Paintings for Navy Walls (page 43)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 2,017 to 2,064 of 2,066.

Mountain Scene, Albert Bierstadt, 1880–90, oil on paper

Albert Bierstadt Mountain Scene, 1880–90 The Met

Portrait of a Man (Sir Ralph Sadler?), Hans Holbein the Younger, 1535, oil and gold on oak

Hans Holbein the Younger Portrait of a Man (Sir Ralph Sadler?), 1535 The Met

Anthony van Dyck The Prefect Raffaele Raggi, c. 1625 National Gallery of Art

Still Life with a Ginger Jar and Eggplants, Paul Cézanne, 1893–94, oil on canvas

Paul Cézanne Still Life with a Ginger Jar and Eggplants, 1893–94 The Met

Storm Clouds, John Henry Twachtman, 1880, oil on canvas

John Henry Twachtman Storm Clouds, 1880 Cleveland Museum of Art

Spring Blossoms, Montclair, New Jersey, George Inness, ca. 1891, oil and crayon or charcoal on canvas

George Inness Spring Blossoms, Montclair, New Jersey, ca. 1891 The Met

Johann (1498–1537), Duke of Saxony, Lucas Cranach the Elder, ca. 1534–37, oil on beech

Lucas Cranach the Elder Johann (1498–1537), Duke of Saxony, ca. 1534–37 The Met

Shown from about the hips up, a man with peachy skin, wearing an ink-black hat and coat with a bright white collar, looks out at us against a dark background in this vertical portrait painting.

Frans Hals Adriaen van Ostade, 1646/1648 National Gallery of Art

The Adoration of the Shepherds, El Greco, ca. 1605–10, oil on canvas

El Greco The Adoration of the Shepherds, ca. 1605–10 The Met

Moonlight, Wood Island Light, Winslow Homer, 1894, oil on canvas

Winslow Homer Moonlight, Wood Island Light, 1894 The Met

Elizabeth Shewell West and Her Son, Raphael, Benjamin West, c. 1770, oil on canvas

Benjamin West Elizabeth Shewell West and Her Son, Raphael, c. 1770 Cleveland Museum of Art

Shown from the waist up, a clean-shaven man with pale, peachy skin is dressed in black and burgundy red in this vertical portrait painting.

Lucas Cranach the Elder Portrait of a Man, 1522 National Gallery of Art

Terrace and Observation Deck at the Moulin de Blute-Fin, Montmartre, Vincent van Gogh, Early 1887, oil on canvas, mounted on pressboard

Vincent van Gogh Terrace and Observation Deck at the Moulin de Blute-Fin, Montmartre, Early 1887 Art Institute of Chicago

Charles Claude de Flahaut (1730–1809), Comte d'Angiviller, Jean-Baptiste Greuze, 1763, oil on canvas

Jean-Baptiste Greuze Charles Claude de Flahaut (1730–1809), Comte d'Angiviller, 1763 The Met

The Repast of the Lion, Henri Rousseau, ca. 1907, oil on canvas

Henri Rousseau The Repast of the Lion, ca. 1907 The Met

Six jockeys wearing colorful silks sit astride brown and black horses on a grassy field in this horizontal painting. Two more riders wearing top hats sit a bit farther back from the group, and two horses run on a grass track behind that.

Edgar Degas The Races, 1871-1872 National Gallery of Art

This painting is a portrait of a man shown from the chest up, with his body partially turned to the right and his head facing us, the right side of his face in shadow.

Robert Henri George Cotton Smith, 1908 National Gallery of Art

Composition with Red, Yellow, and Blue, Piet Mondrian, 1927, oil on canvas

Piet Mondrian Composition with Red, Yellow, and Blue, 1927 Cleveland Museum of Art

The painting is of an older woman from the waist up, her body slightly turned to the left and her head facing us. She has pale skin with soft lines, rosy cheeks, deep-set eyes, thin eyebrows, and thin red lips in a neutral expression.

Robert Henri Elizabeth Virginia Laning Bradner Smith (Mrs. George Cotton Smith), 1908 National Gallery of Art

A Young Man with a Chain, Rembrandt van Rijn, c. 1629 or 1632, oil on wood

Rembrandt van Rijn A Young Man with a Chain, c. 1629 or 1632 Cleveland Museum of Art

Shown from the hips up, a man with pale, peachy skin, dressed in a black suit and tall hat, looks at us from in front of a dark brown background in this vertical portrait painting.

Rembrandt van Rijn Portrait of a Gentleman with a Tall Hat and Gloves, c. 1656/1658 National Gallery of Art

Christ Carrying the Cross, El Greco, ca. 1577–87, oil on canvas

El Greco Christ Carrying the Cross, ca. 1577–87 The Met

This painting is a portrait of a man from the waist up. He is positioned slightly to the left, with his head turned toward us. He has light skin, green eyes, a faint moustache, and a neutral expression.

Francisco de Goya The Duke of Wellington, c. 1812 National Gallery of Art

The Garden of the Tuileries on a Winter Afternoon, Camille Pissarro, 1899, oil on canvas

Camille Pissarro The Garden of the Tuileries on a Winter Afternoon, 1899 The Met

Lady Lee (Margaret Wyatt, born about 1509), Hans Holbein the Younger, early 1540s, oil and gold on oak

Hans Holbein the Younger Lady Lee (Margaret Wyatt, born about 1509), early 1540s The Met

A nude man holding a book in one hand and a rock down by his other side kneels at the opening of a rocky cave in this vertical painting. The man’s body and the shadowy cave opening nearly fill the composition.

El Greco Saint Jerome, c. 1610/1614 National Gallery of Art

We look onto two black-headed ducks twisting and flailing midair against a slate-gray landscape in this horizontal painting. The silvery white body of the bird to our left faces us as its neck twists to our left, its black wings extended.

Winslow Homer Right and Left, 1909 National Gallery of Art

Portrait of a Man, Jacopo Tintoretto, 1550s, oil on canvas

Jacopo Tintoretto Portrait of a Man, 1550s The Met

Barks Fleeing Before the Storm, Jules Dupré, 1870–75, oil on canvas

Jules Dupré Barks Fleeing Before the Storm, 1870–75 Art Institute of Chicago

María Teresa, Infanta of Spain, Diego Velázquez, mid-17th century, oil on canvas

Diego Velázquez María Teresa, Infanta of Spain, mid-17th century The Met

Salt Meadow in October, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Salt Meadow in October, 1872 The Met

Berthe Morisot Young Woman with a Straw Hat, 1884 National Gallery of Art

Stag at Sharkey's, George Bellows, 1909, oil on canvas

George Bellows Stag at Sharkey's, 1909 Cleveland Museum of Art

A light-skinned man with thick black hair and a squared off black beard, dressed in a black jacket over a gray vest and gray trousers, sits facing us in this vertical portrait painting.

Paul Cézanne Antony Valabrègue, 1866 National Gallery of Art

André Bénac, Édouard Vuillard, 1936, oil on fabric

Édouard Vuillard André Bénac, 1936 Cleveland Museum of Art

A tall, thin, pale-skinned young man stands in a dimly lit room, nearly filling the height of this portrait painting. He faces us with his body turned slightly to our left, and he wears a charcoal-gray suit and black shoes.

James McNeill Whistler George W. Vanderbilt, 1897/1903 National Gallery of Art

Child with Brown Hair, Pierre-Auguste Renoir, 1887/1888, oil on canvas

Pierre-Auguste Renoir Child with Brown Hair, 1887/1888 National Gallery of Art

Worthington Whittredge, Emanuel Leutze, 1856, oil on canvas

Emanuel Leutze Worthington Whittredge, 1856 The Met

Man with a Magnifying Glass, Rembrandt van Rijn, early 1660s, oil on canvas

Rembrandt van Rijn Man with a Magnifying Glass, early 1660s The Met

Shown from the knees up, a woman stands facing us as she turns her head to look off to our right in this vertical portrait painting. The woman has pale, peachy skin, deeply shadowed, hooded eyes, and a straight nose.

Camille Corot Agostina, 1866 National Gallery of Art

William Robertson (1753–1835), Lord Robertson, Henry Raeburn, 1805, oil on canvas

Henry Raeburn William Robertson (1753–1835), Lord Robertson, 1805 The Met

Derick Berck of Cologne, Hans Holbein the Younger, 1536, oil on canvas, transferred from wood

Hans Holbein the Younger Derick Berck of Cologne, 1536 The Met

David Sears, Jr., Gilbert Stuart, ca. 1815, oil on canvas

Gilbert Stuart David Sears, Jr., ca. 1815 The Met

This painting depicts a collection of large green lily pads and blooming lotus flowers. The flowers are primarily white and pink, resting on the ends of long stems.

Theodore Wores Buddha's Flowers: Lotus, Tokyo, 1894 National Gallery of Art

Portrait of a Man, Frans Hals, early 1650s, oil on canvas

Frans Hals Portrait of a Man, early 1650s The Met

Portrait of a Seated Man, Gerard ter Borch, late 1650s or early 1660s, oil on wood

Gerard ter Borch Portrait of a Seated Man, late 1650s or early 1660s The Met

Edward Guthrie Kennedy, James McNeill Whistler, 1893–95, oil on wood

James McNeill Whistler Edward Guthrie Kennedy, 1893–95 The Met

Portrait of Franklin H. Delano, Eastman Johnson, c. 1881, oil on board

Eastman Johnson Portrait of Franklin H. Delano, c. 1881 Cleveland Museum of Art

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