Moroni Gian Lodovico Madruzzo, 1551–52 Art Institute of Chicago

The New Bonnet, Eastman Johnson, 1876, oil on academy board

Eastman Johnson The New Bonnet, 1876 The Met

The Old Road to the Sea, William Merritt Chase, c. 1893, oil on canvas

William Merritt Chase The Old Road to the Sea, c. 1893 Cleveland Museum of Art

The painting depicts a man shown from the knees up, standing with his arms crossed over his chest and his head turned to the right. He has light skin, ruddy cheeks with a brown mole, a long nose, and small red lips in a neutral expression.

Joseph Wright of Derby Portrait of a Gentleman, c. 1770-1773 National Gallery of Art

This painting is of a garden landscape in front of a large palace, seen from an elevated perspective.

Bernardo Bellotto Nymphenburg Palace, Munich, c. 1761 National Gallery of Art

We look out across a band of broad, craggy boulders at an ocean bay dotted with boats in this horizontal landscape painting. The tops of the flat boulders are caramel brown in the sunlight and darker, rust-brown shadows down the sides.

William Stanley Haseltine Narragansett Bay, 1864 National Gallery of Art

Beach Scene, Eugène Boudin, c. 1865–1867, oil on wood panel

Eugène Boudin Beach Scene, c. 1865–1867 Cleveland Museum of Art

In shades of mint, laurel, and eucalyptus green, the head and shoulders of a chubby baby fill this vertical portrait painting.

Vincent van Gogh Roulin's Baby, 1888 National Gallery of Art

Nymphs and a Satyr (Amor Vincit Omnia), Nicolas Poussin, c. 1625–27, oil on canvas

Nicolas Poussin Nymphs and a Satyr (Amor Vincit Omnia), c. 1625–27 Cleveland Museum of Art

Johann I (1468–1532), the Constant, Elector of Saxony, Lucas Cranach the Elder, 1532–33, oil on beech, with letterpress-printed paper labels

Lucas Cranach the Elder Johann I (1468–1532), the Constant, Elector of Saxony, 1532–33 The Met

A young woman draws on an oval surface with white chalk while three winged, baby-like putti gather nearby, all on a bank of pale pink clouds in this horizontal painting.

François Boucher Allegory of Painting, 1765 National Gallery of Art

Fish Market, Joachim Beuckelaer, 1568, oil on Baltic oak

Joachim Beuckelaer Fish Market, 1568 The Met

The Jabach Family, Charles Le Brun, ca. 1660, oil on canvas

Charles Le Brun The Jabach Family, ca. 1660 The Met

Shown from the knees up, a pale-skinned man wears a tall, black hat, wide white ruffs at the neck and cuffs, and a voluminous black garment in this vertical portrait painting.

Anthony van Dyck Giovanni Vincenzo Imperiale, 1626 National Gallery of Art

This painting shows several people in the sky, surrounded by billowing fabric. In the center is a person who appears to be sitting on a cloud-like form. The person is on their back with their legs towards us and their head tilted up.

Giovanni Battista Tiepolo Saint Roch Carried to Heaven by Angels, c. 1735/1745 National Gallery of Art

Beggar with a Duffle Coat (Philosopher), Édouard Manet, 1865–67, oil on canvas

Édouard Manet Beggar with a Duffle Coat (Philosopher), 1865–67 Art Institute of Chicago

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