Paintings for Navy Walls (page 33)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 1,537 to 1,584 of 2,066.

Portrait of man wearing voluminous black cloak, feathered hat, and gold medallion.

Rembrandt van Rijn Old Man with a Gold Chain, 1631 Art Institute of Chicago

The Holy Family with the Young Saint John the Baptist, Andrea del Sarto, ca. 1528, oil on wood

Andrea del Sarto The Holy Family with the Young Saint John the Baptist, ca. 1528 The Met

Still life of geranium plant, fruit, water pitcher, and two cats.

Henri Matisse Still Life with Geranium, 1906 Art Institute of Chicago

Open Valley, Dolomites, John Singer Sargent, ca. 1913–14, watercolor and gouache on white wove paper

John Singer Sargent Open Valley, Dolomites, ca. 1913–14 The Met

A man and two women standing near a bar nearly fill this vertical painting.

Henri de Toulouse-Lautrec Alfred la Guigne, 1894 National Gallery of Art

Mrs. Winfield Scott, Asher Brown Durand, 1831, oil on canvas

Asher Brown Durand Mrs. Winfield Scott, 1831 The Met

We look slightly down onto a wooden table or buffet with a basket of fruit, a vase of pink and white flowers, a book, and a small tray holding a teacup, saucer, and two oranges in this horizontal still life painting.

Henri Fantin-Latour Still Life, 1866 National Gallery of Art

The painting features a large gray watering can in the bottom right corner, set against a lush garden background. Bushes on the right side are speckled with dots of pink, yellow, blue, orange, and purple, suggesting flowers.

Georges Seurat The Watering Can - Garden at Le Raincy, c. 1883 National Gallery of Art

Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie, Jean-Auguste-Dominique Ingres, 1851–53, oil on canvas

Jean-Auguste-Dominique Ingres Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie, 1851–53 The Met

Margaretha van Haexbergen (1614–1676), Gerard ter Borch, ca. 1666–67, oil on canvas

Gerard ter Borch Margaretha van Haexbergen (1614–1676), ca. 1666–67 The Met

A Washerwoman at Eragny, Camille Pissarro, 1893, oil on canvas

Camille Pissarro A Washerwoman at Eragny, 1893 The Met

Sleep, Pierre Puvis de Chavannes, ca. 1867–70, oil on canvas

Pierre Puvis de Chavannes Sleep, ca. 1867–70 The Met

Johann I (1468–1532), the Constant, Elector of Saxony, Lucas Cranach the Elder, 1532–33, oil on canvas, transferred from wood, with letterpress-printed paper labels

Lucas Cranach the Elder Johann I (1468–1532), the Constant, Elector of Saxony, 1532–33 The Met

A cleanshaven man in a saffron-yellow cloak runs and points to a nude woman whose fingers are turning into leafy tree branches in this horizontal painting.

Giovanni Battista Tiepolo Apollo Pursuing Daphne, c. 1755/1760 National Gallery of Art

Autumn: The Woodland Pond, Narcisse Virgilio Díaz de la Peña, 1867, oil on canvas

Narcisse Virgilio Díaz de la Peña Autumn: The Woodland Pond, 1867 The Met

Ia Orana Maria (Hail Mary), Paul Gauguin, 1891, oil on canvas

Paul Gauguin Ia Orana Maria (Hail Mary), 1891 The Met

Madonna and Child, Giovanni Bellini, late 1480s, oil on wood

Giovanni Bellini Madonna and Child, late 1480s The Met

Stefanina Primicile Carafa, Marchioness of Cicerale and Duchess of Montejasi, Edgar Degas, c. 1875, oil on fabric

Edgar Degas Stefanina Primicile Carafa, Marchioness of Cicerale and Duchess of Montejasi, c. 1875 Cleveland Museum of Art

Head of an Italian Woman, Jean-Léon Gérôme, c. 1847, oil on fabric

Jean-Léon Gérôme Head of an Italian Woman, c. 1847 Cleveland Museum of Art

This painting shows a dynamic scene of a green tennis court with a player in action near the bottom-right corner, their hand extended behind their head and one leg in the air.

George Bellows Tennis Tournament, 1920 National Gallery of Art

The Red Bridge, Julian Alden Weir, 1895, oil on canvas

Julian Alden Weir The Red Bridge, 1895 The Met

Shown from about the hips up, a young, pale-skinned man with curly brown hair stands facing and looking at us, wearing a plum-purple coat under a golden yellow cape in this vertical portrait painting.

Anthony van Dyck Philip, Lord Wharton, 1632 National Gallery of Art

Four boats with low masts sit on a sandy beach next to rocky cliffs under a cloud-filled sky in this horizontal landscape painting. Three of the boats are clustered together near the center of the composition.

Gustave Courbet Boats on a Beach, Etretat, c. 1872/1875 National Gallery of Art

The Brook in the Woods, Worthington Whittredge, ca. 1885–86, oil on canvas

Worthington Whittredge The Brook in the Woods, ca. 1885–86 The Met

Eaton's Neck, Long Island, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Eaton's Neck, Long Island, 1872 The Met

Still Life with Teapot and Fruit, Paul Gauguin, 1896, oil on canvas

Paul Gauguin Still Life with Teapot and Fruit, 1896 The Met

The Virgin Adoring the Host, Jean-Auguste-Dominique Ingres, 1852, oil on canvas

Jean-Auguste-Dominique Ingres The Virgin Adoring the Host, 1852 The Met

The Brioche, Édouard Manet, 1870, oil on canvas

Édouard Manet The Brioche, 1870 The Met

Portrait of a Woman, Corneille de Lyon, c. 1540, oil on wood

Corneille de Lyon Portrait of a Woman, c. 1540 Cleveland Museum of Art

Café Singer, Edgar Degas, 1879, oil on canvas

Edgar Degas Café Singer, 1879 Art Institute of Chicago

Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895), Pierre-Auguste Renoir, 1878, oil on canvas

Pierre-Auguste Renoir Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895), 1878 The Met

Cosimo I de' Medici (1519–1574), Agnolo Bronzino, 1548, oil on wood

Agnolo Bronzino Cosimo I de' Medici (1519–1574), 1548 The Met

Madonna and Child, Titian, ca. 1508, oil on wood

Titian Madonna and Child, ca. 1508 The Met

The Monastery of San Pedro (Our Lady of the Snows), Frederic Edwin Church, 1879, oil on canvas

Frederic Edwin Church The Monastery of San Pedro (Our Lady of the Snows), 1879 Cleveland Museum of Art

Terminus, the Device of Erasmus, Hans Holbein the Younger, c. 1532, oil on wood

Hans Holbein the Younger Terminus, the Device of Erasmus, c. 1532 Cleveland Museum of Art

Pink Azalea—Chinese Vase, William Merritt Chase, 1880–90 (?), oil on wood

William Merritt Chase Pink Azalea—Chinese Vase, 1880–90 (?) The Met

Alpine Pool, John Singer Sargent, 1907, oil on canvas

John Singer Sargent Alpine Pool, 1907 The Met

This painting shows a young person from the waist up, sitting with their hands folded on a brown surface. The person is angled slightly to the left, looking up into the distance.

Agnolo di Domenico del Mazziere Portrait of a Youth, c. 1495/1500 National Gallery of Art

Shown from the chest up, a pale-skinned man holds one hand to his chest as he looks at us in this vertical portrait painting.

Frans Hals Portrait of a Man, 1648/1650 National Gallery of Art

A young woman with flushed, peachy skin stands on a rocky shoreline with a fishing net slung over one shoulder in this horizontal painting. Her body faces us, and she looks off and down to our right.

Winslow Homer A Light on the Sea, 1897 National Gallery of Art

Portrait of General José Manuel Romero, Francisco de Goya, c. 1810, oil on canvas

Francisco de Goya Portrait of General José Manuel Romero, c. 1810 Art Institute of Chicago

From a distance, we look down onto and across a lush park filled with elegantly dressed, light-skinned adults and children gathered in small groups as one woman swings from tall trees in this vertical painting.

Jean-Honoré Fragonard The Swing, c. 1775/1780 National Gallery of Art

A waterway flanked by low banks curves away from us in front of a band of rolling hills in this loosely painted horizontal landscape. The water is created with wide strokes of white, ice blue, or the muted jewel tones of the hills.

Paul Gauguin Brittany Landscape, 1888 National Gallery of Art

At the Café, Édouard Vuillard, c. 1897–99, oil on board, laid on cradled panel

Édouard Vuillard At the Café, c. 1897–99 Cleveland Museum of Art

View of the Seine, Georges Seurat, 1882–83, oil on wood

Georges Seurat View of the Seine, 1882–83 The Met

The Champion Single Sculls (Max Schmitt in a Single Scull), Thomas Eakins, 1871, oil on canvas

Thomas Eakins The Champion Single Sculls (Max Schmitt in a Single Scull), 1871 The Met

Shown from the knees up, a pale-skinned woman wearing a floppy, canary-yellow hat and a long white dress stands in a field of spring green in this vertical painting. Brushstrokes and loose dabs of paint are visible throughout.

Vincent van Gogh Girl in White, 1890 National Gallery of Art

From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape.

Thomas Gainsborough Seashore with Fishermen, c. 1781/1782 National Gallery of Art

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