Paintings for Taupe Walls (page 6)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 241 to 288 of 2,035.

A woman with light skin sits facing us across a marble-topped table in a café in this vertical painting. Her body is angled slightly to our right, and she rests her right elbow, on our left, on the table.

Édouard Manet Plum Brandy, c. 1877 National Gallery of Art

Neptune and the Winds, Giovanni Battista Tiepolo, 1760s, oil on canvas

Giovanni Battista Tiepolo Neptune and the Winds, 1760s The Met

Landscape with Cottages, John Constable, 1809–10, oil on canvas

John Constable Landscape with Cottages, 1809–10 Art Institute of Chicago

Painting of Greek landscape, classical architecture, yellow, red robed man reading.

Nicolas Poussin Landscape with Saint John on Patmos, 1640 Art Institute of Chicago

Madame Edmond Cavé (Marie-Elisabeth Blavot, ca. 1806–1883), Jean-Auguste-Dominique Ingres, ca. 1831–34, oil on canvas

Jean-Auguste-Dominique Ingres Madame Edmond Cavé (Marie-Elisabeth Blavot, ca. 1806–1883), ca. 1831–34 The Met

Young Woman, Jean-François Millet, 1844–45, oil on canvas

Jean-François Millet Young Woman, 1844–45 Art Institute of Chicago

Evening: Landscape with an Aqueduct, Théodore Géricault, 1818, oil on canvas

Théodore Géricault Evening: Landscape with an Aqueduct, 1818 The Met

The Last Supper, Ugolino da Siena, ca. 1325, tempera and gold on wood

Ugolino da Siena The Last Supper, ca. 1325 The Met

The Adoration of the Magi, Giovanni Battista Tiepolo, late 1750s, oil on canvas

Giovanni Battista Tiepolo The Adoration of the Magi, late 1750s The Met

Still Life with Roses and Fruit, Henri Fantin-Latour, 1863, oil on canvas

Henri Fantin-Latour Still Life with Roses and Fruit, 1863 The Met

A pale-skinned woman sits at a table leaning over an open book in a brightly lit room in this loosely painted, horizontal scene.

Camille Corot Woman Reading in the Studio, c. 1868 National Gallery of Art

A flatboat with eight light-skinned men floats toward us down a wide river in this horizontal painting. The boat nearly spans the width of the composition and has low sides and a shallowly arched, low cabin upon which the men gather.

George Caleb Bingham The Jolly Flatboatmen, 1846 National Gallery of Art

Trouville (Grey and Green, the Silver Sea), James McNeill Whistler, 1865, oil on canvas

James McNeill Whistler Trouville (Grey and Green, the Silver Sea), 1865 Art Institute of Chicago

Portrait after a Costume Ball (Portrait of Madame Dietz-Monnin), Edgar Degas, 1879, distemper, metallic paint, and pastel, on canvas

Edgar Degas Portrait after a Costume Ball (Portrait of Madame Dietz-Monnin), 1879 Art Institute of Chicago

A Vista through Trees: Fontainebleau, Narcisse Virgilio Díaz de la Peña, 1873, oil on wood

Narcisse Virgilio Díaz de la Peña A Vista through Trees: Fontainebleau, 1873 The Met

This painting shows a woman sitting at a round table. She has fair skin, sharp cheekbones, thick eyebrows, and pale lips with one side of her mouth raised in a partial smile. She has short brown hair with bangs across her forehead.

Henri de Toulouse-Lautrec A la Bastille (Jeanne Wenz), 1888 National Gallery of Art

A man and woman greet each other at the center of a group of about a dozen people set within a landscape in this horizontal painting. All the people have pale, peachy skin.

Peter Paul Rubens The Meeting of David and Abigail, c. 1630 National Gallery of Art

Sunlight, Théodore Rousseau, c. 1848/1850, oil on wood

Théodore Rousseau Sunlight, c. 1848/1850 National Gallery of Art

Frieda Schiff (1876–1958), Later Mrs. Felix M. Warburg, Anders Zorn, 1894, oil on canvas

Anders Zorn Frieda Schiff (1876–1958), Later Mrs. Felix M. Warburg, 1894 The Met

The Sofa, Henri de Toulouse-Lautrec, ca. 1894–96, oil on cardboard

Henri de Toulouse-Lautrec The Sofa, ca. 1894–96 The Met

The image shows four adults and one child seated on the ground within an oval frame. The child is on the far left, lying down with a bow and arrow.

George Catlin The Sioux Chief with Several Indians, 1861/1869 National Gallery of Art

Christ Taking Leave of His Mother, Gerard David, ca. 1500, oil on wood

Gerard David Christ Taking Leave of His Mother, ca. 1500 The Met

Asters and Fruit on a Table, Henri Fantin-Latour, 1868, oil on canvas

Henri Fantin-Latour Asters and Fruit on a Table, 1868 The Met

A jumble of pewter plates and a pitcher, glass goblets, a gold chalice, a brass candlestick, and other vessels along with lemons, olives, and the remains of a mince pie are arranged on a cream-white tablecloth bunched on a dark green…

Willem Claesz Heda Banquet Piece with Mince Pie, 1635 National Gallery of Art

A seated woman with an infant on her lap and three children are clustered on a terrace overlooking green hills and a body of water in this square painting. They all have pale skin with flushed cheeks.

Peter Paul Rubens Deborah Kip, Wife of Sir Balthasar Gerbier, and Her Children, 1629/1630, reworked probably mid 1640s National Gallery of Art

A dirt path winds through a field of gold-green grass back to a town built on low hills in this horizontal, densely hazy landscape painting. Several minuscule people walk on the path and at least one person rides a horse.

Sanford Robinson Gifford Siout, Egypt, 1874 National Gallery of Art

Marshland, Jules Dupré, 1860s-1870s, oil on fabric

Jules Dupré Marshland, 1860s-1870s Cleveland Museum of Art

Christ Healing the Blind, El Greco, ca. 1570, oil on canvas

El Greco Christ Healing the Blind, ca. 1570 The Met

James-Jacques-Joseph Tissot (1836–1902), Edgar Degas, ca. 1867–68, oil on canvas

Edgar Degas James-Jacques-Joseph Tissot (1836–1902), ca. 1867–68 The Met

Saint Andrew, Simone Martini, ca. 1326, tempera on wood, gold ground

Simone Martini Saint Andrew, ca. 1326 The Met

Virgin and Child with Saints Dominic and Hyacinth, Giovanni Battista Tiepolo, 1730–35, oil on canvas

Giovanni Battista Tiepolo Virgin and Child with Saints Dominic and Hyacinth, 1730–35 Art Institute of Chicago

New England Scenery, Thomas Cole, 1839, oil on canvas

Thomas Cole New England Scenery, 1839 Art Institute of Chicago

British Manufactory; A Sketch, Benjamin West, 1791, oil on paper mounted on wood

Benjamin West British Manufactory; A Sketch, 1791 Cleveland Museum of Art

Field with Young Trees in the Foreground, Piet Mondrian, c. 1907, oil on paper laid on board

Piet Mondrian Field with Young Trees in the Foreground, c. 1907 Cleveland Museum of Art

Boboli Garden, Florence, John Singer Sargent, ca. 1906–7, watercolor, gouache, and graphite on white wove paper, mounted on board

John Singer Sargent Boboli Garden, Florence, ca. 1906–7 The Met

This painting shows a group of potted pansies. There is a large basket filled with yellow pansies on the left, surrounded by at least four smaller terracotta pots on the right containing purple, white, blue, and orange pansies.

Henri Fantin-Latour Pansies, 1874 National Gallery of Art

The Fortune-Teller, Georges de La Tour, probably 1630s, oil on canvas

Georges de La Tour The Fortune-Teller, probably 1630s The Met

The Miracle of the Loaves and Fishes, Jacopo Tintoretto, ca. 1545–50, oil on canvas

Jacopo Tintoretto The Miracle of the Loaves and Fishes, ca. 1545–50 The Met

Painted entirely with tones of white and gray, a pudgy, winged baby-like putto, Cupid, holds onto a wheel in this vertical canvas. Cupid’s body is angled to our left, where he hunches over the shoulder-high wheel.

Titian Cupid with the Wheel of Time, c. 1515/1520 National Gallery of Art

A smiling young child holds the latch of an open wooden door as she looks toward a woman to our right in this almost square painting. The woman and child both have pale skin and stand in a bedroom.

Pieter de Hooch The Bedroom, 1658/1660 National Gallery of Art

We look across a body of calm water onto a wooden pier, rowboats, sailboats, and a town on the distant shore, all beneath a cloudy sky that takes up the top three-quarters of this horizontal landscape.

Aelbert Cuyp A Pier Overlooking Dordrecht, early 1640s National Gallery of Art

Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of Saints Giovanni e Paolo, 1782, Francesco Guardi, c. 1783, oil on canvas

Francesco Guardi Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of Saints Giovanni e Paolo, 1782, c. 1783 Cleveland Museum of Art

Two horses, one dark brown and one cream white, stand together to our right against a landscape with rolling, sage-green hills and a river or canal in this horizontal painting.

Edgar Degas Horses in a Meadow, 1871 National Gallery of Art

Washington Allston, Gilbert Stuart, ca. 1819–20, oil on canvas

Gilbert Stuart Washington Allston, ca. 1819–20 The Met

View of Niagara Falls, John Frederick Kensett, c. 1851–52, oil on canvas

John Frederick Kensett View of Niagara Falls, c. 1851–52 Cleveland Museum of Art

The Adoration of the Eucharist, Peter Paul Rubens, c. 1626, oil on panel

Peter Paul Rubens The Adoration of the Eucharist, c. 1626 Art Institute of Chicago

Shown from about the waist up, a woman with smooth, pale skin sits in a chair facing our right in front of a canvas on an easel in this vertical portrait. She leans onto her right elbow, which rests on the seat back.

Judith Leyster Self-Portrait, c. 1630 National Gallery of Art

The painting shows a woman's figure from the waist up, seated, and her body is turned slightly to our left. Her head is turned to face the viewer.

Charles Willson Peale Rebecca Bryan White (Mrs. John White), 1788 National Gallery of Art

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