George Inness The Home of the Heron, 1893
Olive Trees at Tivoli
George Inness (American, 1825–1894)
- Date
- 1873
- Medium
- Gouache, watercolor, and graphite on blue wove paper with colored fibers
- Size
- 7 × 12¼ in (17.8 × 31.4 cm)
- Museum
- The Metropolitan Museum of Art, New York, accession 1989.287. See the museum’s record
- Credit
- Morris K. Jesup Fund, 1989
Public domain image courtesy of The Metropolitan Museum of Art (Open Access, CC0).
Palette
- #707360, 28 % of the picture, closest to Olive walls
- #DADBDE, 22 % of the picture, closest to Light Gray walls
- #8D8D74, 21 % of the picture, closest to Taupe walls
- #A9A58E, 16 % of the picture, closest to Taupe walls
- #C2C2BB, 13 % of the picture, closest to Greige walls
Closest wall colors:
Fits these rooms
Hang it
Pick the furniture and a print size to see it to scale on your wall.
- 20½ × 36 in, the whole painting on 24 × 36 in paper
- Center
- 49½ in (126 cm) from the floor
- Above the console table
- 8 in (20 cm) from the console table to the frame
- Ideal width
- 36 to 41 in over a 54 in console table
- Why this height
- Centered at eye level, this frame would not sit 6 to 10 in above the console table, so the 8 in gap sets the height.
Try it on your wall color
Default greige
Print it
No standard paper matches this painting’s proportions closely, so print it whole with a white border, or trim the edges to fill the paper.
| Paper | Filling the paper | Printed whole | Frame | Frame with a 2 in mat | Frame with a 3 in mat | Sharpness |
|---|---|---|---|---|---|---|
| 5 × 7 in | trims 20.6 % | 4 × 7 in | 5 × 7 in ready-made | 9 × 11 in custom | 11 × 13 in custom | 542 dpi, crisp up close |
| 12 × 16 in | trims 24.4 % | 9 × 16 in | 12 × 16 in ready-made | 16 × 20 in ready-made | 18 × 22 in custom | 238 dpi, crisp from a step back |
| 18 × 24 in | trims 24.4 % | 13½ × 24 in | 18 × 24 in ready-made | 22 × 28 in ready-made | 24 × 30 in ready-made | 158 dpi, crisp from a step back |
| 20 × 30 in | trims 15 % | 17 × 30 in | 20 × 30 in ready-made | 24 × 34 in custom | 26 × 36 in custom | 127 dpi, soft up close |
| 24 × 36 in | trims 15 % | 20½ × 36 in | 24 × 36 in ready-made | 28 × 40 in custom | 30 × 42 in custom | 105 dpi, soft up close |
| 30 × 40 in | trims 24.4 % | 22¾ × 40 in | 30 × 40 in ready-made | 34 × 44 in custom | 36 × 46 in custom | 95 dpi, soft up close |
Sharpness is worked out from the largest file the museum offers. Above 300 dpi a print holds up at arm’s length; 150 dpi is plenty for a picture seen from across a sofa.
Download
Free for any use, including commercial: this image is public domain (CC0).
- Thumbnail (WebP) 560 × 319 px from Room Paintings
- Web image 599 × 341 px from The Met
- Print and original file 3,811 × 2,171 px from The Met
- The museum’s record of this painting The Met
Public domain image courtesy of The Metropolitan Museum of Art (Open Access, CC0). You may print, share, change and sell it without asking. Read what that means on our image license page, and how to get a good result in how to print a public-domain painting.
More like this
By George Inness, or in the same style or subject.
All works by George InnessGeorge Inness Early Morning, Tarpon Springs, 1892
George Inness The Old Mill, 1849
George Inness Approaching Storm from the Alban Hills, 1871
James McNeill Whistler Nocturne: Blue and Gold—Southampton Water, 1872
James McNeill Whistler The Yellow Room, ca. 1883–84
Georges Seurat A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89
Claude Monet Stacks of Wheat (End of Summer), 1890–91