Paintings for Navy Walls (page 34)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 1,585 to 1,632 of 2,066.

Shown from the hips up, a pale-skinned woman with a long, narrow face wears a richly decorated crimson-red dress in this vertical portrait painting. Her body angles to our left, and she looks in that direction with hooded brown eyes.

Agnolo Bronzino Eleonora di Toledo, c. 1560 National Gallery of Art

Interior with a Young Couple, Pieter de Hooch, probably ca. 1662–65, oil on canvas

Pieter de Hooch Interior with a Young Couple, probably ca. 1662–65 The Met

A pair of arched cave openings yawn in a steep, rocky cliff face that fills this horizontal painting.

Gustave Courbet La Grotte de la Loue, 1864 National Gallery of Art

The Annunciation, Hans Memling, ca. 1465–70, oil on wood

Hans Memling The Annunciation, ca. 1465–70 The Met

Shown from the thighs up, a man with pale, peachy skin, wearing a black suit, cape, and hat, stands with one hand on his hip against an elephant-gray background in this vertical portrait painting.

Frans Hals Portrait of a Gentleman, 1650/1652 National Gallery of Art

Shown from the chest up, a pale-skinned, clean-shaven man looks off to our left against a moss-green background in this vertical portrait painting.

Albrecht Dürer Portrait of a Clergyman (Johann Dorsch?), 1516 National Gallery of Art

The Grand Canal above the Rialto, Francesco Guardi, late 1760s, oil on canvas

Francesco Guardi The Grand Canal above the Rialto, late 1760s The Met

The Loire, Alfred Sisley, 1896, oil on canvas

Alfred Sisley The Loire, 1896 Art Institute of Chicago

The Holy Family with Mary Magdalen, El Greco, c. 1590–95, oil on canvas

El Greco The Holy Family with Mary Magdalen, c. 1590–95 Cleveland Museum of Art

Saint Andrew, El Greco, ca. 1610, oil on canvas

El Greco Saint Andrew, ca. 1610 The Met

A nude woman with brown skin and long black hair stands to our right against a landscape swirling with jewel-toned greens, pinks, and purples while a man, also with brown skin, sits under a tree behind her in this stylized vertical…

Paul Gauguin Parau na te Varua ino (Words of the Devil), 1892 National Gallery of Art

A young girl with dark hair and pale skin, wearing a long white dress, kneels on the ground in a hilly, tree-lined landscape in this vertical portrait painting.

Joshua Reynolds Lady Caroline Howard, 1778 National Gallery of Art

Spring Flowers, Claude Monet, 1864, oil on canvas

Claude Monet Spring Flowers, 1864 Cleveland Museum of Art

David: "Oh, that I had wings like a Dove! For then would I fly away, and be at rest." Psalm 55:6, Frederic Leighton, 1865, oil on fabric

Frederic Leighton David: "Oh, that I had wings like a Dove! For then would I fly away, and be at rest." Psalm 55:6, 1865 Cleveland Museum of Art

Portrait of a Young Man, Agnolo Bronzino, 1530s, oil on wood

Agnolo Bronzino Portrait of a Young Man, 1530s The Met

A densely packed crowd of men and women, all of them with pale skin and most of them wearing black, stand in a theater lobby beneath a mezzanine level that runs close to the top edge of the composition in this horizontal painting.

Édouard Manet Masked Ball at the Opera, 1873 National Gallery of Art

Beyond a dense screen of stylized, dark brown tree trunks, bending branches, and sage and moss-green leaves, a man and woman ride side-by-side on horseback and embrace in this vertical landscape painting. Both people have pale skin.

Henri Rousseau Rendezvous in the Forest, 1889 National Gallery of Art

Portrait of a Woman, Amedeo Modigliani, c. 1917–18, oil on canvas

Amedeo Modigliani Portrait of a Woman, c. 1917–18 Cleveland Museum of Art

This is a painting of a cherub with small wings hovering in the sky amidst swirling clouds. The sky is a soft blue with streaks of darker blue tones and a section of gray on the right.

Giovanni Battista Tiepolo Study for a Ceiling with the Personification of Counsel, before c. 1762 National Gallery of Art

From a little above a dirt road, we look past a grove of trees to a broad plain and a lake at the foot of towering, hazy mountains in this horizontal landscape painting.

Albert Bierstadt Lake Lucerne, 1858 National Gallery of Art

A young girl with pale skin and long brown hair looks at us as she braces a tall, wooden hoop with one hand by her hip in this vertical painting.

Pierre-Auguste Renoir Girl with a Hoop, 1885 National Gallery of Art

This painting shows a seated woman from the waist up. Her body faces us, and she looks off to the right with a neutral expression. She has light skin, brown eyes, and rosy cheeks.

George Bellows Maud Murray Dale (Mrs. Chester Dale), 1919 National Gallery of Art

Painted portrait dominated by loose, large brushstrokes of a woman, seen from the back, wearing a gauzy white off-the-shoulder dress and black choker, blond hair swept up, examining herself in a mirror at left.

Berthe Morisot Woman at Her Toilette, 1875–80 Art Institute of Chicago

Landscape with Cattle at Limousin, Jules Dupré, 1837, oil on canvas

Jules Dupré Landscape with Cattle at Limousin, 1837 The Met

The Penitence of Saint Jerome, Joachim Patinir, ca. 1515, oil on wood

Joachim Patinir The Penitence of Saint Jerome, ca. 1515 The Met

Watercolor of man with golden halo on horse, green background.

Ghasi Maharana Bhim Singh in Procession, c. 1820 Art Institute of Chicago

Shown from the waist up, a young woman holds a baby up against her chest in this vertical painting. They both face us and have pale skin.

Giovanni Bellini Madonna and Child, c. 1480/1485 National Gallery of Art

Stoke-by-Nayland, John Constable, ca. 1810–11, oil on canvas

John Constable Stoke-by-Nayland, ca. 1810–11 The Met

Cottage Children (The Wood Gatherers), Thomas Gainsborough, 1787, oil on canvas

Thomas Gainsborough Cottage Children (The Wood Gatherers), 1787 The Met

This painting shows a rowing competition with a large crowd along the riverbank. Tall trees and distant, hazy hills are visible on the horizon. The sky above is a soft, muted gray-blue color.

Émile Lévy Rowing Scene: Crowds Watching from the River Banks, late 19th century National Gallery of Art

Mount Starr King, Yosemite, Albert Bierstadt, 1866, oil on canvas on panel-back stretcher

Albert Bierstadt Mount Starr King, Yosemite, 1866 Cleveland Museum of Art

The head and shoulders of a pale-skinned, clean-shaven man fills this vertical portrait painting. The man’s shoulders are angled to our left, and he looks off in that direction with light green eyes.

Giovanni Bellini Portrait of a Young Man, c. 1490 National Gallery of Art

This painting depicts three individuals in a room. An elderly man is seated on a wooden chair, reading a newspaper, with a child standing beside him. The man has balding gray hair, round spectacles, and is dressed in a black suit.

Eastman Johnson The Brown Family, 1869 National Gallery of Art

Majas on a Balcony, Francisco de Goya, ca. 1800–1810, oil on canvas

Francisco de Goya Majas on a Balcony, ca. 1800–1810 The Met

Canadian Rockies (Lake Louise), Albert Bierstadt, ca. 1889, oil on paper mounted to board

Albert Bierstadt Canadian Rockies (Lake Louise), ca. 1889 The Met

Shown from about the waist up, a light-skinned man with sagging jowls and a double chin wears a fur garment and hat, a large teardrop pearl earring, and gold chains in this vertical painting.

Rembrandt van Rijn A Polish Nobleman, 1637 National Gallery of Art

Shown from the knees up, a pale-skinned woman looking off to the left from her seat on a divan wears a carnation-pink gown and a fur-lined cloak in this vertical portrait painting.

John Singleton Copley Abigail Smith Babcock (Mrs. Adam Babcock), c. 1774 National Gallery of Art

Shown from the knees up against a dark gray background, a young woman with peachy skin stands with her body angled to our left and she looks at us with brown eyes in this vertical portrait painting.

Francisco de Goya Young Lady Wearing a Mantilla and Basquina, c. 1800/1805 National Gallery of Art

Shown from about the knees up, a young woman sits in a chair angled to our right but she turns her face to look at us in this loosely painted, vertical portrait.

Vincent van Gogh La Mousmé, 1888 National Gallery of Art

Still Life with Flowers and Fruit, Henri Fantin-Latour, 1866, oil on canvas

Henri Fantin-Latour Still Life with Flowers and Fruit, 1866 The Met

Two Men, Edgar Degas, ca. 1865–69, oil on wood

Edgar Degas Two Men, ca. 1865–69 The Met

Mont Sainte-Victoire, Paul Cézanne, ca. 1902–6, oil on canvas

Paul Cézanne Mont Sainte-Victoire, ca. 1902–6 The Met

Miss Davidson Reid, Henry Raeburn, c. 1800/1806, oil on canvas

Henry Raeburn Miss Davidson Reid, c. 1800/1806 National Gallery of Art

In a darkened room, two women sit at a round table near a man who stands leaning against a fireplace mantle, all illuminated only by a soft, yellow light from a ceiling lamp hanging over the table in this nearly square painting.

Claude Monet Interior, after Dinner, 1868/1869 National Gallery of Art

The Dreamer (La Rêveuse), Antoine Watteau, 1712–14, oil on panel

Antoine Watteau The Dreamer (La Rêveuse), 1712–14 Art Institute of Chicago

A woman and two children, all with pale skin and flushed cheeks, sit together in a landscape in this round painting. The woman takes up most of the composition as she sits with her right leg, to our left, tucked under her body.

Raphael The Alba Madonna, c. 1510 National Gallery of Art

Entrance to a Village, Meindert Hobbema, ca. 1665, oil on wood

Meindert Hobbema Entrance to a Village, ca. 1665 The Met

Study of Beeches, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Study of Beeches, 1872 The Met

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