Paintings for Taupe Walls (page 4)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 145 to 192 of 2,035.

We look slightly down onto a balding, bearded man with pale, peachy skin and wearing a three-piece suit, seated in a wooden armchair behind an L-shaped desk, in this loosely painted vertical portrait.

Édouard Vuillard Théodore Duret, 1912 National Gallery of Art

A Goldsmith in his Shop, Petrus Christus, 1449, oil on oak panel

Petrus Christus A Goldsmith in his Shop, 1449 The Met

George Moore (1852–1933) at the Café, Édouard Manet, 1878 or 1879, oil on canvas

Édouard Manet George Moore (1852–1933) at the Café, 1878 or 1879 The Met

The image shows three individuals against a natural background. On the left, a man is seated on the ground, his body wrapped in a beige cloth. He has long, dark hair and a solemn expression, holding a long pipe.

George Catlin Old Menomonie Chief with Two Young Beaux, 1861/1869 National Gallery of Art

Young Woman with Her Hand over Her Mouth, Edgar Degas, ca. 1875, oil colors freely mixed with turpentine on canvas

Edgar Degas Young Woman with Her Hand over Her Mouth, ca. 1875 The Met

Kitchen Utensils with Leeks, Fish, and Eggs, Jean-Baptiste-Siméon Chardin, c. 1734, oil on canvas

Jean-Baptiste-Siméon Chardin Kitchen Utensils with Leeks, Fish, and Eggs, c. 1734 Cleveland Museum of Art

Variations in Violet and Grey—Market Place, Dieppe, James McNeill Whistler, 1885, gouache and watercolor on off-white wove paper, mounted on academy board

James McNeill Whistler Variations in Violet and Grey—Market Place, Dieppe, 1885 The Met

Three Miracles of Saint Zenobius, Sandro Botticelli, ca. 1500, tempera on wood

Sandro Botticelli Three Miracles of Saint Zenobius, ca. 1500 The Met

A River in a Meadow, Théodore Rousseau, ca. 1840, oil on wood

Théodore Rousseau A River in a Meadow, ca. 1840 The Met

Shown from the knees up, a seated woman is surrounded by an arch of disembodied, winged baby heads as she gazes down at an infant lying across her lap in this vertical painting.

Jacopo Tintoretto The Madonna of the Stars, c. 1575/1585 National Gallery of Art

A woman and child stand in an enclosed courtyard in this vertical painting.

Pieter de Hooch Woman and Child in a Courtyard, 1658/1660 National Gallery of Art

The Keeper of the Flock, Jean-François Millet, 1871–74, oil on canvas

Jean-François Millet The Keeper of the Flock, 1871–74 Art Institute of Chicago

King Anushirwan and the Owls, from the Khamsa of Nizami, Islamic, Safavid dynasty (1501–1722), c.1535, ink, opaque watercolor, and gold on paper

Islamic King Anushirwan and the Owls, from the Khamsa of Nizami, Safavid dynasty (1501–1722), c.1535 Art Institute of Chicago

We look across an expanse of a flat, grassy lawn at the towering spire of a stone church outlined against billowing clouds in this horizontal landscape painting.

John Constable Salisbury Cathedral from Lower Marsh Close, 1820 National Gallery of Art

The Nativity, Lorenzo Monaco, ca. 1406–10, tempera and gold on wood

Lorenzo Monaco The Nativity, ca. 1406–10 The Met

A pale-skinned woman with honey-blond hair reclines among wheat stalks and grape vines in this horizontal painting. She lies on her side with her head to our right and her body facing us. Her upper body is propped on her left elbow.

Jacopo Tintoretto Summer, c. 1546/1548 National Gallery of Art

Study of a Girl's Head and Shoulders, James McNeill Whistler, 1896–97, oil on panel

James McNeill Whistler Study of a Girl's Head and Shoulders, 1896–97 Art Institute of Chicago

The Pond at the Entrance of the Woods, Camille Corot, c. 1860–75, oil on fabric

Camille Corot The Pond at the Entrance of the Woods, c. 1860–75 Cleveland Museum of Art

Three people gather around the doorway of a small cottage set in a sun-warmed yard in this almost square painting.

George Caleb Bingham Cottage Scenery, 1845 National Gallery of Art

The Garden of the Tuileries on a Winter Afternoon, Camille Pissarro, 1899, oil on canvas

Camille Pissarro The Garden of the Tuileries on a Winter Afternoon, 1899 The Met

A man and woman are surrounded by six pudgy children, some with wings, against a deep landscape in this square painting. At the center of the composition, the man, Bacchus, sits astride a wine barrel, which is about half his height.

Giovanni Battista Tiepolo Bacchus and Ariadne, c. 1743/1745 National Gallery of Art

Shown from about the waist up, a woman with pale, peachy skin and dark hair holds a blond, light-skinned child on her lap at a table as they play with several small toys in this horizontal painting.

Pierre-Auguste Renoir Child with Toys - Gabrielle and the Artist's Son, Jean, 1895-1896 National Gallery of Art

The Return of the Holy Family to Nazareth, Nicolas Poussin, c. 1627, oil on canvas

Nicolas Poussin The Return of the Holy Family to Nazareth, c. 1627 Cleveland Museum of Art

Virgin and Child, Hans Memling, ca. 1490–94, oil on wood

Hans Memling Virgin and Child, ca. 1490–94 The Met

A Woman Ironing, Edgar Degas, 1873, oil on canvas

Edgar Degas A Woman Ironing, 1873 The Met

A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), Edgar Degas, 1865, oil on canvas

Edgar Degas A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), 1865 The Met

A man wearing loose, ivory-white clothing stands flanked by two groups of people in this horizontal painting. All the people have pale or peachy skin except for one person, who may have a brown mask.

Antoine Watteau The Italian Comedians, probably 1720 National Gallery of Art

A young woman, holding a knife and vegetable in her lap and wearing a clay-brown jacket over a long, poppy-red skirt, sits on a wooden ladderback chair angled to our right in the center of this vertical painting.

Jean-Baptiste-Siméon Chardin The Kitchen Maid, 1738 National Gallery of Art

Shown from about the hips up against a sable-brown background, a pale-skinned woman stands cradling an apple with both hands at her waist in this vertical portrait painting.

Titian Woman Holding an Apple, c. 1550 National Gallery of Art

Large painting of young woman in white dress sitting next to crib.

Jacques-Louis David Madame de Pastoret and Her Son, 1791–92 Art Institute of Chicago

This painting shows a seaside view with a low horizon. A sandy beach is on the left, with ships and sailboats sailing on the water in the distance on the right.

John Constable Yarmouth Jetty, 1822 National Gallery of Art

This painting shows a busy scene at the edge of the water. The horizon is visible on the left, where blue-gray sky meets blue-gray water behind a line of tall masts.

Robert Henri Volendam Street Scene, 1910 National Gallery of Art

The painting shows an enormous tree with a hollowed base where two people, potentially young boys, are taking shelter. The boys sit together in the hollow base of the tree, one appearing to read a piece of paper.

Eastman Johnson The Truants, c. 1870 National Gallery of Art

Madame Edouard Manet (Suzanne Leenhoff, 1829–1906), Édouard Manet, ca. 1873, oil on canvas

Édouard Manet Madame Edouard Manet (Suzanne Leenhoff, 1829–1906), ca. 1873 The Met

A woman, Mary, floats in the sky surrounded by eleven winged angels above fifteen men and women gathered around an open, stone coffin in this vertical painting. All the people have pale, peachy skin.

Peter Paul Rubens The Assumption of the Virgin, probably mid 1620s National Gallery of Art

Monk Selling Ceremonial Tea Whisks, Katsushika Hokusai, c. 1802, ink and light color on paper

Katsushika Hokusai Monk Selling Ceremonial Tea Whisks, c. 1802 Art Institute of Chicago

A thin, narrow-shouldered woman holding a black shawl close to her body walks toward us down an alleyway past a pair of men wearing all black in this horizontal painting.

John Singer Sargent Street in Venice, 1882 National Gallery of Art

A woman wearing a white and pale pink robe and holding a sickle sits on billowing clouds flanked by a lion and two young people in this vertical, oval painting. All three people have pale skin with rosy cheeks and blond hair.

Antoine Watteau Ceres (Summer), c. 1717/1718 National Gallery of Art

The image shows a landscape with people at a campsite in the foreground. There are tents under trees, a plain leading to a hill in the background, and more hills further away.

George Catlin Expedition Encamped on a Texas Prairie. April 1686, 1847/1848 National Gallery of Art

Pillars of the Country, Yao Shou, Ming dynasty (1368–1644), 1494, handscroll; ink and color on paper

Yao Shou Pillars of the Country, Ming dynasty (1368–1644), 1494 Art Institute of Chicago

El Maragato Threatens Friar Pedro de Zaldivia with His Gun, Francisco de Goya, c. 1806, oil on panel

Francisco de Goya El Maragato Threatens Friar Pedro de Zaldivia with His Gun, c. 1806 Art Institute of Chicago

Two women, a man, and two pudgy children create a close-knit group against a dark brown background in this vertical painting. The people all have pale skin with rosy cheeks, blond or copper-colored hair, and delicate gold rings as halos.

Agnolo Bronzino The Holy Family, c. 1527/1528 National Gallery of Art

This painting depicts a woman and a child standing in a wooded area. The woman holds a closed parasol in one hand and reaches down towards the child with the other.

Camille Corot Madame Stumpf and Her Daughter, 1872 National Gallery of Art

Café Wepler, Édouard Vuillard, c. 1908–10, reworked in 1912, oil on fabric

Édouard Vuillard Café Wepler, c. 1908–10, reworked in 1912 Cleveland Museum of Art

The Hermit (Il solitario), John Singer Sargent, 1908, oil on canvas

John Singer Sargent The Hermit (Il solitario), 1908 The Met

Two thick, twisting, splintered tree trunks with broken branches stripped of leaves are set against a dark, wooded landscape beneath a nearly black sky in this horizontal landscape painting.

Thomas Cole Tornado in an American Forest, 1831 National Gallery of Art

Painting of four figures in blue, red, brown dresses playing croquet.

Winslow Homer Croquet Scene, 1866 Art Institute of Chicago

This painting shows a seated woman, her body turned slightly to the left and her head turned towards us. She is holding a small white mask in her right hand, balancing it on one of her knees.

Thomas Wilmer Dewing Lady with a Mask, 1911 National Gallery of Art

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