Paintings for Navy Walls (page 32)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 1,489 to 1,536 of 2,066.

A dozen men, women, and children walk, stand, or sit on a waterside wharf that spans this horizontal painting. A jetty stretches into the distance at a right angle, starting to the left of center. Dozens more people pack the jetty.

Eugène Boudin Jetty and Wharf at Trouville, 1863 National Gallery of Art

The Lovesick Maiden, Jan Steen, ca. 1660, oil on canvas

Jan Steen The Lovesick Maiden, ca. 1660 The Met

Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Francisco de Goya, 1804, oil on canvas

Francisco de Goya Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), 1804 The Met

Madame Jacques-Louis Leblanc (Françoise Poncelle, 1788–1839), Jean-Auguste-Dominique Ingres, 1823, oil on canvas

Jean-Auguste-Dominique Ingres Madame Jacques-Louis Leblanc (Françoise Poncelle, 1788–1839), 1823 The Met

The Wood Chopper, George Inness, 1849, oil on canvas

George Inness The Wood Chopper, 1849 Cleveland Museum of Art

Fantastic Landscape, Francesco Guardi, ca. 1765, oil on canvas

Francesco Guardi Fantastic Landscape, ca. 1765 The Met

Painting of a red-haired, bearded man with light skin, painted in short brushstrokes and multicolored dots. The background is likewise a mass of small, closely spaced colored dots, these in green, blue, and red-orange.

Vincent van Gogh Self-Portrait, 1887 Art Institute of Chicago

An Early Summer Morning in the Forest of Fontainebleau, Théodore Rousseau, probably 1861, oil on wood

Théodore Rousseau An Early Summer Morning in the Forest of Fontainebleau, probably 1861 The Met

Pastoral Landscape: The Roman Campagna, Claude Lorrain, ca. 1639, oil on canvas

Claude Lorrain Pastoral Landscape: The Roman Campagna, ca. 1639 The Met

Shown from about the knees up, a man with peachy skin, wearing a voluminous black cloak and a tall, brimmed hat, looks directly at us in this vertical portrait painting.

Rembrandt van Rijn Portrait of a Man in a Tall Hat, c. 1663 National Gallery of Art

Clouds hunker over a water-logged street that separates us from the end of a row of buildings in this horizontal painting. The scene is loosely painted, especially in the sky and water.

Alfred Sisley Flood at Port-Marly, 1872 National Gallery of Art

Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.

John Philip Simpson The Captive Slave (Ira Aldridge), 1827 Art Institute of Chicago

Sketch for "The Oriental Dream", Jean Lecomte du Nouÿ, before 1904, oil on fabric

Jean Lecomte du Nouÿ Sketch for "The Oriental Dream", before 1904 Cleveland Museum of Art

Edward VI (1537–1553), When Duke of Cornwall, Hans Holbein the Younger, ca. 1545; reworked 1547 or later, oil and gold on oak

Hans Holbein the Younger Edward VI (1537–1553), When Duke of Cornwall, ca. 1545; reworked 1547 or later The Met

A road or path curves away from us, past a tall formation, perhaps rocks, to our left, and into a valley filled with trees and a low hill beyond in this stylized, vertical landscape.

Paul Cézanne The Bend in the Road, 1900/1906 National Gallery of Art

Warwick Castle, Canaletto, 1748, oil on canvas

Canaletto Warwick Castle, 1748 The Met

Two creamy-white, long-haired dogs facing our right in a snowy field fill this horizontal painting. The scene is painted with visible, textured strokes in shades of white and ice blue. The dogs have floppy ears and long muzzles.

Franz Marc Siberian Dogs in the Snow, 1909/1910 National Gallery of Art

A young girl wearing a rust-red dress with a tight bodice and full, voluminous skirt sits in a hazy, garden-like setting in this vertical portrait painting. Her skin is pale with a greenish cast, but her cheeks are slightly flushed.

Joshua Reynolds Lady Elizabeth Hamilton, 1758 National Gallery of Art

Mrs. Jerathmael Bowers, John Singleton Copley, ca. 1763, oil on canvas

John Singleton Copley Mrs. Jerathmael Bowers, ca. 1763 The Met

Young Woman with a Water Pitcher, Johannes Vermeer, ca. 1662, oil on canvas

Johannes Vermeer Young Woman with a Water Pitcher, ca. 1662 The Met

The Young Virgin, Francisco de Zurbarán, ca. 1632–33, oil on canvas

Francisco de Zurbarán The Young Virgin, ca. 1632–33 The Met

Shown from the chest up, an older man with pale, peachy skin, wearing a high-collared black coat and a cream-white, ruffled collar, is shown against a deep wine-red background in this vertical portrait painting.

Gilbert Stuart George Washington (Vaughan portrait), 1795 National Gallery of Art

A young woman plays a small pipe organ while a winged angel holds up a piece of sheet music in this horizontal painting. A strong light source illuminates the scene from our right, creating deep shadows in the dark background.

Orazio Gentileschi Saint Cecilia and an Angel, c. 1617/1618 and c. 1621/1627 National Gallery of Art

Madame Roulin Rocking the Cradle (La berceuse), Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Madame Roulin Rocking the Cradle (La berceuse), 1889 Art Institute of Chicago

Young Lady in 1866, Édouard Manet, 1866, oil on canvas

Édouard Manet Young Lady in 1866, 1866 The Met

Mme L . . . (Laure Borreau), Gustave Courbet, 1863, oil on fabric

Gustave Courbet Mme L . . . (Laure Borreau), 1863 Cleveland Museum of Art

A woman with pale, peachy skin wearing elegant gold and ink-black garments sits in front of a stone portico in this vertical portrait painting. Her red armchair is angled to our right, but the woman turns to look at us under cocked brows.

Anthony van Dyck Isabella Brant, 1621 National Gallery of Art

Aretino in the Studio of Tintoretto, Jean-Auguste-Dominique Ingres, 1848, oil on canvas

Jean-Auguste-Dominique Ingres Aretino in the Studio of Tintoretto, 1848 The Met

Autumn, a Wood Path, Sanford Robinson Gifford, 1876, oil on canvas

Sanford Robinson Gifford Autumn, a Wood Path, 1876 Cleveland Museum of Art

Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left.

Thomas Gainsborough Mrs. Paul Cobb Methuen, c. 1776/1777 National Gallery of Art

Landscape with Figures (Les Bohémiens), Camille Corot, 1872, oil on canvas

Camille Corot Landscape with Figures (Les Bohémiens), 1872 The Met

The White Tablecloth, Jean-Baptiste-Siméon Chardin, c. 1731–32, oil on canvas

Jean-Baptiste-Siméon Chardin The White Tablecloth, c. 1731–32 Art Institute of Chicago

The Banks of the Bièvre near Bicêtre, Henri Rousseau, ca. 1908–09, oil on canvas

Henri Rousseau The Banks of the Bièvre near Bicêtre, ca. 1908–09 The Met

Twenty men, women, and children sit, stand, or stroll along a sandy beach beneath a bright, cloud-filled sky in this horizontal landscape painting.

Eugène Boudin Figures on the Beach, c. 1867/1870 National Gallery of Art

The Penitent Magdalen, Georges de La Tour, ca. 1640, oil on canvas

Georges de La Tour The Penitent Magdalen, ca. 1640 The Met

The Rocky Mountains, Lander's Peak, Albert Bierstadt, 1863, oil on canvas

Albert Bierstadt The Rocky Mountains, Lander's Peak, 1863 The Met

Painting mostly in soft yellow, green, purple, blue, and pink of two wheatstacks, the right nearer than the left, in a country landscape at sunset.

Claude Monet Stacks of Wheat (End of Day, Autumn), 1890–91 Art Institute of Chicago

A man and woman stand in a sunny field near a line of cone-shaped haystacks under a massive blue sky in this horizontal landscape painting. The scene is loosely painted with visible brushstrokes throughout.

Camille Pissarro Landscape, Ile-de-France, 1873 National Gallery of Art

Shown from the lap up, a pale-skinned woman with an oval face and long neck sits facing us in this vertical painting. The portrait is created with areas of mottled colors outlined with black lines.

Amedeo Modigliani Girl in a Green Blouse, 1917 National Gallery of Art

The Triumph of Marius, Giovanni Battista Tiepolo, 1729, oil on canvas

Giovanni Battista Tiepolo The Triumph of Marius, 1729 The Met

A woman sits among loosely painted, crescent-shape blades of emerald and lemon-lime green grass, under tall trees in this vertical scene. The brushstrokes are unconnected and visible, so many of the details difficult to make out.

Claude Monet Woman Seated under the Willows, 1880 National Gallery of Art

In the Waves (Dans les Vagues), Paul Gauguin, 1889, oil on canvas

Paul Gauguin In the Waves (Dans les Vagues), 1889 Cleveland Museum of Art

Young Woman with a Lute, Johannes Vermeer, ca. 1662–63, oil on canvas

Johannes Vermeer Young Woman with a Lute, ca. 1662–63 The Met

Pirna: The Obertor from the South, Bernardo Bellotto, mid-1750s, oil on canvas

Bernardo Bellotto Pirna: The Obertor from the South, mid-1750s The Met

Painted portrait of woman in green dress and cloud backdrop.

John Singleton Copley Mrs. Daniel Hubbard (Mary Greene), c. 1764 Art Institute of Chicago

Portrait of a Man, Rembrandt van Rijn, ca. 1655–60, oil on canvas

Rembrandt van Rijn Portrait of a Man, ca. 1655–60 The Met

The Forest Stream, Jacob van Ruisdael, ca. 1660, oil on canvas

Jacob van Ruisdael The Forest Stream, ca. 1660 The Met

We look slightly down onto a bare, gnarled tree near a gray, dirt path, which leads back to a hamlet in this horizontal landscape painting. The scene is loosely painted with visible brushstrokes, so many details are indistinct.

Camille Pissarro The Fence, 1872 National Gallery of Art

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