Paintings for Navy Walls (page 31)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 1,441 to 1,488 of 2,066.

Emma Van Name, Joshua Johnson, ca. 1805, oil on canvasPainting

Joshua Johnson Emma Van Name, ca. 1805 The Met

Nevada Falls, Yosemite, Albert Bierstadt, 1872 or 1873, oil on canvas

Albert Bierstadt Nevada Falls, Yosemite, 1872 or 1873 The Met

Shown from the shoulders up, a clean-shaven, pale-skinned man with shoulder-length brown hair and dressed in black fills this vertical portrait painting.

Giovanni Bellini Portrait of a Venetian Gentleman, c. 1500 National Gallery of Art

Lamentation over the Body of Christ, Gerard David, c. 1500, oil on panel

Gerard David Lamentation over the Body of Christ, c. 1500 Art Institute of Chicago

Charles Rousseau Burney (1747–1819), Thomas Gainsborough, ca. 1780, oil on canvas

Thomas Gainsborough Charles Rousseau Burney (1747–1819), ca. 1780 The Met

Matilda Stoughton de Jaudenes, Gilbert Stuart, 1794, oil on canvas

Gilbert Stuart Matilda Stoughton de Jaudenes, 1794 The Met

Shown from the waist up, a pale-skinned man with a mustache stands with one hand on his hip and the other hand held up in this dark-toned, vertical portrait painting.

James McNeill Whistler Gold and Brown: Self-Portrait, c. 1896-1898 National Gallery of Art

Moss-green land rising to a tree-topped bluff follows the curve of a sandy beach surrounding a pale blue cove in this horizontal landscape painting.

Camille Corot Beach near Etretat, c. 1872 National Gallery of Art

This vertical portrait painting shows the head and shoulders of a person with pale peach skin and an auburn, cheek-length bob hairstyle. The person has high cheek bones, deep pink lips, and an angular, pointed chin.

Amedeo Modigliani Madame Kisling, c. 1917 National Gallery of Art

Wheat Fields, Jacob van Ruisdael, ca. 1670, oil on canvas

Jacob van Ruisdael Wheat Fields, ca. 1670 The Met

A nearly nude man with peachy skin stands next to and looks up at a man with ashen, ivory-colored skin, wearing armor and riding a bright white horse in this vertical painting.

El Greco Saint Martin and the Beggar, 1600/1614 National Gallery of Art

Cardinal Fernando Niño de Guevara (1541–1609), El Greco, ca. 1600, oil on canvas

El Greco Cardinal Fernando Niño de Guevara (1541–1609), ca. 1600 The Met

In a lush, tree-lined park, filtered light falls across a group of about a dozen light-skinned people lounging and frolicking along the banks of a river in this vertical landscape painting.

Jean-Honoré Fragonard A Game of Horse and Rider, c. 1775/1780 National Gallery of Art

About three dozen men and women sit, stand, or stroll along a sandy beach beneath a sunset-streaked sky in this horizontal landscape painting.

Eugène Boudin The Beach at Villerville, 1864 National Gallery of Art

River Scene, Asher Brown Durand, 1854, oil on canvas

Asher Brown Durand River Scene, 1854 The Met

A pale-skinned, clean-shaven man with a heavily lined, paunchy face sits against a green and red wall in this vertical portrait painting. The man sits in a wooden chair painted forest green and rests both hands on the closer arm.

John Singleton Copley Eleazer Tyng, 1772 National Gallery of Art

Landscape at Saint-Ouen, Georges Seurat, 1878 or 1879, oil on wood, mounted on wood

Georges Seurat Landscape at Saint-Ouen, 1878 or 1879 The Met

Boston Harbor, Thomas Chambers, mid 19th century, oil on canvas

Thomas Chambers Boston Harbor, mid 19th century National Gallery of Art

Margaret Strachan (Mrs. Thomas Harwood), Charles Willson Peale, ca. 1771, oil on canvas

Charles Willson Peale Margaret Strachan (Mrs. Thomas Harwood), ca. 1771 The Met

Horsewoman, Théodore Géricault, 1820 or later, oil on canvas

Théodore Géricault Horsewoman, 1820 or later The Met

This painting shows a group of people engaged in various activities within a wide green landscape. In the background are distant white-and-blue mountains and a blue sky with soft gray clouds.

Francesco Guardi Erminia and the Shepherds, 1750/1755 National Gallery of Art

Water laps at a curving shoreline in front of a steep sandy dune carpeted in grass, shrubs, and trees in this horizontal landscape painting. The dune takes up the lower right quadrant of the composition.

Jacob van Ruisdael Dunes by the Sea, 1648 National Gallery of Art

The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair, Joshua Reynolds, 1761–66, oil on canvas

Joshua Reynolds The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair, 1761–66 The Met

Large, dark painting of Jesus sitting with three standing soldiers.

Édouard Manet Jesus Mocked by the Soldiers, 1865 Art Institute of Chicago

Portrait of a Woman, Jean-Léon Gérôme, 1851, oil on canvas

Jean-Léon Gérôme Portrait of a Woman, 1851 Art Institute of Chicago

Portrait of Renoir, Frédéric Bazille, 1867, oil on canvas

Frédéric Bazille Portrait of Renoir, 1867 Cleveland Museum of Art

Allegorical Figure Representing a Virtue, Possibly Patriotism, Giovanni Battista Tiepolo, 1760, fresco, transferred to canvas

Giovanni Battista Tiepolo Allegorical Figure Representing a Virtue, Possibly Patriotism, 1760 The Met

Ruined Archway, Francesco Guardi, 1775–93, oil on canvas

Francesco Guardi Ruined Archway, 1775–93 Art Institute of Chicago

Orange, yellow, and white flowers in a brown vase on a round table, with a blue-green floral tablecloth and mottled, brownish background.

Pierre-Auguste Renoir Chrysanthemums, 1881–82 Art Institute of Chicago

About a dozen rust-orange and golden yellow apples and peaches are arranged on a white plate next to white and floral-patterned cloths nestled around a white pitcher and bowl, all on a wood tabletop that tilts toward us in this nearly…

Paul Cézanne Still Life with Apples and Peaches, c. 1905 National Gallery of Art

Piazza San Marco, Canaletto, late 1720s, oil on canvas

Canaletto Piazza San Marco, late 1720s The Met

Shown from the knees up, a young woman with pale skin, wearing a short wine-red jacket over an ivory-white gown, gazes out at us from this vertical portrait painting.

Élisabeth Louise Vigée Le Brun Madame d'Aguesseau de Fresnes, 1789 National Gallery of Art

The Stolen Kiss, Jean-Honoré Fragonard, ca. 1760, oil on canvas

Jean-Honoré Fragonard The Stolen Kiss, ca. 1760 The Met

Twilight in the Wilderness, Frederic Edwin Church, 1860, oil on canvas

Frederic Edwin Church Twilight in the Wilderness, 1860 Cleveland Museum of Art

Mrs. Charles Deering (Marion Denison Whipple), John Singer Sargent, 1888, oil on canvas

John Singer Sargent Mrs. Charles Deering (Marion Denison Whipple), 1888 Art Institute of Chicago

Colonel Francis James Scott, Henry Raeburn, 1796/1811, oil on canvas

Henry Raeburn Colonel Francis James Scott, 1796/1811 National Gallery of Art

This painting shows a man in a yellow jacket standing on a small brown rowboat on a wide, pale green river. Behind him is a large mint-green sailboat, its tall mast bare, the sails folded on the deck.

Childe Hassam Oyster Sloop, Cos Cob, 1902 National Gallery of Art

Madame Paul Escudier (Louise Lefevre), John Singer Sargent, 1882, oil on canvas

John Singer Sargent Madame Paul Escudier (Louise Lefevre), 1882 Art Institute of Chicago

Madame Frederic Breyer (Fanny Hélène Van Bruyssel, 1830–1894), Gustave Courbet, 1858, oil on canvas

Gustave Courbet Madame Frederic Breyer (Fanny Hélène Van Bruyssel, 1830–1894), 1858 The Met

Camp Fire, Winslow Homer, 1880, oil on canvas

Winslow Homer Camp Fire, 1880 The Met

River and Rocks, Gustave Courbet, 1873–77, oil on canvas

Gustave Courbet River and Rocks, 1873–77 The Met

This painting shows a portrait of a woman, depicted from the thighs up. She is seated with her body and head facing forward.

Amedeo Modigliani Madame Amédée (Woman with Cigarette), 1918 National Gallery of Art

John Shaw, Gilbert Stuart, 1793, oil on canvas

Gilbert Stuart John Shaw, 1793 The Met

The painting contains two full-body depictions of a man with dark skin in different postures and clothing, placed next to each other against a dark background. On the left, the man stands upright, holding a cane.

Eugène Delacroix Two Studies of an Indian from Calcutta, Seated and Standing, c. 1823/1824 National Gallery of Art

Harvest Time, George Inness, 1864, oil on canvas

George Inness Harvest Time, 1864 Cleveland Museum of Art

A Young Woman at Her Toilet with a Maid, Gerard ter Borch, ca. 1650–51, oil on wood

Gerard ter Borch A Young Woman at Her Toilet with a Maid, ca. 1650–51 The Met

Moonlight, Strandgade 30, Vilhelm Hammershøi, 1900–1906, oil on canvas

Vilhelm Hammershøi Moonlight, Strandgade 30, 1900–1906 The Met

The Colonnade of Saint Peter's, Rome, during the Conclave, Hubert Robert, c.1769, oil on canvas

Hubert Robert The Colonnade of Saint Peter's, Rome, during the Conclave, c.1769 Cleveland Museum of Art

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