Thomas Cole View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, 1836
Sketch for View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (The Oxbow)
Thomas Cole (American, 1801–1848)
- Date
- 1836
- Medium
- Oil and pencil on composition board
- Size
- 5½ × 9¼ in (14 × 23.8 cm)
- Museum
- The Metropolitan Museum of Art, New York, accession 2014.59. See the museum’s record
- Credit
- Purchase, Gift of Mrs. Delancey Thorn Grant, in memory of her mother, Louise Floyd-Jones Thorn, by exchange and Friends of the American Wing Fund, 2014
Public domain image courtesy of The Metropolitan Museum of Art (Open Access, CC0).
Palette
- #483821, 26 % of the picture, closest to Chocolate walls
- #C9B39F, 25 % of the picture, closest to Taupe walls
- #896B40, 19 % of the picture, closest to Olive walls
- #A89072, 16 % of the picture, closest to Taupe walls
- #8C7E6E, 15 % of the picture, closest to Taupe walls
Closest wall colors:
Fits these rooms
Hang it
Pick the furniture and a print size to see it to scale on your wall.
- 21¼ × 36 in, the whole painting on 24 × 36 in paper
- Center
- 49¾ in (127 cm) from the floor
- Above the console table
- 8 in (20 cm) from the console table to the frame
- Ideal width
- 36 to 41 in over a 54 in console table
- Why this height
- Centered at eye level, this frame would not sit 6 to 10 in above the console table, so the 8 in gap sets the height.
Try it on your wall color
Default greige
Print it
No standard paper matches this painting’s proportions closely, so print it whole with a white border, or trim the edges to fill the paper.
| Paper | Filling the paper | Printed whole | Frame | Frame with a 2 in mat | Frame with a 3 in mat | Sharpness |
|---|---|---|---|---|---|---|
| 5 × 7 in | trims 17.6 % | 4 × 7 in | 5 × 7 in ready-made | 9 × 11 in custom | 11 × 13 in custom | 560 dpi, crisp up close |
| 12 × 16 in | trims 21.6 % | 9½ × 16 in | 12 × 16 in ready-made | 16 × 20 in ready-made | 18 × 22 in custom | 245 dpi, crisp from a step back |
| 18 × 24 in | trims 21.6 % | 14 × 24 in | 18 × 24 in ready-made | 22 × 28 in ready-made | 24 × 30 in ready-made | 163 dpi, crisp from a step back |
| 20 × 30 in | trims 11.8 % | 17½ × 30 in | 20 × 30 in ready-made | 24 × 34 in custom | 26 × 36 in custom | 130 dpi, soft up close |
| 24 × 36 in | trims 11.8 % | 21¼ × 36 in | 24 × 36 in ready-made | 28 × 40 in custom | 30 × 42 in custom | 108 dpi, soft up close |
| 30 × 40 in | trims 21.6 % | 23½ × 40 in | 30 × 40 in ready-made | 34 × 44 in custom | 36 × 46 in custom | 98 dpi, soft up close |
Sharpness is worked out from the largest file the museum offers. Above 300 dpi a print holds up at arm’s length; 150 dpi is plenty for a picture seen from across a sofa.
Download
Free for any use, including commercial: this image is public domain (CC0).
- Thumbnail (WebP) 560 × 351 px from Room Paintings
- Web image 600 × 376 px from The Met
- Print and original file 3,921 × 2,458 px from The Met
- The museum’s record of this painting The Met
Public domain image courtesy of The Metropolitan Museum of Art (Open Access, CC0). You may print, share, change and sell it without asking. Read what that means on our image license page, and how to get a good result in how to print a public-domain painting.
More like this
By Thomas Cole, or in the same style or subject.
All works by Thomas ColeThomas Cole Distant View of Niagara Falls, 1830
Thomas Cole View of Florence, 1837
Thomas Cole View of Schroon Mountain, Essex County, New York, After a Storm, 1838
Frederic Edwin Church Twilight in the Wilderness, 1860
Frederic Edwin Church Heart of the Andes, 1859
Georges Seurat A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89
Claude Monet Stacks of Wheat (End of Summer), 1890–91