Paintings for Navy Walls (page 6)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 241 to 288 of 2,066.

The Drinkers, Honoré Daumier, by 1861, oil on wood

Honoré Daumier The Drinkers, by 1861 The Met

The Coronation of the Virgin, Niccolò di Buonaccorso, ca. 1380, tempera on wood, gold ground

Niccolò di Buonaccorso The Coronation of the Virgin, ca. 1380 The Met

St. George on white horse, piercing green, gold dragon

Bernat Martorell Saint George and the Dragon, 1434–35 Art Institute of Chicago

This oval painting shows a cherubic figure floating in mid-air with one leg bent and arms outstretched. The cherub has curly hair, a round face, and rosy cheeks, and they are smiling gently.

Jean-Honoré Fragonard Love as Folly, c. 1773/1776 National Gallery of Art

More than a dozen light-skinned men, women, and children eat, drink, talk, and make music around a dancing couple under an arbor in this horizontal painting. Most of the people are dressed in muted tones of green, gray, and black.

Jan Steen The Dancing Couple, 1663 National Gallery of Art

Three small children with pale pink skin sit and stand among a group of animals to our right as a group of eight indigenous people with light brown skin gather with eight white-skinned men near a riverbank in the distance to our left in…

Edward Hicks Peaceable Kingdom, c. 1834 National Gallery of Art

Roses and Lilies, Henri Fantin-Latour, 1888, oil on canvas

Henri Fantin-Latour Roses and Lilies, 1888 The Met

Shown from the chest up, a young, pale-skinned woman faces and looks out at us with a slight smile on her lips in this vertical portrait painting.

Henri Fantin-Latour Mademoiselle de Fitz-James, 1867 National Gallery of Art

Sketch for View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (The Oxbow), Thomas Cole, 1836, oil and pencil on composition board

Thomas Cole Sketch for View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (The Oxbow), 1836 The Met

This painting shows a seaside view with a low horizon. A sandy beach is on the left, with ships and sailboats sailing on the water in the distance on the right.

John Constable Yarmouth Jetty, 1822 National Gallery of Art

The Old Italian Woman, Edgar Degas, 1857, oil on canvas

Edgar Degas The Old Italian Woman, 1857 The Met

Pompton Plains, New Jersey, Jasper Francis Cropsey, 1867, oil on canvas

Jasper Francis Cropsey Pompton Plains, New Jersey, 1867 The Met

The Cottage by the Roadside, Stormy Sky, Jules Dupré, c. 1860, oil on canvas

Jules Dupré The Cottage by the Roadside, Stormy Sky, c. 1860 Art Institute of Chicago

Shoes, Vincent van Gogh, 1888, oil on canvas

Vincent van Gogh Shoes, 1888 The Met

Gold folded tall screen with red flowers, green maize plants.

Unknown artist Maize and Cockscombs, mid 17th century Art Institute of Chicago

Papers with Japanese text hang from a tree bearing red and gold leaves.

Tosa Mitsuoki Autumn Maples with Poem Slips, c. 1675 Art Institute of Chicago

In the center of this painting, there is a horse-drawn cart turned away from us, facing the right. In the cart is a person wearing dark blue clothing and a dark hat, and next to them is a white-and-pink bundle that could be another person.

Henri de Toulouse-Lautrec The Trap, 1880 National Gallery of Art

Saltash with the Water Ferry, Cornwall, Joseph Mallord William Turner, 1811, oil on canvas

Joseph Mallord William Turner Saltash with the Water Ferry, Cornwall, 1811 The Met

We look sightly down and across a green meadow in front of us at a grove of tall trees to our left next to a shimmering body of water, before a deep view of distant mountains beneath an ice-blue sky in this horizontal landscape.

Asher Brown Durand Pastoral Landscape, 1861 National Gallery of Art

A bearded man with copper-blond hair and flushed, peachy skin stands on a stone-gray pedestal and gestures toward a group of five more men gathered before him in this square painting. Some of the men are light-skinned, others are tan.

Peter Paul Rubens Decius Mus Addressing the Legions, probably 1616 National Gallery of Art

Three Miracles of Saint Zenobius, Sandro Botticelli, ca. 1500, tempera on wood

Sandro Botticelli Three Miracles of Saint Zenobius, ca. 1500 The Met

Mrs. Richard Alexander Oswald (Louisa Johnston, ?born about 1760, died 1797), Henry Raeburn, ca. 1794, oil on canvas

Henry Raeburn Mrs. Richard Alexander Oswald (Louisa Johnston, ?born about 1760, died 1797), ca. 1794 The Met

Julie Le Brun (1780–1819) Looking in a Mirror, Élisabeth Louise Vigée Le Brun, 1787, oil on canvas

Élisabeth Louise Vigée Le Brun Julie Le Brun (1780–1819) Looking in a Mirror, 1787 The Met

Painting, heavy in tones of blue-green and burnt orange, depicting a bar scene at night. The men wear top hats and many are bearded; the women are dressed in voluminous gowns and decorative hats.

Henri de Toulouse-Lautrec At the Moulin Rouge, 1892–95 Art Institute of Chicago

Jean-Baptiste-Siméon Chardin The Scullery Maid, c. 1738 National Gallery of Art

Moon, Pine and Maple, Katsushika Hokusai, c. 1764–81, hanging scroll, ink, colors and gold on silk

Katsushika Hokusai Moon, Pine and Maple, c. 1764–81 Art Institute of Chicago

The image shows a group of five individuals - four standing and one seated in the foreground. The standing individuals have varied hand positions; two hold long pipes, and one appears to hold a bow and arrow.

George Catlin Chief and Members of the Konza Tribe, 1861/1869 National Gallery of Art

Shown from the knees up, a pale-skinned woman stands close to us with a red schoolhouse in the distance under a sunset sky in this vertical painting.

Winslow Homer The Red School House, 1873 National Gallery of Art

This painting shows a pastoral setting with a large white-and-gray house on a hill to the left. Distant people stand in front of the house, along with a horse-drawn wagon.

Edward Hicks The Grave of William Penn, c. 1847/1848 National Gallery of Art

In this painting, a wicker basket is filled with yellow pears and a few red cherries. The basket rests on a table, and more pears and cherries are scattered in front of it, casting shadows on the white tablecloth.

John F. Francis Basket of Pears and Crabapples, n.d. National Gallery of Art

Thistles, John Singer Sargent, 1883–89, oil on canvas

John Singer Sargent Thistles, 1883–89 Art Institute of Chicago

Tivoli, Sanford Robinson Gifford, 1870, oil on canvas

Sanford Robinson Gifford Tivoli, 1870 The Met

The Power of Music, William Sidney Mount, 1847, oil on canvas

William Sidney Mount The Power of Music, 1847 Cleveland Museum of Art

Large painting of young woman in white dress sitting next to crib.

Jacques-Louis David Madame de Pastoret and Her Son, 1791–92 Art Institute of Chicago

October in the Marshes, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett October in the Marshes, 1872 The Met

A young man and child, both with pale skin, are framed within the rectangular opening of a stone window in this vertical painting. At the center, the young man leans toward us over his forearms, which rest on the wide ledge.

Jean-Baptiste-Siméon Chardin Soap Bubbles, probably 1733/1734 National Gallery of Art

Study for "The Bear Hunt" (for the Alcázar, Madrid), Peter Paul Rubens, c. 1639, oil on wood

Peter Paul Rubens Study for "The Bear Hunt" (for the Alcázar, Madrid), c. 1639 Cleveland Museum of Art

Portrait of Philip IV, Diego Velázquez, c. 1632, oil on canvas

Diego Velázquez Portrait of Philip IV, c. 1632 Art Institute of Chicago

The Last Supper, Ugolino da Siena, ca. 1325, tempera and gold on wood

Ugolino da Siena The Last Supper, ca. 1325 The Met

The Antechamber of the Sala del Maggior Consiglio, Francesco Guardi, ca. 1765–68, oil on canvas

Francesco Guardi The Antechamber of the Sala del Maggior Consiglio, ca. 1765–68 The Met

A group of four people gather around a person in a bed, seen through an open doorway to our left, while a man and woman stand near a second doorway of a beige building in this horizontal painting. All the people have pale skin.

Fra Angelico The Healing of Palladia by Saint Cosmas and Saint Damian, c. 1438/1440 National Gallery of Art

Roses in a Bowl, Henri Fantin-Latour, 1881, oil on canvas

Henri Fantin-Latour Roses in a Bowl, 1881 Art Institute of Chicago

The dark, forest-green canopies of trees to our right are silhouetted against a sky that warms from pale blue along the top edge of the composition to butter yellow along the horizon, which comes about a quarter of the way up this…

Jean-Honoré Fragonard Mountain Landscape at Sunset, c. 1765 National Gallery of Art

Shown from about the knees up, a young woman with pale skin, wearing a long, flowing, peachy-pink satin dress, looks at us in this vertical portrait painting.

John Singer Sargent Miss Grace Woodhouse, 1890 National Gallery of Art

This is a painting of a woman reaching to pick a water lily from a pond. She is crouching atop a fallen log, leaning over to submerge her right hand in the water.

Eastman Johnson Gathering Lilies, 1865 National Gallery of Art

Hummingbird and Apple Blossoms, Martin Johnson Heade, 1875, oil on canvas

Martin Johnson Heade Hummingbird and Apple Blossoms, 1875 The Met

George Moore (1852–1933) at the Café, Édouard Manet, 1878 or 1879, oil on canvas

Édouard Manet George Moore (1852–1933) at the Café, 1878 or 1879 The Met

This painting depicts a young woman from the chest upwards, seated in a slightly turned position to the left.

Camille Corot Portrait of a Young Girl, 1850 or 1859 National Gallery of Art

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