Paintings for Sand Walls (page 26)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,201 to 1,248 of 1,948.

Farm near Duivendrecht, Piet Mondrian, c. 1916, oil on canvas

Piet Mondrian Farm near Duivendrecht, c. 1916 Art Institute of Chicago

We look down at the end of a narrow table at a white plate, pot, knife, and spoon set on the white tablecloth in this horizontal still life painting.

Henri Fantin-Latour Still Life with Mustard Pot, 1860 National Gallery of Art

Nocturne, John La Farge, ca. 1885, watercolor, gouache, and charcoal on off-white wove paper adhered to wove paper

John La Farge Nocturne, ca. 1885 The Met

River Scene, Asher Brown Durand, 1854, oil on canvas

Asher Brown Durand River Scene, 1854 The Met

George Washington, Gilbert Stuart, begun 1795, oil on canvas

Gilbert Stuart George Washington, begun 1795 The Met

Captain George K. H. Coussmaker (1759–1801), Joshua Reynolds, 1782, oil on canvas

Joshua Reynolds Captain George K. H. Coussmaker (1759–1801), 1782 The Met

The Holy Family on the Steps, Nicolas Poussin, 1648, oil on canvas

Nicolas Poussin The Holy Family on the Steps, 1648 Cleveland Museum of Art

Shown from the waist up, a pale-skinned man with a mustache stands with one hand on his hip and the other hand held up in this dark-toned, vertical portrait painting.

James McNeill Whistler Gold and Brown: Self-Portrait, c. 1896-1898 National Gallery of Art

Portrait of Renoir, Frédéric Bazille, 1867, oil on canvas

Frédéric Bazille Portrait of Renoir, 1867 Cleveland Museum of Art

The Third-Class Carriage, Honoré Daumier, 1864, oil on canvas

Honoré Daumier The Third-Class Carriage, 1864 The Met

Mountain Torrent, Jacob van Ruisdael, 1670s, oil on canvas

Jacob van Ruisdael Mountain Torrent, 1670s The Met

This painting shows a group of people engaged in various activities within a wide green landscape. In the background are distant white-and-blue mountains and a blue sky with soft gray clouds.

Francesco Guardi Erminia and the Shepherds, 1750/1755 National Gallery of Art

The Colonnade of Saint Peter's, Rome, during the Conclave, Hubert Robert, c.1769, oil on canvas

Hubert Robert The Colonnade of Saint Peter's, Rome, during the Conclave, c.1769 Cleveland Museum of Art

Madame Frederic Breyer (Fanny Hélène Van Bruyssel, 1830–1894), Gustave Courbet, 1858, oil on canvas

Gustave Courbet Madame Frederic Breyer (Fanny Hélène Van Bruyssel, 1830–1894), 1858 The Met

The image shows an upper-body portrait of a man facing forward with his body tilted slightly to the left. He wears a brown coat over a teal waistcoat and a white ruffled shirt is visible at the cuffs and neckline.

Jeremiah Theus Mr. Motte, c. 1760 National Gallery of Art

This painting shows a portrait of a woman, depicted from the thighs up. She is seated with her body and head facing forward.

Amedeo Modigliani Madame Amédée (Woman with Cigarette), 1918 National Gallery of Art

The painting contains two full-body depictions of a man with dark skin in different postures and clothing, placed next to each other against a dark background. On the left, the man stands upright, holding a cane.

Eugène Delacroix Two Studies of an Indian from Calcutta, Seated and Standing, c. 1823/1824 National Gallery of Art

Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.

John Philip Simpson The Captive Slave (Ira Aldridge), 1827 Art Institute of Chicago

Shown from the hips up, a pale-skinned woman wearing white sits facing us against a golden-toned landscape background in this vertical portrait painting.

Henry Raeburn Miss Eleanor Urquhart, c. 1793 National Gallery of Art

Landscape with Figures (Les Bohémiens), Camille Corot, 1872, oil on canvas

Camille Corot Landscape with Figures (Les Bohémiens), 1872 The Met

This painting shows a beach scene with people gathered on the sandy shore, facing away from us, looking towards the water. The horizon is in the center of the image, with the pale green-blue sea meeting the slightly darker blue sky.

Eugène Boudin On the Beach, 1894 National Gallery of Art

Piazza San Marco, Canaletto, late 1720s, oil on canvas

Canaletto Piazza San Marco, late 1720s The Met

A three-part panel featuring a variety of scenes, vertically stacked and richly painted. The central panel features the Virgin Mary and and Child flanked by archangels Gabriel and Michael, twelve disciples below them in grid formation.

Central Ethiopia Triptych, Late 17th century Art Institute of Chicago

Orange, yellow, and white flowers in a brown vase on a round table, with a blue-green floral tablecloth and mottled, brownish background.

Pierre-Auguste Renoir Chrysanthemums, 1881–82 Art Institute of Chicago

Louis Gueymard (1822–1880) as Robert le Diable, Gustave Courbet, 1857, oil on canvas

Gustave Courbet Louis Gueymard (1822–1880) as Robert le Diable, 1857 The Met

The Letter, Camille Corot, ca. 1865, oil on wood

Camille Corot The Letter, ca. 1865 The Met

George Sand's Garden at Nohant, Eugène Delacroix, ca. 1842–43, oil on canvas

Eugène Delacroix George Sand's Garden at Nohant, ca. 1842–43 The Met

A pale-skinned, clean-shaven man with a heavily lined, paunchy face sits against a green and red wall in this vertical portrait painting. The man sits in a wooden chair painted forest green and rests both hands on the closer arm.

John Singleton Copley Eleazer Tyng, 1772 National Gallery of Art

The Stolen Kiss, Jean-Honoré Fragonard, ca. 1760, oil on canvas

Jean-Honoré Fragonard The Stolen Kiss, ca. 1760 The Met

Young Woman with a Water Pitcher, Johannes Vermeer, ca. 1662, oil on canvas

Johannes Vermeer Young Woman with a Water Pitcher, ca. 1662 The Met

In a dance studio, two ballerinas wearing knee-length tutus and ballet slippers sit on a bench and stretch to our right while four more pose at the back of the space, to our left, in this long, horizontal painting.

Edgar Degas Before the Ballet, 1890/1892 National Gallery of Art

Dancers, Pink and Green, Edgar Degas, ca. 1890, oil on canvas

Edgar Degas Dancers, Pink and Green, ca. 1890 The Met

This painting depicts a while villa partially hidden by greenery. The villa has several buildings on different levels with small windows and reddish-brown roofs. The brushstrokes are loose and broad, giving the image a blurred effect.

Pierre-Auguste Renoir Maison de la Poste, Cagnes, 1906/1907 National Gallery of Art

Madame Jacques-Louis Leblanc (Françoise Poncelle, 1788–1839), Jean-Auguste-Dominique Ingres, 1823, oil on canvas

Jean-Auguste-Dominique Ingres Madame Jacques-Louis Leblanc (Françoise Poncelle, 1788–1839), 1823 The Met

Water laps at a curving shoreline in front of a steep sandy dune carpeted in grass, shrubs, and trees in this horizontal landscape painting. The dune takes up the lower right quadrant of the composition.

Jacob van Ruisdael Dunes by the Sea, 1648 National Gallery of Art

James Monroe, Gilbert Stuart, ca. 1820–22, oil on canvas

Gilbert Stuart James Monroe, ca. 1820–22 The Met

Young Lady in 1866, Édouard Manet, 1866, oil on canvas

Édouard Manet Young Lady in 1866, 1866 The Met

Portrait of a Man, Rembrandt van Rijn, ca. 1655–60, oil on canvas

Rembrandt van Rijn Portrait of a Man, ca. 1655–60 The Met

A young girl wearing a rust-red dress with a tight bodice and full, voluminous skirt sits in a hazy, garden-like setting in this vertical portrait painting. Her skin is pale with a greenish cast, but her cheeks are slightly flushed.

Joshua Reynolds Lady Elizabeth Hamilton, 1758 National Gallery of Art

Madame Manet (Suzanne Leenhoff, 1829–1906) at Bellevue, Édouard Manet, 1880, oil on canvas

Édouard Manet Madame Manet (Suzanne Leenhoff, 1829–1906) at Bellevue, 1880 The Met

The Italian Woman, Amedeo Modigliani, ca. 1918–19, oil on canvas

Amedeo Modigliani The Italian Woman, ca. 1918–19 The Met

Watercolor of tiny people and horses, framed with gold flowers on navy background.

'Aliquli Jabbadar Royal Horse Inspection, Safavid dynasty (1501–1722), late 17th century Art Institute of Chicago

Mme L . . . (Laure Borreau), Gustave Courbet, 1863, oil on fabric

Gustave Courbet Mme L . . . (Laure Borreau), 1863 Cleveland Museum of Art

View of Ornans, Gustave Courbet, probably mid-1850s, oil on canvas

Gustave Courbet View of Ornans, probably mid-1850s The Met

We look slightly down onto a group of people gathered along the bank of a river that winds around a copse of tall trees to our left, past a hill to our right, and into the deep distance in this horizontal landscape painting.

Claude Lorrain Landscape with Merchants, c. 1629 National Gallery of Art

The White Tablecloth, Jean-Baptiste-Siméon Chardin, c. 1731–32, oil on canvas

Jean-Baptiste-Siméon Chardin The White Tablecloth, c. 1731–32 Art Institute of Chicago

Six men on horseback and wearing jockeys’ uniforms line up on a grassy field in front of us in this loosely painted horizontal scene. The jockeys and horses’ features are especially freely painted so much of the detail is indistinct.

Edgar Degas The Riders, c. 1885 National Gallery of Art

Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, Joseph Wright of Derby, 1779, oil on canvas

Joseph Wright of Derby Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, 1779 The Met

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