Paintings for Navy Walls (page 41)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 1,921 to 1,968 of 2,066.

Alfred Sisley, Pierre-Auguste Renoir, 1876, oil on canvas

Pierre-Auguste Renoir Alfred Sisley, 1876 Art Institute of Chicago

Holding a bunch of peonies in one hand, a woman with brown skin leans forward, toward us from behind a large basket holding dozens of flowers in this horizontal painting.

Frédéric Bazille Young Woman with Peonies, 1870 National Gallery of Art

Low Tide at Pourville, near Dieppe, 1882, Claude Monet, 1882, oil on fabric

Claude Monet Low Tide at Pourville, near Dieppe, 1882, 1882 Cleveland Museum of Art

This painting shows a man from the waist up, his body turned slightly to the right. He stands upright, looking at the viewer, holding a golf club or cane horizontally with both hands.

George Bellows Chester Dale, 1922 National Gallery of Art

Seated Peasant, Paul Cézanne, ca. 1892–96, oil on canvas

Paul Cézanne Seated Peasant, ca. 1892–96 The Met

Shown from the knees up, a woman wearing a black dress is painted with areas of mottled color in this vertical painting. The woman’s body faces us, her shoulders sloping steeply down from her elongated neck.

Amedeo Modigliani Café Singer, 1917 National Gallery of Art

Shown from the chest up, a clean shaven, young man with pale, rosy skin and curly, mahogany-red hair, looks at or toward us against a black background in this vertical portrait painting.

Antonello da Messina Portrait of a Young Man, c. 1475/1479 National Gallery of Art

Mill of Pont Maupuit, Armand Guillaumin, c. 1900, oil on canvas

Armand Guillaumin Mill of Pont Maupuit, c. 1900 Art Institute of Chicago

Woman in a Garden, Berthe Morisot, 1882–83, oil on canvas

Berthe Morisot Woman in a Garden, 1882–83 Art Institute of Chicago

A lone wheat stack, in shadow, rests on a snow-covered field that is rendered in shades of white, blue, yellow, and purple. A house can be seen in the distance on the right against the blue hills beyond.

Claude Monet Stack of Wheat (Snow Effect, Overcast Day), 1890–91 Art Institute of Chicago

Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Francisco de Goya, 1804, oil on canvas

Francisco de Goya Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, 1804 The Met

The Beach at Deauville, Eugène Boudin, 1864, oil on wood panel

Eugène Boudin The Beach at Deauville, 1864 Cleveland Museum of Art

The Brook, Paul Cézanne, c. 1895–1900, oil on fabric

Paul Cézanne The Brook, c. 1895–1900 Cleveland Museum of Art

The Seine at Bas-Meudon, Johan Barthold Jongkind, 1865, oil on fabric

Johan Barthold Jongkind The Seine at Bas-Meudon, 1865 Cleveland Museum of Art

Anna Dummer Powell, John Singleton Copley, 1764, oil on canvas

John Singleton Copley Anna Dummer Powell, 1764 Cleveland Museum of Art

The Pond (La Mare), Théodore Rousseau, 1855, oil on wood

Théodore Rousseau The Pond (La Mare), 1855 The Met

Early Morning, Tarpon Springs, George Inness, 1892, oil on canvas

George Inness Early Morning, Tarpon Springs, 1892 Art Institute of Chicago

This painting displays an elevated view of a bustling port town. In the center, a tall tree with dense green foliage stands out against a light blue sky with fluffy white clouds.

Jurgan Frederick Huge Composite Harbor Scene with Castle, c. 1875 National Gallery of Art

Summer, Pierre Puvis de Chavannes, 1891, oil on fabric

Pierre Puvis de Chavannes Summer, 1891 Cleveland Museum of Art

Portrait of Don Juan Antonio Cuervo, Francisco de Goya, 1819, oil on canvas

Francisco de Goya Portrait of Don Juan Antonio Cuervo, 1819 Cleveland Museum of Art

Portrait of a Woman, Gerard ter Borch, c. 1665, oil on canvas

Gerard ter Borch Portrait of a Woman, c. 1665 Cleveland Museum of Art

Wooded and Hilly Landscape, Jacob van Ruisdael, 1660s, oil on canvas

Jacob van Ruisdael Wooded and Hilly Landscape, 1660s Cleveland Museum of Art

This painting depicts a view from an elevated position. The horizon is in the center of the painting, where the blue sky meets distant green hills.

Julian Alden Weir U.S. Thread Company Mills, Willimantic, Connecticut, c. 1893/1897 National Gallery of Art

Still Life with Meat, Fish, Vegetables, and Fruit, Jacob van Hulsdonck, c. 1615–20, oil on panel, the reverse prepared with gesso

Jacob van Hulsdonck Still Life with Meat, Fish, Vegetables, and Fruit, c. 1615–20 Cleveland Museum of Art

Four women and two children, all with pale skin, carry baskets as they walk along a beach under a brilliant blue sky in this horizontal painting. The scene is painted with visible dabs and blended strokes.

John Singer Sargent En route pour la pêche (Setting Out to Fish), 1878 National Gallery of Art

Painting of a crowd of well-dressed light-skinned people in an open, snowy field surrounded by large rolling hills.

George Bellows Love of Winter, 1914 Art Institute of Chicago

Madame Jean-Baptiste Nicolet (Anne Antoinette Desmoulins, 1743–1817), Jean-Baptiste Greuze, late 1780s, oil on wood

Jean-Baptiste Greuze Madame Jean-Baptiste Nicolet (Anne Antoinette Desmoulins, 1743–1817), late 1780s The Met

Portrait of a Man, Rembrandt van Rijn, 1632, oil on wood

Rembrandt van Rijn Portrait of a Man, 1632 The Met

Edward Guthrie Kennedy, William Merritt Chase, ca. 1895, oil on canvas

William Merritt Chase Edward Guthrie Kennedy, ca. 1895 The Met

Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856), John Constable, 1818, oil on canvas

John Constable Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856), 1818 The Met

Charing Cross Bridge, London, Claude Monet, 1901, oil on canvas

Claude Monet Charing Cross Bridge, London, 1901 Art Institute of Chicago

Versailles, Pierre-Auguste Renoir, 1900–1905, oil on canvas

Pierre-Auguste Renoir Versailles, 1900–1905 The Met

Fight Between a Tiger and a Buffalo, Henri Rousseau, 1908, oil on fabric

Henri Rousseau Fight Between a Tiger and a Buffalo, 1908 Cleveland Museum of Art

James MacAlister (Sketch), Thomas Eakins, ca. 1895, oil on canvas

Thomas Eakins James MacAlister (Sketch), ca. 1895 The Met

Juan de Pareja (ca. 1608–1670), Diego Velázquez, 1650, oil on canvas

Diego Velázquez Juan de Pareja (ca. 1608–1670), 1650 The Met

Painted in mostly in jewel tones of topaz and aquamarine blue, and sage, spring, and pine green, a meadow is enclosed by a wooden fence, against a landscape of gently rolling hills under a vibrant sky in this horizontal painting.

Alfred Sisley Meadow, 1875 National Gallery of Art

Te raau rahi (The Big Tree), Paul Gauguin, 1891, oil on jute canvas

Paul Gauguin Te raau rahi (The Big Tree), 1891 Art Institute of Chicago

The Sea, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett The Sea, 1872 The Met

Two haystacks, dusted with snow, in a hazy, snow-covered field at sunset. The snow is highlighted in purple tones, the sky a yellow and orange gradient.

Claude Monet Stacks of Wheat (Sunset, Snow Effect), 1890–91 Art Institute of Chicago

Luman Reed, Asher Brown Durand, 1835, oil on canvas

Asher Brown Durand Luman Reed, 1835 The Met

We look across a profusion of vivid red, blush-pink, and white flowers lining a stony shoreline in this almost square landscape painting.

Childe Hassam Poppies, Isles of Shoals, 1891 National Gallery of Art

From a darkened arena around a boxing ring, we look up at two bare chested men, one with pale, white skin and the other with brown skin, who lock arms in a boxing match in this horizontal painting.

George Bellows Both Members of This Club, 1909 National Gallery of Art

Woman on Rose Divan, Henri Matisse, 1921, oil on canvas

Henri Matisse Woman on Rose Divan, 1921 Art Institute of Chicago

This is a painting depicting a social gathering under a large pavilion outdoors. The background shows a green, hilly landscape with hints of brown and white buildings in the distance, under a sky of soft blues with wispy gray clouds.

Eugène Boudin Concert at the Casino of Deauville, 1865 National Gallery of Art

A bearded man with a coppery-peach completion, wearing a dark, navy-blue brimmed cap, vest, jacket, and pants sits on a wooden bench or chair against a green background in this vertical portrait.

Paul Cézanne The Gardener Vallier, 1906 National Gallery of Art

Still Life: Fish, William Merritt Chase, by 1908, oil on canvas

William Merritt Chase Still Life: Fish, by 1908 The Met

Shown from the lap up, a cleanshaven man with black hair and dark clothes faces us as he sits with his hands resting together in his lap in this stylized, vertical portrait painting.

Amedeo Modigliani Chaim Soutine, 1918 National Gallery of Art

Portrait of Sor Juana de Nuestra Señora de Guadalupe, Domingo Ortiz, 1797, oil on canvas

Domingo Ortiz Portrait of Sor Juana de Nuestra Señora de Guadalupe, 1797 The Met

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