Paintings for Taupe Walls (page 8)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 337 to 384 of 2,035.

Mountains painted in tones of sage and mint green and mauve purple are backlit against a hazy sky in this expansive, nearly square landscape painting.

Joseph Wright of Derby Italian Landscape, 1790 National Gallery of Art

A screen made up of five tall, rectangular panels, set side by side and each surrounded by a gold frame, is painted as a single scene showing a tree-lined sidewalk curving around a park in a city.

Édouard Vuillard Place Vintimille, 1911 National Gallery of Art

Large marine landscape of boats on rough waves, storm clouds.

Joseph Mallord William Turner Fishing Boats with Hucksters Bargaining for Fish, 1837–38 Art Institute of Chicago

Portrait of a Woman in Gray, Edgar Degas, ca. 1865, oil on canvas

Edgar Degas Portrait of a Woman in Gray, ca. 1865 The Met

A man sitting in a tall, upholstered armchair reads a newspaper in this vertical portrait painting. The man and the room in which he sits is loosely painted with bold, visible strokes throughout.

Paul Cézanne The Artist's Father, Reading "L'Événement", 1866 National Gallery of Art

Adoration of the Magi, Titian, 1500s, oil on canvas

Titian Adoration of the Magi, 1500s Cleveland Museum of Art

We look across a palm-tree lined river winding into the distance before a monumental, snow-covered mountain at the center of the composition in this horizontal landscape.

Frederic Edwin Church Tamaca Palms, 1854 National Gallery of Art

A sinewy older man, his pale skin mostly exposed, sits on a stone low to the ground facing a table on our right in the center of this vertical painting. His gray hair is cropped short, and he has a graying, long beard.

Paolo Veronese Saint Jerome in the Wilderness, c. 1575/1585 National Gallery of Art

Wooded Upland Landscape, Thomas Gainsborough, probably 1783, oil on canvas

Thomas Gainsborough Wooded Upland Landscape, probably 1783 The Met

Boy with a Greyhound, Paolo Veronese, possibly 1570s, oil on canvas

Paolo Veronese Boy with a Greyhound, possibly 1570s The Met

Leaving the Oasis, Jean-Léon Gérôme, 1880s, oil on wood panel

Jean-Léon Gérôme Leaving the Oasis, 1880s Cleveland Museum of Art

The image shows a still life of round fruits, such as grapes and peaches, placed on a white plate. The color scheme consists of warm browns, muted greens, and deep reds. The fruits have a natural sheen.

Henri Fantin-Latour Still Life with Peaches and Grapes, 1896 National Gallery of Art

The Burning of the Houses of Lords and Commons, 16 October 1834, Joseph Mallord William Turner, 1835, oil on canvas

Joseph Mallord William Turner The Burning of the Houses of Lords and Commons, 16 October 1834, 1835 Cleveland Museum of Art

A river winds through forest-green trees and vegetation between rolling hills and mountains extending into the deep distance under a pale, orchid-purple sky in this nearly square landscape painting.

Thomas Gainsborough Mountain Landscape with Bridge, c. 1783/1784 National Gallery of Art

A balding, older man sits in a golden boat guided by a winged angel away from craggy rocks to calm waters, toward a shaft of light piercing a billowing bank of clouds in this horizontal landscape painting.

Thomas Cole The Voyage of Life: Old Age, 1842 National Gallery of Art

This oval painting depicts a cherubic child in a garden setting. The child is standing with one foot in front of the other and has small wings on their back. The child has light skin, curly blond hair, rosy cheeks, and a playful expression.

Jean-Honoré Fragonard Love the Sentinel, c. 1773/1776 National Gallery of Art

Condesa de Altamira and Her Daughter, María Agustina, Francisco de Goya, 1787–88, oil on canvas

Francisco de Goya Condesa de Altamira and Her Daughter, María Agustina, 1787–88 The Met

The French Comedians, Antoine Watteau, ca. 1720, oil on canvas

Antoine Watteau The French Comedians, ca. 1720 The Met

A Dog Feast - Sioux, George Catlin, 1861/1869, oil on card mounted on paperboard

George Catlin A Dog Feast - Sioux, 1861/1869 National Gallery of Art

Man and Pool, Florida, John Singer Sargent, 1917, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Man and Pool, Florida, 1917 The Met

A Monumental Portrait of a Monkey, India, c. 1705–1710, opaque watercolor and gold on paper

India A Monumental Portrait of a Monkey, c. 1705–1710 Art Institute of Chicago

A rustic, arched, stone bridge spanning a shallow river nearly fills this horizontal landscape.

Hubert Robert The Ponte Salario, c. 1775 National Gallery of Art

Roses in a Vase, Pierre-Auguste Renoir, c. 1890, oil on fabric

Pierre-Auguste Renoir Roses in a Vase, c. 1890 Cleveland Museum of Art

A young woman with pale, peachy skin, wearing a long, silvery blue dress with a rose-pink train looks out at us in this vertical portrait painting.

John Singer Sargent Miss Mathilde Townsend, 1907 National Gallery of Art

From high above the earth, we look onto a dramatically lit scene with a man falling from a horse-drawn chariot in midair, surrounded by eleven women against a bank of clouds in this horizontal painting.

Peter Paul Rubens The Fall of Phaeton, c. 1604/1605, probably reworked c. 1606/1608 National Gallery of Art

Honoré Daumier In Church, 1855/1857 National Gallery of Art

Sunset Sky, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset Sky, 1872 The Met

Auvers (Washerwomen), Charles-François Daubigny, 1861, oil on wood

Charles-François Daubigny Auvers (Washerwomen), 1861 National Gallery of Art

A bearded man, a young man, and five monks stand in a cream-white hall hung with a map and paintings in this horizontal painting. The people all have pale, peachy skin.

Eugène Delacroix Christopher Columbus and His Son at La Rábida, 1838 National Gallery of Art

Vibrantly colored mythical scene depicting people, animals, and dragons in front of mountains.

Tibet Milarepa on Mount Kailash, c. 1500 Art Institute of Chicago

Ferdinand VII (1784–1833), When Prince of Asturias, Francisco de Goya, ca. 1800, oil on canvas

Francisco de Goya Ferdinand VII (1784–1833), When Prince of Asturias, ca. 1800 The Met

A woman with pale skin and dark brown hair is swathed in silky fabric as she reclines along a gray couch in this horizontal painting. Her head rests along the backrest of the sofa to our left, so her body extends to our right.

John Singer Sargent Nonchaloir (Repose), 1911 National Gallery of Art

A barefoot man wearing tattered clothing, with his hands clasped at his chest, kneels at the feet of an old, bearded man in this almost square painting. The pair is flanked by five people on our right and a man, boy, and calf on our left.

Bartolomé Esteban Murillo The Return of the Prodigal Son, 1667/1670 National Gallery of Art

This painting is a close-up portrait of a man's head and shoulders. He has pale skin and light, slightly disheveled brown hair with a strong widow's peak, and a short brown beard.

Henri Fantin-Latour Self-Portrait, 1861 National Gallery of Art

This is a painting of an outdoor scene with a group of people gathered in front of a blue-gray wooden building with a dark door and two windows. Sunflowers grow on either side of the entrance, stretching up to the windows.

Winslow Homer Sketch of a Cottage Yard, c. 1876 National Gallery of Art

Two pale-skinned women are shown from the waist up behind a counter in an interior space in this nearly square painting.

Édouard Vuillard Woman in a Striped Dress, 1895 National Gallery of Art

Portrait of a Young Woman, Edgar Degas, ca. 1885, oil on canvas

Edgar Degas Portrait of a Young Woman, ca. 1885 The Met

Thomas Eakins Study for "The Dancing Lesson": The Banjo Player, probably 1877 National Gallery of Art

The Trojan Women Setting Fire to Their Fleet, Claude Lorrain, ca. 1643, oil on canvas

Claude Lorrain The Trojan Women Setting Fire to Their Fleet, ca. 1643 The Met

Shown from the hips up, a pale-skinned woman wearing white sits facing us against a golden-toned landscape background in this vertical portrait painting.

Henry Raeburn Miss Eleanor Urquhart, c. 1793 National Gallery of Art

Peace and Plenty, George Inness, 1865, oil on canvas

George Inness Peace and Plenty, 1865 The Met

Egyptians Raising Water from the Nile, John Singer Sargent, 1890–91, oil on canvas

John Singer Sargent Egyptians Raising Water from the Nile, 1890–91 The Met

Rinaldo and the Magus of Ascalon, Giovanni Battista Tiepolo, c. 1742–45, oil on canvas

Giovanni Battista Tiepolo Rinaldo and the Magus of Ascalon, c. 1742–45 Art Institute of Chicago

Still Life with Pansies, Henri Fantin-Latour, 1874, oil on canvas

Henri Fantin-Latour Still Life with Pansies, 1874 The Met

The Aegean Sea, Frederic Edwin Church, ca. 1877, oil on canvas

Frederic Edwin Church The Aegean Sea, ca. 1877 The Met

Allegory of Lyric Poetry, François Boucher, 1753, oil on canvas

François Boucher Allegory of Lyric Poetry, 1753 The Met

The Companions of Rinaldo, Nicolas Poussin, ca. 1633, oil on canvas

Nicolas Poussin The Companions of Rinaldo, ca. 1633 The Met

Moon, Pine and Maple, Katsushika Hokusai, c. 1764–81, hanging scroll, ink, colors and gold on silk

Katsushika Hokusai Moon, Pine and Maple, c. 1764–81 Art Institute of Chicago

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