Paintings for Navy Walls (page 40)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 1,873 to 1,920 of 2,066.

Fantastic Landscape, Francesco Guardi, ca. 1765, oil on canvas

Francesco Guardi Fantastic Landscape, ca. 1765 The Met

Boating, Édouard Manet, 1874, oil on canvas

Édouard Manet Boating, 1874 The Met

Olive Trees at Tivoli, George Inness, 1873, gouache, watercolor, and graphite on blue wove paper with colored fibers

George Inness Olive Trees at Tivoli, 1873 The Met

A Genoese Lady with Her Child, Anthony van Dyck, c. 1623–25, oil on canvas

Anthony van Dyck A Genoese Lady with Her Child, c. 1623–25 Cleveland Museum of Art

Gulian Verplanck, John Singleton Copley, 1771, oil on canvas

John Singleton Copley Gulian Verplanck, 1771 The Met

Shown from about the waist up, a man with pale, peachy skin, wearing a marine-blue greatcoat over several layers of clothing, looks out at us in this vertical portrait painting.

Jean-Auguste-Dominique Ingres Marcotte d'Argenteuil, 1810 National Gallery of Art

A young woman with pale, peach skin wearing a white apron over an ankle-length navy-blue dress stands in a dining room in this vertical painting. The painting is created using loose brushstrokes throughout.

Berthe Morisot In the Dining Room, 1886 National Gallery of Art

Five women, all with brown skin, sit and stand in a landscape painted with tones of emerald green, mauve pink, lilac and plum purple, and cobalt blue in this horizontal composition.

Paul Gauguin The Invocation, 1903 National Gallery of Art

Sunset at Sea, John Singer Sargent, 1905–6 (?) or 1905–?6, watercolor and gouache on white wove paper

John Singer Sargent Sunset at Sea, 1905–6 (?) or 1905–?6 The Met

Twigs of a magnolia tree with light green, glossy leaves and three cream-white blossoms lie on a sapphire-blue cloth in this horizontal still life painting.

Martin Johnson Heade Giant Magnolias on a Blue Velvet Cloth, c. 1890 National Gallery of Art

The Building of the Dam, Julian Alden Weir, 1908, oil on canvas

Julian Alden Weir The Building of the Dam, 1908 Cleveland Museum of Art

Marguerite-Juliette Pierret, Eugène Delacroix, c. 1827, oil on fabric

Eugène Delacroix Marguerite-Juliette Pierret, c. 1827 Cleveland Museum of Art

Shown from the knees up, a pale-skinned woman wearing an off-the-shoulder, black gown stands in front of a maroon-red wall in this vertical portrait painting. Her body is angled to our left, but she turns her round face to us.

Jean-Auguste-Dominique Ingres Madame Moitessier, 1851 National Gallery of Art

A bank of flowering bushes, possibly roses, fills most of an enclosed garden in front of a white house in this horizontal landscape painting.

Claude Monet The Artist's Garden in Argenteuil (A Corner of the Garden with Dahlias), 1873 National Gallery of Art

Clouds, Thomas Cole, ca. 1838, oil on paper laid down on canvas

Thomas Cole Clouds, ca. 1838 The Met

Grapes, Lemons, Pears, and Apples, Vincent van Gogh, 1887, oil on canvas

Vincent van Gogh Grapes, Lemons, Pears, and Apples, 1887 Art Institute of Chicago

Painted dark colored portrait of man, hands in prayer.

Rogier van der Weyden Portrait of Jean Gros (recto); Coat of Arms of Jean Gros (verso), 1460–64 Art Institute of Chicago

Portrait of man, black coat, white collar, hand in book.

Ammi Phillips Cornelius Allerton, 1821–22 Art Institute of Chicago

Portrait of a Lady, Frans Hals, 1627, oil on canvas

Frans Hals Portrait of a Lady, 1627 Art Institute of Chicago

We look across a forested ravine painted in deep greens and blues at a terracotta-orange building at the top of a hill at the center of this nearly square, loosely painted landscape.

Paul Cézanne Château Noir, 1900/1904 National Gallery of Art

The Banks of the Marne at Charenton, Armand Guillaumin, c. 1895, oil on fabric

Armand Guillaumin The Banks of the Marne at Charenton, c. 1895 Cleveland Museum of Art

Vibrant yellow, red, blue, and green painting of landscape with trees and mountains.

Wassily Kandinsky Landscape with Two Poplars, 1912 Art Institute of Chicago

Bouquet in a Chinese Vase, Odilon Redon, ca. 1912–14, oil on canvas

Odilon Redon Bouquet in a Chinese Vase, ca. 1912–14 The Met

Hermann von Wedigh III (died 1560), Hans Holbein the Younger, 1532, oil and gold on oak

Hans Holbein the Younger Hermann von Wedigh III (died 1560), 1532 The Met

Arrangement in Black, No. 3: Sir Henry Irving as Philip II of Spain, James McNeill Whistler, 1876, reworked 1885, oil on canvas

James McNeill Whistler Arrangement in Black, No. 3: Sir Henry Irving as Philip II of Spain, 1876, reworked 1885 The Met

A young man with smooth, pale peachy skin and long blond hair looks over his right shoulder at us in this vertical portrait painting. He has light green eyes, a straight nose, full pink lips, and a narrow chin.

Raphael Bindo Altoviti, c. 1515 National Gallery of Art

Shown from the waist up, an older, pale-skinned man wearing clerical robes gestures to our right with one hand and turns his head to look off to our left in this vertical portrait painting.

Titian Cardinal Pietro Bembo, 1539/1540 National Gallery of Art

The Seine at Port-Marly, Piles of Sand, Alfred Sisley, 1875, oil on canvas

Alfred Sisley The Seine at Port-Marly, Piles of Sand, 1875 Art Institute of Chicago

Portrait of a Man, probably a Member of the Van Beresteyn Family, Rembrandt van Rijn, 1632, oil on canvas

Rembrandt van Rijn Portrait of a Man, probably a Member of the Van Beresteyn Family, 1632 The Met

Ship in Full Sail, T. Davies, 1827, oil on canvas

T. Davies Ship in Full Sail, 1827 National Gallery of Art

The Villa Loredan, Paese, Francesco Guardi, early 1780s, oil on canvas

Francesco Guardi The Villa Loredan, Paese, early 1780s The Met

The Chess Players, Thomas Eakins, 1876, oil on wood

Thomas Eakins The Chess Players, 1876 The Met

Portrait of a Man, Diego Velázquez, ca. 1650, oil on canvas

Diego Velázquez Portrait of a Man, ca. 1650 The Met

Shown from the shoulders up, a man with peachy skin looks off to our left as he holds the feathered end of an arrow up in a hand resting along the bottom edge of this vertical portrait painting.

Hans Memling Portrait of a Man with an Arrow, c. 1470/1475 National Gallery of Art

The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, Canaletto, 1730s, oil on canvas

Canaletto The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, 1730s The Met

Samuel Mifflin, Charles Willson Peale, 1777–80, oil on canvas

Charles Willson Peale Samuel Mifflin, 1777–80 The Met

Eleven men, women, and children stand around a freestanding flagpole near a floating dock on a beach in this horizontal landscape painting. The scene is loosely painted, and dozens more people are gathered on the dock.

Eugène Boudin On the Jetty, c. 1869/1870 National Gallery of Art

Shown from the lap up, a young woman with pale skin, rosy cheeks, dark eyes, and upswept chestnut-brown hair sits in an upholstered chair angled to our left and she looks in that direction in this vertical portrait painting.

Edgar Degas Mademoiselle Malot, c. 1877 National Gallery of Art

View of the Port of Saint-Valéry-sur-Somme, Eugène Boudin, 1891, oil on canvas

Eugène Boudin View of the Port of Saint-Valéry-sur-Somme, 1891 Cleveland Museum of Art

Beaulieu: The Bay of Fourmis, Eugène Boudin, 1892, oil on canvas

Eugène Boudin Beaulieu: The Bay of Fourmis, 1892 The Met

This horizontal landscape is painted with broad, visible strokes in shades of laurel, fern, and pine green, dark yellow, and ash brown.

Pierre-Auguste Renoir Landscape between Storms, 1874/1875 National Gallery of Art

Beggar with Oysters (Philosopher), Édouard Manet, 1865–67, oil on canvas

Édouard Manet Beggar with Oysters (Philosopher), 1865–67 Art Institute of Chicago

Christ on the Cross, El Greco, c. 1600–1610, oil on canvas

El Greco Christ on the Cross, c. 1600–1610 Cleveland Museum of Art

Portrait of an Old Man, El Greco, ca. 1595–1600, oil on canvas

El Greco Portrait of an Old Man, ca. 1595–1600 The Met

Apples and grapes rest in a shallow wicker basket on a table covered with a light-colored cloth. Additional fruit is scattered on the table.

Claude Monet Apples and Grapes, 1880 Art Institute of Chicago

A Peasant Girl Knitting, Jules Breton, ca. 1870, oil on canvas

Jules Breton A Peasant Girl Knitting, ca. 1870 The Met

Henry Rice, Gilbert Stuart, ca. 1815, oil on wood

Gilbert Stuart Henry Rice, ca. 1815 The Met

Portrait of a Bearded Man with a Ruff, Frans Hals, 1625, oil on canvas

Frans Hals Portrait of a Bearded Man with a Ruff, 1625 The Met

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