Paintings for Teal Walls

Saturated blue-green that wakes up warm paintings.

Teal #2E6F73

Oranges and terracottas contrast; blues echo.

Echoes your wall 192
Contrasts with your wall 860
Neutral with your wall 1,322

Little Girl in a Blue Armchair, Mary Cassatt 24 × 36 in landscape print (61 × 91 cm), centered 55¼ in from the floor, 8 in above the sofa. Drawn to scale on a 12 × 8 ft wall.

Wall color

Default greige

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. The strongest 24 of 192.

A small brown dog and a pale-skinned little girl wearing a white dress sit in matching celestial-blue armchairs in this horizontal painting. To our right, the girl sits with her legs angled to our left.

Mary Cassatt Little Girl in a Blue Armchair, 1878 National Gallery of Art

Painted almost entirely in tones of topaz, lapis, and sky blue, the façade of a building abutting a waterway fills this horizontal painting. Brushstrokes are visible throughout and they blend to make the scene appear hazy.

Claude Monet Palazzo da Mula, Venice, 1908 National Gallery of Art

Still Life with Apples and a Pot of Primroses, Paul Cézanne, ca. 1890, oil on canvas

Paul Cézanne Still Life with Apples and a Pot of Primroses, ca. 1890 The Met

The Island of San Michele, Venice, Francesco Guardi, 1770s, oil on canvas

Francesco Guardi The Island of San Michele, Venice, 1770s The Met

Polynesian Woman with Children, Paul Gauguin, 1901, oil on linen canvas

Paul Gauguin Polynesian Woman with Children, 1901 Art Institute of Chicago

Painting of a light-skinned woman dressed in a gauzy white gown with black trim playing an upright paino.

Pierre-Auguste Renoir Woman at the Piano, 1875–76 Art Institute of Chicago

This painting shows a riverside with a cream-colored bridge cutting horizontally across the scene in front of a bustling city. The bridge is decorated with flags that have stripes of red, white, and blue.

Armand Guillaumin The Bridge of Louis Philippe, 1875 National Gallery of Art

Beaulieu: The Bay of Fourmis, Eugène Boudin, 1892, oil on canvas

Eugène Boudin Beaulieu: The Bay of Fourmis, 1892 The Met

A woman stands on a sun-dappled path, which runs past a bank of blooming flowers and back to a cottage in this vertical painting.

Gustave Caillebotte Dahlias, Garden at Petit Gennevilliers, 1893 National Gallery of Art

Shown from the chest up, a man with short, orange hair and green-tinted, pale skin looks at us, wearing a vivid blue painter's smock in this vertical portrait painting.

Vincent van Gogh Self-Portrait, 1889 National Gallery of Art

Sea View, Calm Weather (Vue de mer, temps calme), Édouard Manet, 1864, oil on canvas

Édouard Manet Sea View, Calm Weather (Vue de mer, temps calme), 1864 Art Institute of Chicago

A pale-skinned boy with round, almost doll-like proportions sits on pointed rocks in front of a pale blue sky in this slightly stylized, vertical painting. The boy’s body and face are square to us.

Henri Rousseau Boy on the Rocks, 1895/1897 National Gallery of Art

This painting shows a maritime scene from the water, with a coastline in the distance marked by small, colorful buildings and distant green hills.

A. Hashagen Ship "Arkansas" Leaving Havana, 1847 National Gallery of Art

Boating, Édouard Manet, 1874, oil on canvas

Édouard Manet Boating, 1874 The Met

We look slightly down onto the surface of a river in which three narrow canoes, each paddled by a single person, are being rowed toward us in this horizontal landscape painting.

Gustave Caillebotte Skiffs, 1877 National Gallery of Art

The painting features a large slice of yellow cake, a halved lemon, a glass of pale-yellow liquid with a slice of lemon and a straw in it, and a white plate filled with red raspberries.

John Frederick Peto Still Life with Cake, Lemon, Strawberries, and Glass, 1890 National Gallery of Art

Low Tide at Pourville, near Dieppe, 1882, Claude Monet, 1882, oil on fabric

Claude Monet Low Tide at Pourville, near Dieppe, 1882, 1882 Cleveland Museum of Art

Painting of a crowd of well-dressed light-skinned people in an open, snowy field surrounded by large rolling hills.

George Bellows Love of Winter, 1914 Art Institute of Chicago

Jewel-toned blue, red, yellow, green, and pearl white brushstrokes swirl and stretch in this loosely painted horizontal landscape painting.

Pierre-Auguste Renoir The Blue River, c. 1890/1900 National Gallery of Art

The Repast of the Lion, Henri Rousseau, ca. 1907, oil on canvas

Henri Rousseau The Repast of the Lion, ca. 1907 The Met

Figures on the Beach, Pierre-Auguste Renoir, 1890, oil on canvas

Pierre-Auguste Renoir Figures on the Beach, 1890 The Met

The "Kearsarge" at Boulogne, Édouard Manet, 1864, oil on canvas

Édouard Manet The "Kearsarge" at Boulogne, 1864 The Met

This painting shows a young girl standing and facing forward. She is holding an open, dark-colored parasol with one hand and a small, indistinct object with the other hand.

George Bellows Anne with a Japanese Parasol, 1917 National Gallery of Art

Vibrantly colored geometric painting of a central white and blue waterfall with birds visible through it. A stylized red jungle cat and black wild boar drink at bottom right.

Franz Marc The Bewitched Mill, 1913 Art Institute of Chicago

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 1 to 48 of 860.

Facing away from us against a cherry-red background, the head and shoulders of a light-skinned woman wearing strawberry red, with her copper-brown hair piled atop her head, fills this vertical painting.

Carolus-Duran Study of Lilia, 1887 National Gallery of Art

Woman on Rose Divan, Henri Matisse, 1921, oil on canvas

Henri Matisse Woman on Rose Divan, 1921 Art Institute of Chicago

Virgin and Child, Hans Memling, c. 1485, oil on panel

Hans Memling Virgin and Child, c. 1485 Art Institute of Chicago

A woman with a pale, peachy skin stands wearing a voluminous rose-pink, silk dress and holding a wreath of pink and white roses and greenery in this vertical portrait painting.

Anthony van Dyck Catherine Howard, Lady d'Aubigny, c. 1638 National Gallery of Art

Shown from the hips up, a pale-skinned woman with a long, narrow face wears a richly decorated crimson-red dress in this vertical portrait painting. Her body angles to our left, and she looks in that direction with hooded brown eyes.

Agnolo Bronzino Eleonora di Toledo, c. 1560 National Gallery of Art

Dominated by tones of red and fire orange, this nearly square painting shows a seated woman leaning forward in a high-backed chair, holding a round, flat, leaf-shaped fan.

Edgar Degas Madame Camus, 1869/1870 National Gallery of Art

Autumn, a Wood Path, Sanford Robinson Gifford, 1876, oil on canvas

Sanford Robinson Gifford Autumn, a Wood Path, 1876 Cleveland Museum of Art

Bouquet in a Chinese Vase, Odilon Redon, ca. 1912–14, oil on canvas

Odilon Redon Bouquet in a Chinese Vase, ca. 1912–14 The Met

Sunset near Arbonne, Théodore Rousseau, ca. 1860–65, oil on wood

Théodore Rousseau Sunset near Arbonne, ca. 1860–65 The Met

A young boy with pale skin, wearing a burgundy-red suit and floppy hat, stands facing and looking at us with a gray terrier dog at his side in this vertical portrait painting.

Mary Cassatt Eddy Cassatt (Edward Buchanan Cassatt), 1875 National Gallery of Art

Peter Paul Rubens Head of One of the Three Kings: Melchior, The Assyrian King, c. 1618 National Gallery of Art

The Flight into Egypt, Giovanni Battista Tiepolo, ca. 1767–70, oil on canvas

Giovanni Battista Tiepolo The Flight into Egypt, ca. 1767–70 The Met

Portrait of a Woman, Joseph Wright of Derby, ca. 1770, oil on canvas

Joseph Wright of Derby Portrait of a Woman, ca. 1770 The Met

A woman leans forward to trace the shadow cast by a sleeping young man on a wall in a dimly lit room in this horizontal painting. Both people have smooth, pale skin, long, straight noses, thin lips, and brown hair.

Joseph Wright of Derby The Corinthian Maid, 1782-1784 National Gallery of Art

Large painting of Holy Family: Mary in red, holding baby Jesus.

Peter Paul Rubens The Holy Family with Saints Elizabeth and John the Baptist, c. 1615 Art Institute of Chicago

Hamlet and His Mother, Eugène Delacroix, 1849, oil on canvas

Eugène Delacroix Hamlet and His Mother, 1849 The Met

Marie-Yolande de Fitz-James, Henri Fantin-Latour, 1867, oil on fabric

Henri Fantin-Latour Marie-Yolande de Fitz-James, 1867 Cleveland Museum of Art

Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene, William Sidney Mount, 1852, oil on canvas

William Sidney Mount Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene, 1852 The Met

Shown from the knees up, a pale-skinned woman in a voluminous rust-orange dress stands facing us in this vertical portrait painting. She looks toward us but slightly down with dark brown eyes under curved brows.

Edgar Degas Girl in Red, c. 1866 National Gallery of Art

This drawing shows the faint outline of a domed building. The representation is minimalistic, with few details of the building shown besides the dome and vertical lines that might suggest columns.

Thomas Cole Sketch for Ohio State Capitol Design, c. 1838 National Gallery of Art

A partially nude woman with pale, peachy skin sits to our left looking into a mirror held up by a nearly nude, winged child to our right in this vertical painting.

Titian Venus with a Mirror, c. 1555 National Gallery of Art

This painting depicts three individuals in a room. An elderly man is seated on a wooden chair, reading a newspaper, with a child standing beside him. The man has balding gray hair, round spectacles, and is dressed in a black suit.

Eastman Johnson The Brown Family, 1869 National Gallery of Art

Sunrise on the Matterhorn, Albert Bierstadt, after 1875, oil on canvas

Albert Bierstadt Sunrise on the Matterhorn, after 1875 The Met

The Agony in the Garden, Nicolas Poussin, 1626–27, oil on copper

Nicolas Poussin The Agony in the Garden, 1626–27 The Met

Cardinal Fernando Niño de Guevara (1541–1609), El Greco, ca. 1600, oil on canvas

El Greco Cardinal Fernando Niño de Guevara (1541–1609), ca. 1600 The Met

Winding Yarn (Interior of a Nantucket Kitchen), Eastman Johnson, 1872, oil on board

Eastman Johnson Winding Yarn (Interior of a Nantucket Kitchen), 1872 Cleveland Museum of Art

The image shows a still life of round fruits, such as grapes and peaches, placed on a white plate. The color scheme consists of warm browns, muted greens, and deep reds. The fruits have a natural sheen.

Henri Fantin-Latour Still Life with Peaches and Grapes, 1896 National Gallery of Art

A balding, older man sits in a golden boat guided by a winged angel away from craggy rocks to calm waters, toward a shaft of light piercing a billowing bank of clouds in this horizontal landscape painting.

Thomas Cole The Voyage of Life: Old Age, 1842 National Gallery of Art

A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.

Thomas Lawrence Isabella Wolff, 1803–15 Art Institute of Chicago

Portrait of a Carthusian, Petrus Christus, 1446, oil on oak

Petrus Christus Portrait of a Carthusian, 1446 The Met

Moonlight, Strandgade 30, Vilhelm Hammershøi, 1900–1906, oil on canvas

Vilhelm Hammershøi Moonlight, Strandgade 30, 1900–1906 The Met

This painting shows three large peaches on a round white plate. The peaches are in shades of red, pink, and light yellow, and they cast dark shadows on the plate. The plate rests on a brown surface which fills the background of the image.

Henri Fantin-Latour Three Peaches on a Plate, 1868 National Gallery of Art

Feast of the Gods, Honoré Daumier, c. 1849/1850, with later additions by other hands, oil on wood

Honoré Daumier Feast of the Gods, c. 1849/1850, with later additions by other hands National Gallery of Art

Kitchen Utensils with Leeks, Fish, and Eggs, Jean-Baptiste-Siméon Chardin, c. 1734, oil on canvas

Jean-Baptiste-Siméon Chardin Kitchen Utensils with Leeks, Fish, and Eggs, c. 1734 Cleveland Museum of Art

Portrait of a Woman, Amedeo Modigliani, c. 1917–18, oil on canvas

Amedeo Modigliani Portrait of a Woman, c. 1917–18 Cleveland Museum of Art

Harriet Hubbard Ayer, Eastman Johnson, 1881, oil on canvas

Eastman Johnson Harriet Hubbard Ayer, 1881 National Gallery of Art

Virgin and Child, Rogier van der Weyden, c. 1460, oil on panel

Rogier van der Weyden Virgin and Child, c. 1460 Art Institute of Chicago

Three light-skinned men, one with his head and knee bandaged, sit and stand around a rusty, free-standing stove in a room with wide plank floors in this horizontal painting.

William Sidney Mount The Tough Story - Scene in a Country Tavern, 1837 National Gallery of Art

The Return of Persephone, Frederic Leighton, ca. 1890–91, oil on canvas

Frederic Leighton The Return of Persephone, ca. 1890–91 The Met

A man with pale white skin sits and a man with light brown skin stands in front of a cave-like, rocky outcropping in this vertical portrait painting.

Benjamin West Colonel Guy Johnson and Karonghyontye (Captain David Hill), 1776 National Gallery of Art

Anna van der Aar (born 1576/77, died after 1626), Frans Hals, 1626, oil on wood

Frans Hals Anna van der Aar (born 1576/77, died after 1626), 1626 The Met

Arched Doorway, John Singer Sargent, 1895–1908 (?), watercolor and gouache on white wove paper

John Singer Sargent Arched Doorway, 1895–1908 (?) The Met

A woman with smooth, pale skin and wearing a hat, long dress, and gloves, stands holding a bunch of pumpkin-orange leaves against a background of trees painted with touches of rust orange and pine green in this vertical painting.

Winslow Homer Autumn, 1877 National Gallery of Art

The Studio, Winslow Homer, 1867, oil on canvas

Winslow Homer The Studio, 1867 The Met

The Holy Family on the Steps, Nicolas Poussin, 1648, oil on canvas

Nicolas Poussin The Holy Family on the Steps, 1648 Cleveland Museum of Art

Mrs. Mayer and Daughter, Ammi Phillips, 1835–40, oil on canvas

Ammi Phillips Mrs. Mayer and Daughter, 1835–40 The Met

A sinewy older man, his pale skin mostly exposed, sits on a stone low to the ground facing a table on our right in the center of this vertical painting. His gray hair is cropped short, and he has a graying, long beard.

Paolo Veronese Saint Jerome in the Wilderness, c. 1575/1585 National Gallery of Art

The Hatch Family, Eastman Johnson, 1870–71, oil on canvas

Eastman Johnson The Hatch Family, 1870–71 The Met

Neutral with your wall

Quiet palettes that neither match nor fight this color, the softest first. The strongest 24 of 1,322.

Saddle Horse in Farm Yard, Winslow Homer, ca. 1870–75, oil on wood

Winslow Homer Saddle Horse in Farm Yard, ca. 1870–75 The Met

Study of a Tree, Albert Bierstadt, ca. 1864, oil on paper mounted on board

Albert Bierstadt Study of a Tree, ca. 1864 The Met

Portrait of a Man with Gray Hair, Henry Raeburn, 1810–20, oil on canvas

Henry Raeburn Portrait of a Man with Gray Hair, 1810–20 Art Institute of Chicago

Fish, William Merritt Chase, by 1910, oil on canvas

William Merritt Chase Fish, by 1910 The Met

View near Sherburne, Chenango County, New York, Jasper Francis Cropsey, 1853, oil on canvas

Jasper Francis Cropsey View near Sherburne, Chenango County, New York, 1853 The Met

Jonathan Sturges, Asher Brown Durand, ca. 1840, oil on canvas

Asher Brown Durand Jonathan Sturges, ca. 1840 The Met

A Fisherman, Eastman Johnson, 1865, brown inks on tan-color sized canvas

Eastman Johnson A Fisherman, 1865 The Met

Sanford Robinson Gifford, Eastman Johnson, 1880, oil on academy board

Eastman Johnson Sanford Robinson Gifford, 1880 The Met

Lake George, A Reminiscence, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, A Reminiscence, 1872 The Met

Lake George, New York, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, New York, 1872 The Met

Evening, New Bedford Harbor, Dwight William Tryon, 1890, oil on wood

Dwight William Tryon Evening, New Bedford Harbor, 1890 The Met

Moonlight, Dwight William Tryon, 1887, oil on wood

Dwight William Tryon Moonlight, 1887 The Met

Moonrise at Sunset, Dwight William Tryon, 1890, oil on wood

Dwight William Tryon Moonrise at Sunset, 1890 The Met

Village in Brittany, Charles-François Daubigny, 1844, oil on paper, mounted on canvas

Charles-François Daubigny Village in Brittany, 1844 Art Institute of Chicago

Nocturnal landscape painting with lush trees and a large patch of sky with visible brushstrokes. Multiple small, seated figures line the foreground.

Narcisse Virgilio Díaz de la Peña Landscape with Figures, c. 1870 Art Institute of Chicago

Castel San Elmo (from Cropsey Album), Jasper Francis Cropsey, 1848, graphite, white gouache, and watercolor on dark buff-colored wove paper

Jasper Francis Cropsey Castel San Elmo (from Cropsey Album), 1848 The Met

Environs of Fontainebleau: Woodland and Cattle, Rosa Bonheur, 1864, oil on canvas

Rosa Bonheur Environs of Fontainebleau: Woodland and Cattle, 1864 The Met

Capriccio: The Lagoon, Francesco Guardi, After 1770, oil on canvas

Francesco Guardi Capriccio: The Lagoon, After 1770 Art Institute of Chicago

The Circumcision, Giovanni Bellini, 1511, oil on wood

Giovanni Bellini The Circumcision, 1511 The Met

Virgin and Child, Peter Paul Rubens, 1619, oil on wood

Peter Paul Rubens Virgin and Child, 1619 The Met

Allegorical Figure Representing Temperance, Giovanni Battista Tiepolo, 1760, fresco, transferred to canvas

Giovanni Battista Tiepolo Allegorical Figure Representing Temperance, 1760 The Met

Portrait of a Gentleman, Charles Willson Peale, ca. 1775, oil on canvas

Charles Willson Peale Portrait of a Gentleman, ca. 1775 The Met

Portrait of a Woman, Charles Willson Peale, ca. 1775, oil on canvas

Charles Willson Peale Portrait of a Woman, ca. 1775 The Met

Martin Euclid Thompson, William Sidney Mount, 1830, oil on canvas

William Sidney Mount Martin Euclid Thompson, 1830 The Met

Other wall colors