Paintings for Sage Green Walls

The calm green of the decade; botanicals and soft landscapes echo it.

Sage Green #A8B5A0

Pinks and terracotta contrast; green and gray palettes echo.

Echoes your wall 147
Neutral with your wall 2,225
Closest matches 24

Tennis Tournament, George Bellows 21½ × 24 in landscape print (54 × 61 cm), centered 54 in from the floor, 8 in above the sofa. Drawn to scale on a 12 × 8 ft wall.

Wall color

Default greige

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1 to 48 of 147.

This painting shows a dynamic scene of a green tennis court with a player in action near the bottom-right corner, their hand extended behind their head and one leg in the air.

George Bellows Tennis Tournament, 1920 National Gallery of Art

A profusion of white roses bursting from the neck of a tan jug almost fills the height of this horizontal still life painting.

Vincent van Gogh Roses, 1890 National Gallery of Art

Portrait of the Artist, Gilbert Stuart, ca. 1786, oil on canvas

Gilbert Stuart Portrait of the Artist, ca. 1786 The Met

This painting shows a cluster of trees against a bright sky in shades of pale yellow and pale seafoam green. Closest to us, a green-gray path stretches horizontally next to tall teal and blue grasses.

Julian Alden Weir Moonlight, c. 1905 National Gallery of Art

At least one rowboat occupied by two people floats on a lake, which is surrounded by lush green vegetation in this vertical landscape painting.

Berthe Morisot Girl in a Boat with Geese, c. 1889 National Gallery of Art

The White Bridge, John Henry Twachtman, after 1895, oil on canvas

John Henry Twachtman The White Bridge, after 1895 Art Institute of Chicago

Shown from the knees up, a pale-skinned woman wearing a floppy, canary-yellow hat and a long white dress stands in a field of spring green in this vertical painting. Brushstrokes and loose dabs of paint are visible throughout.

Vincent van Gogh Girl in White, 1890 National Gallery of Art

This painting depicts a collection of large green lily pads and blooming lotus flowers. The flowers are primarily white and pink, resting on the ends of long stems.

Theodore Wores Buddha's Flowers: Lotus, Tokyo, 1894 National Gallery of Art

An older man with ruddy, peachy skin stands in the lower right of this vertical painting holding a large, green, leafy cabbage. He is shown from the hips up and faces our left with his body angled slightly toward us.

Camille Pissarro The Gardener - Old Peasant with Cabbage, 1883-1895 National Gallery of Art

A pale turquoise footbridge arching over a pond lined with tall grasses and filled with petal-pink and butter-yellow waterlilies spans this horizontal landscape painting. The scene is loosely painted with touches of vibrant color.

Claude Monet The Japanese Footbridge, 1899 National Gallery of Art

Five monkeys rest and play amid a lush jungle landscape in this horizontal landscape painting. Painted with areas of flat color, thick vegetation fills most of the scene, with giant leaves overlapping in shades of green.

Henri Rousseau Tropical Forest with Monkeys, 1910 National Gallery of Art

Mont Sainte-Victoire and the Viaduct of the Arc River Valley, Paul Cézanne, 1882–85, oil on canvas

Paul Cézanne Mont Sainte-Victoire and the Viaduct of the Arc River Valley, 1882–85 The Met

This painting shows a rowing competition with a large crowd along the riverbank. Tall trees and distant, hazy hills are visible on the horizon. The sky above is a soft, muted gray-blue color.

Émile Lévy Rowing Scene: Crowds Watching from the River Banks, late 19th century National Gallery of Art

From a high perspective, we look beyond two overlapping, emerald-green hills to a body of powder-blue water dotted with sailboats in this loosely painted horizontal landscape.

Claude Monet Cliffs at Pourville, 1882 National Gallery of Art

Portrait of a Woman with a Black Fichu, Édouard Manet, c. 1878, oil on canvas

Édouard Manet Portrait of a Woman with a Black Fichu, c. 1878 Art Institute of Chicago

A small complex of white buildings with red-tile roofs are engulfed in a patchwork of lush, green farm fields over rolling hills in this nearly square painting.

Camille Pissarro Landscape at Les Pâtis, Pontoise, 1868 National Gallery of Art

Roses, Vincent van Gogh, 1890, oil on canvas

Vincent van Gogh Roses, 1890 The Met

We look slightly down onto two girls or young women with light skin sitting close to us in a green, grassy field in this square landscape painting.

Camille Pissarro Young Peasant Girls Resting in the Fields near Pontoise, 1882 National Gallery of Art

We look across rolling, bright green pastures and honey-brown farmland to a cluster of buildings nestled beyond a copse of trees, along the horizon in this horizontal, stylized landscape painting.

Paul Gauguin Landscape at Le Pouldu, 1890 National Gallery of Art

Verdant green fields roll in undulating waves back alongside a road in this horizontal landscape painting.

Vincent van Gogh Green Wheat Fields, Auvers, 1890 National Gallery of Art

From atop a high hill, we look across a broad valley leading to a winding river in this loosely painted horizontal landscape. The scene is created entirely with visible brushstrokes in fresh and vibrant green and shimmering and smoky blues.

Theodore Robinson The Valley of the Seine, from the Hills of Giverny, 1892 National Gallery of Art

A band of indigenous Americans ride horses toward and through a herd of buffalo, which spreads along a river that winds through plains to mountains in the deep distance in this horizontal landscape painting.

Albert Bierstadt The Last of the Buffalo, 1888-1889 National Gallery of Art

The painting features a large gray watering can in the bottom right corner, set against a lush garden background. Bushes on the right side are speckled with dots of pink, yellow, blue, orange, and purple, suggesting flowers.

Georges Seurat The Watering Can - Garden at Le Raincy, c. 1883 National Gallery of Art

A light-skinned man and woman stand looking at each other, surrounded by blooming flowers and lush green trees in this square landscape painting.

Pierre-Auguste Renoir Picking Flowers, 1875 National Gallery of Art

Sellar Alp, Dolomites, John Singer Sargent, ca. 1913–14, watercolor and gouache on white wove paper

John Singer Sargent Sellar Alp, Dolomites, ca. 1913–14 The Met

Hills around the Bay of Moulin Huet, Guernsey, Pierre-Auguste Renoir, 1883, oil on canvas

Pierre-Auguste Renoir Hills around the Bay of Moulin Huet, Guernsey, 1883 The Met

This painting shows a maritime scene from the water, with a coastline in the distance marked by small, colorful buildings and distant green hills.

A. Hashagen Ship "Arkansas" Leaving Havana, 1847 National Gallery of Art

Two Poplars in the Alpilles near Saint-Rémy, Vincent van Gogh, 1889, oil on fabric

Vincent van Gogh Two Poplars in the Alpilles near Saint-Rémy, 1889 Cleveland Museum of Art

We look across a strip of tall grass and flowers at a river that winds into the distance in this loosely painted, horizontal landscape.

Claude Monet Banks of the Seine, Vétheuil, 1880 National Gallery of Art

The Harvest, Pontoise (La Récolte, Pontoise), Camille Pissarro, 1881, oil on canvas

Camille Pissarro The Harvest, Pontoise (La Récolte, Pontoise), 1881 The Met

The Seine at Bougival, Alfred Sisley, 1876, oil on canvas

Alfred Sisley The Seine at Bougival, 1876 The Met

Young Woman Knitting, Berthe Morisot, ca. 1883, oil on canvas

Berthe Morisot Young Woman Knitting, ca. 1883 The Met

Landscape at Saint-André, Near Marseilles, Paul Guigou, c. 1865, oil on wood panel

Paul Guigou Landscape at Saint-André, Near Marseilles, c. 1865 Cleveland Museum of Art

Edge of the Woods Near L'Hermitage, Pontoise, Camille Pissarro, 1879, oil on fabric

Camille Pissarro Edge of the Woods Near L'Hermitage, Pontoise, 1879 Cleveland Museum of Art

Painting of four women with blue shawls walking near red fence.

Paul Gauguin Arlésiennes (Mistral), 1888 Art Institute of Chicago

A young girl with pale skin and long brown hair looks at us as she braces a tall, wooden hoop with one hand by her hip in this vertical painting.

Pierre-Auguste Renoir Girl with a Hoop, 1885 National Gallery of Art

This painting depicts a while villa partially hidden by greenery. The villa has several buildings on different levels with small windows and reddish-brown roofs. The brushstrokes are loose and broad, giving the image a blurred effect.

Pierre-Auguste Renoir Maison de la Poste, Cagnes, 1906/1907 National Gallery of Art

Madame Manet (Suzanne Leenhoff, 1829–1906) at Bellevue, Édouard Manet, 1880, oil on canvas

Édouard Manet Madame Manet (Suzanne Leenhoff, 1829–1906) at Bellevue, 1880 The Met

The Factory Village, Julian Alden Weir, 1897, oil on canvas

Julian Alden Weir The Factory Village, 1897 The Met

Watercolor of man with golden halo on horse, green background.

Ghasi Maharana Bhim Singh in Procession, c. 1820 Art Institute of Chicago

A woman bends double to tend a garden that stretches before us in front of two houses in this horizontal landscape painting.

Camille Pissarro The Artist's Garden at Eragny, 1898 National Gallery of Art

Apple Blossoms, Charles-François Daubigny, 1873, oil on canvas

Charles-François Daubigny Apple Blossoms, 1873 The Met

The painting shows a bright-green landscape with rolling hills in the distance.

Julian Alden Weir Obweebetuck, c. 1908 National Gallery of Art

This painting shows a view from above, looking down a path on the left where several people walk away from us towards a house in the distance surrounded by lush green vegetation.

Pierre-Auguste Renoir The Mussel Harvest, 1879 National Gallery of Art

The Banks of the Marne at Charenton, Armand Guillaumin, c. 1895, oil on fabric

Armand Guillaumin The Banks of the Marne at Charenton, c. 1895 Cleveland Museum of Art

From low on a hillside, we look up at a light-skinned woman and boy standing in tall grass against a sunny blue sky in this vertical painting.

Claude Monet Woman with a Parasol - Madame Monet and Her Son, 1875 National Gallery of Art

The painting depicts a rural landscape from a distance, showing a hill, houses, and trees. At the bottom of the painting is a body of water with two green banks on either side. The water reflects the green surroundings.

Henri-Joseph Harpignies Landscape in Auvergne, 1870 National Gallery of Art

A Brook in a Clearing (possibly "Brook, Valley of Fontcouverte; Study"), Gustave Courbet, probably 1862, oil on canvas

Gustave Courbet A Brook in a Clearing (possibly "Brook, Valley of Fontcouverte; Study"), probably 1862 The Met

Neutral with your wall

Quiet palettes that neither match nor fight this color, the softest first. The strongest 24 of 2,225.

Saddle Horse in Farm Yard, Winslow Homer, ca. 1870–75, oil on wood

Winslow Homer Saddle Horse in Farm Yard, ca. 1870–75 The Met

Study of a Tree, Albert Bierstadt, ca. 1864, oil on paper mounted on board

Albert Bierstadt Study of a Tree, ca. 1864 The Met

Portrait of a Man with Gray Hair, Henry Raeburn, 1810–20, oil on canvas

Henry Raeburn Portrait of a Man with Gray Hair, 1810–20 Art Institute of Chicago

Fish, William Merritt Chase, by 1910, oil on canvas

William Merritt Chase Fish, by 1910 The Met

View near Sherburne, Chenango County, New York, Jasper Francis Cropsey, 1853, oil on canvas

Jasper Francis Cropsey View near Sherburne, Chenango County, New York, 1853 The Met

Jonathan Sturges, Asher Brown Durand, ca. 1840, oil on canvas

Asher Brown Durand Jonathan Sturges, ca. 1840 The Met

A Fisherman, Eastman Johnson, 1865, brown inks on tan-color sized canvas

Eastman Johnson A Fisherman, 1865 The Met

Sanford Robinson Gifford, Eastman Johnson, 1880, oil on academy board

Eastman Johnson Sanford Robinson Gifford, 1880 The Met

Lake George, A Reminiscence, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, A Reminiscence, 1872 The Met

Lake George, New York, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, New York, 1872 The Met

Evening, New Bedford Harbor, Dwight William Tryon, 1890, oil on wood

Dwight William Tryon Evening, New Bedford Harbor, 1890 The Met

Moonlight, Dwight William Tryon, 1887, oil on wood

Dwight William Tryon Moonlight, 1887 The Met

Moonrise at Sunset, Dwight William Tryon, 1890, oil on wood

Dwight William Tryon Moonrise at Sunset, 1890 The Met

Village in Brittany, Charles-François Daubigny, 1844, oil on paper, mounted on canvas

Charles-François Daubigny Village in Brittany, 1844 Art Institute of Chicago

Nocturnal landscape painting with lush trees and a large patch of sky with visible brushstrokes. Multiple small, seated figures line the foreground.

Narcisse Virgilio Díaz de la Peña Landscape with Figures, c. 1870 Art Institute of Chicago

Castel San Elmo (from Cropsey Album), Jasper Francis Cropsey, 1848, graphite, white gouache, and watercolor on dark buff-colored wove paper

Jasper Francis Cropsey Castel San Elmo (from Cropsey Album), 1848 The Met

Environs of Fontainebleau: Woodland and Cattle, Rosa Bonheur, 1864, oil on canvas

Rosa Bonheur Environs of Fontainebleau: Woodland and Cattle, 1864 The Met

Capriccio: The Lagoon, Francesco Guardi, After 1770, oil on canvas

Francesco Guardi Capriccio: The Lagoon, After 1770 Art Institute of Chicago

The Circumcision, Giovanni Bellini, 1511, oil on wood

Giovanni Bellini The Circumcision, 1511 The Met

Virgin and Child, Peter Paul Rubens, 1619, oil on wood

Peter Paul Rubens Virgin and Child, 1619 The Met

Allegorical Figure Representing Temperance, Giovanni Battista Tiepolo, 1760, fresco, transferred to canvas

Giovanni Battista Tiepolo Allegorical Figure Representing Temperance, 1760 The Met

Portrait of a Gentleman, Charles Willson Peale, ca. 1775, oil on canvas

Charles Willson Peale Portrait of a Gentleman, ca. 1775 The Met

Portrait of a Woman, Charles Willson Peale, ca. 1775, oil on canvas

Charles Willson Peale Portrait of a Woman, ca. 1775 The Met

Martin Euclid Thompson, William Sidney Mount, 1830, oil on canvas

William Sidney Mount Martin Euclid Thompson, 1830 The Met

Closest matches

Paintings whose colors sit nearest this wall’s own hue, nearest first. 24 paintings.

View of Benjamin Reber's Farm, Charles C. Hofmann, 1872, oil on canvas

Charles C. Hofmann View of Benjamin Reber's Farm, 1872 National Gallery of Art

Packet Ship Passing Castle Williams, New York Harbor, Thomas Chambers, mid 19th century, oil on canvas

Thomas Chambers Packet Ship Passing Castle Williams, New York Harbor, mid 19th century National Gallery of Art

Shown from the lap up, a pale-skinned woman looks off to the left in front of a vivid green background in this vertical portrait painting.

Lucas Cranach the Elder Portrait of a Woman, 1522 National Gallery of Art

Salvator Mundi, Albrecht Dürer, ca. 1505, oil on linden

Albrecht Dürer Salvator Mundi, ca. 1505 The Met

Madame Roulin and Her Baby, Vincent van Gogh, 1888, oil on canvas

Vincent van Gogh Madame Roulin and Her Baby, 1888 The Met

Reading, Berthe Morisot, 1873, oil on canvas

Berthe Morisot Reading, 1873 Cleveland Museum of Art

Sea and Cliffs, Pierre-Auguste Renoir, ca. 1885, oil on canvas

Pierre-Auguste Renoir Sea and Cliffs, ca. 1885 The Met

A nude woman with brown skin and long black hair stands to our right against a landscape swirling with jewel-toned greens, pinks, and purples while a man, also with brown skin, sits under a tree behind her in this stylized vertical…

Paul Gauguin Parau na te Varua ino (Words of the Devil), 1892 National Gallery of Art

In the Waves (Dans les Vagues), Paul Gauguin, 1889, oil on canvas

Paul Gauguin In the Waves (Dans les Vagues), 1889 Cleveland Museum of Art

A bearded man with a coppery-peach completion, wearing a dark, navy-blue brimmed cap, vest, jacket, and pants sits on a wooden bench or chair against a green background in this vertical portrait.

Paul Cézanne The Gardener Vallier, 1906 National Gallery of Art

The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, Canaletto, 1730s, oil on canvas

Canaletto The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, 1730s The Met

Irises, Claude Monet, 1914–17, oil on canvas

Claude Monet Irises, 1914–17 Art Institute of Chicago

The image shows a riverside scene with various activities. The horizon has green hills with trees. Villagers and tipis are on both sides of the riverbanks. Canoes filled with people are on the water, some docked near the sandy shore.

George Catlin La Salle and Party Arrive at the Village of the Illinois. January 1, 1680, 1847/1848 National Gallery of Art

A pale-skinned girl wearing an arctic-blue ballet costume stands looking at us and almost fills this vertical painting. The scene is painted with blended strokes, giving it a soft, almost blurry look.

Pierre-Auguste Renoir The Dancer, 1874 National Gallery of Art

The painting depicts an elevated viewpoint of a grand waterfall surrounded by a landscape filled with people and canoes. The horizon is high in the composition, marked by a line of trees and the flowing waterfall.

George Catlin Portage Around the Falls of Niagara at Table Rock, 1847/1848 National Gallery of Art

We look down at and across a sun-soaked landscape with tile-roofed, white-stucco buildings and plowed fields in this horizontal painting.

Willard Leroy Metcalf Midsummer Twilight, c. 1890 National Gallery of Art

Painting in short strokes of pale blue, green, white, yellow, and pink, of a fisherman in one of two small boats on a river, a tree-lined bank and a bridge in the background.

Vincent van Gogh Fishing in Spring, the Pont de Clichy (Asnières), 1887 Art Institute of Chicago

The Calm Sea, Gustave Courbet, 1869, oil on canvas

Gustave Courbet The Calm Sea, 1869 The Met

The image shows a full-body portrait of a young child standing indoors. The child faces forward with a neutral expression, looking directly at the viewer. They have neatly styled brown hair parted in the middle.

Joseph Goodhue Chandler Girl with Kitten, c. 1836/1838 National Gallery of Art

We look across a dark, aquamarine-blue body of water at a bulky, stony outcropping to our right in this horizontal landscape painting.

John Frederick Kensett Beacon Rock, Newport Harbor, 1857 National Gallery of Art

Basket of Flowers, Eugène Delacroix, 1848–49, oil on canvas

Eugène Delacroix Basket of Flowers, 1848–49 The Met

Nine oranges and lemons sit in a shallow basket with dark green, spiky branches behind and a pair of cobalt-blue gloves in front in this horizontal still life painting.

Vincent van Gogh Still Life of Oranges and Lemons with Blue Gloves, 1889 National Gallery of Art

The Farm at the Entrance of the Wood, Rosa Bonheur, 1860–80, oil on fabric

Rosa Bonheur The Farm at the Entrance of the Wood, 1860–80 Cleveland Museum of Art

Te raau rahi (The Big Tree), Paul Gauguin, 1891, oil on jute canvas

Paul Gauguin Te raau rahi (The Big Tree), 1891 Art Institute of Chicago

Other wall colors