Paintings for Taupe Walls (page 2)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 49 to 96 of 2,035.

Still Life—Violin and Music, William Michael Harnett, 1888, oil on canvas

William Michael Harnett Still Life—Violin and Music, 1888 The Met

This painting is a portrait of a seated woman looking off to the left with a composed expression. She has light skin with rosy cheeks, brown eyes, and slightly upturned pink lips.

Gilbert Stuart Eleanor Parke Custis Lewis (Mrs. Lawrence Lewis), 1804 National Gallery of Art

Cows, horses, sheep, and pigs stand closely together in a band across the bottom edge of this horizontal painting. Rolling hills open onto grassy lawns, farms, and fields beyond.

Edward Hicks The Cornell Farm, 1848 National Gallery of Art

Imaginary View with a Tomb by the Lagoon, Canaletto, early 1740s, oil on canvas

Canaletto Imaginary View with a Tomb by the Lagoon, early 1740s The Met

We look slightly down onto and across a wide, boat-filled river under a cloudy sky at the far bank, which is lined with buildings, in this loosely painted, horizontal landscape.

James McNeill Whistler Battersea Reach, c. 1863 National Gallery of Art

The painting depicts a landscape scene with a body of water, trees, reflections, and a house in the distance. The composition shows a low horizon line with trees arching across the scene and soft reflections on the water's surface.

Charles-François Daubigny Sunset on the River, 1874 National Gallery of Art

Woman Feeding Chickens, Jean-François Millet, 1846-48, oil on canvas

Jean-François Millet Woman Feeding Chickens, 1846-48 Art Institute of Chicago

Mary Campbell Stuart, Gilbert Stuart, c. 1815, oil on wood

Gilbert Stuart Mary Campbell Stuart, c. 1815 Cleveland Museum of Art

Shown from the lap up, a woman with pale skin wearing a white satin dress and tall white bonnet sits sewing with her body facing our left in this vertical portrait painting.

Gilbert Stuart Catherine Brass Yates (Mrs. Richard Yates), 1793/1794 National Gallery of Art

Pierre-Auguste Renoir Head of a Young Girl, c. 1890 National Gallery of Art

Near a verdant riverbank against soaring, hazy cliffs, a nude, chubby baby sits in a golden boat on a bed of pink and white flowers in this horizontal painting.

Thomas Cole The Voyage of Life: Childhood, 1842 National Gallery of Art

A man looks up as he kneels with his hands clasped in prayer in a small golden boat on a river that rushes toward craggy rocks in this horizontal landscape painting.

Thomas Cole The Voyage of Life: Manhood, 1842 National Gallery of Art

The Muse: History, Camille Corot, ca. 1865, oil on canvas

Camille Corot The Muse: History, ca. 1865 The Met

Three small children with pale pink skin sit and stand among a group of animals to our right as a group of eight indigenous people with light brown skin gather with eight white-skinned men near a riverbank in the distance to our left in…

Edward Hicks Peaceable Kingdom, c. 1834 National Gallery of Art

The image shows three full-body figures standing together. On the left is a female figure holding a feather, in a decorated dress. In the center is a male figure with long, ornamented hair and a beaded robe, holding a fur piece and shield.

George Catlin Three Minatarree Indians, 1861 National Gallery of Art

Open Doorway, Morocco, John Singer Sargent, 1879–80, oil on wood

John Singer Sargent Open Doorway, Morocco, 1879–80 The Met

Peasants Bringing Home a Calf Born in the Fields, Jean-François Millet, 1864, oil on canvas

Jean-François Millet Peasants Bringing Home a Calf Born in the Fields, 1864 Art Institute of Chicago

The Titan's Goblet, Thomas Cole, 1833, oil on canvas

Thomas Cole The Titan's Goblet, 1833 The Met

Young Girl Meditating, Thomas Eakins, 1877, watercolor and gouache on off-white wove paper

Thomas Eakins Young Girl Meditating, 1877 The Met

Mrs. Richard Alexander Oswald (Louisa Johnston, ?born about 1760, died 1797), Henry Raeburn, ca. 1794, oil on canvas

Henry Raeburn Mrs. Richard Alexander Oswald (Louisa Johnston, ?born about 1760, died 1797), ca. 1794 The Met

Pierre-Auguste Renoir Young Girl Reading, c. 1888 National Gallery of Art

Sibylle, Camille Corot, ca. 1870, oil on canvas

Camille Corot Sibylle, ca. 1870 The Met

Gnarled, ash-brown roots woven through a muddy, rocky bank and sprays of dark green leaves fill this loosely painted, horizontal landscape. Touches of spring green in the lower right corner suggest ground cover.

John Singer Sargent Wild Olive Tree Roots, Valldemosa, Majorca, 1908 National Gallery of Art

A large, dark sailing ship to our left is stranded near the shore, angled dramatically away from us, in choppy waves under a periwinkle-blue sky streaked with gray and copper-colored clouds in this horizontal painting.

Asher Brown Durand The Stranded Ship, 1844 National Gallery of Art

Shown from the shins up, a woman with medium-toned skin plays a mandolin in this loosely painted vertical composition. The woman’s body faces us but her head tips to our left and she looks down in that direction with dark eyes.

Camille Corot Gypsy Woman with Mandolin, c. 1870 National Gallery of Art

Painting of several light-skinned people gathered around a table in front of a gilded mirror, playing instruments. At left, seated next to a woman in an off-the-shoulder gown, a man in a plumed hat plays a lute.

Jan Steen The Family Concert, 1666 Art Institute of Chicago

A blue and white bowl overflowing with grapes, two loose bunches of grapes, and a vivid pink carnation lie on a white tablecloth against a dark brown background in this still life painting.

Henri Fantin-Latour Still Life with Grapes and a Carnation, c. 1880 National Gallery of Art

A young man with a peachy, ruddy complexion lies on his stomach in a wooden rowboat on a river, reaching forward to grasp the horn of a stag almost completely submerged in the rippling water with one hand.

Winslow Homer Hound and Hunter, 1892 National Gallery of Art

Shown from the waist up, a young girl wearing a slate-gray dress and straw hat stands with her hands clasped in front of her in this vertical portrait painting. The girl has light, peachy skin, and her cheeks are lightly flushed.

Mary Cassatt Child in a Straw Hat, c. 1886 National Gallery of Art

This painting is a portrait of a woman. She has fair skin, a straight nose, and thin red lips, with her dark hair styled up with flowers.

John Singleton Copley Elizabeth Gray Otis (Mrs. Samuel Alleyne Otis), c. 1764 National Gallery of Art

Men and women line up to either side of a man seated on a throne in this long, horizontal painting.

Giovanni Bellini An Episode from the Life of Publius Cornelius Scipio, after 1506 National Gallery of Art

Landscape, Jean-Charles Cazin, after 1876, oil on canvas

Jean-Charles Cazin Landscape, after 1876 National Gallery of Art

Large painting of ancient arch ruins, statues, humans are small in comparison.

Hubert Robert The Fountains, 1787–88 Art Institute of Chicago

View of Saint-Valéry-sur-Somme, Edgar Degas, 1896–98, oil on canvas

Edgar Degas View of Saint-Valéry-sur-Somme, 1896–98 The Met

Garden View, Brooklyn, Fidelia Bridges, ca. 1867, watercolor and gouache, with traces of graphite underdrawing, on tan hot-pressed wove paper

Fidelia Bridges Garden View, Brooklyn, ca. 1867 The Met

This painting shows a rocky green ravine with a gray stream running through it, surrounded by thick foliage and large boulders. An arched stone bridge crosses over the stream in the center of the painting.

Théodore Rousseau Mountain Stream in the Auvergne, 1830 National Gallery of Art

Friar Pedro Clubs El Maragato with the Butt of the Gun, Francisco de Goya, c. 1806, oil on panel

Francisco de Goya Friar Pedro Clubs El Maragato with the Butt of the Gun, c. 1806 Art Institute of Chicago

Portrait of My Daughter Alice, William Merritt Chase, c. 1895, oil on canvas

William Merritt Chase Portrait of My Daughter Alice, c. 1895 Cleveland Museum of Art

Corn Husking at Nantucket, Eastman Johnson, ca. 1875, oil on canvas

Eastman Johnson Corn Husking at Nantucket, ca. 1875 The Met

Large painting, woman in pink dress in front of classical sculpture, shrine.

Joshua Reynolds Lady Sarah Bunbury Sacrificing to the Graces, 1763–65 Art Institute of Chicago

Sawmill, Outskirts of Paris, Henri Rousseau, c. 1893/95, oil on canvas

Henri Rousseau Sawmill, Outskirts of Paris, c. 1893/95 Art Institute of Chicago

Marie Emilie Coignet de Courson (1716–1806) with a Dog, Jean-Honoré Fragonard, ca. 1769, oil on canvas

Jean-Honoré Fragonard Marie Emilie Coignet de Courson (1716–1806) with a Dog, ca. 1769 The Met

From far below, we look up at an older man with standing on a cliff edge or rocky ledge with his arms raised as he turns his head to gaze up to a second man and winged, child-like angels surrounded by clouds in the sky above in this square…

Titian Saint John the Evangelist on Patmos, c. 1553/1555 National Gallery of Art

A woman wearing a pale yellow silk dress sits playing a lute in front of a table while a man, wearing a black suit and hat, stands behind her in this vertical painting. Both have light skin.

Gerard ter Borch The Music Lesson, c. 1670 National Gallery of Art

Henri Fantin-Latour Duchess de Fitz-James, 1867 National Gallery of Art

Storm in the Mountains, Frederic Edwin Church, 1847, oil on canvas

Frederic Edwin Church Storm in the Mountains, 1847 Cleveland Museum of Art

A young woman with pale, peachy skin, wearing a long, flowing white dress, stands in front of a white curtain in this vertical portrait painting. Her auburn-red hair cascades down over and behind her shoulders.

James McNeill Whistler Symphony in White, No. 1: The White Girl, 1861-1863, 1872 National Gallery of Art

A pensive faced woman sits, slightly hunched, holding a book.

Camille Corot Interrupted Reading, c. 1870 Art Institute of Chicago

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