Paintings for Taupe Walls (page 7)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 289 to 336 of 2,035.

A Man Leaning on a Parapet, Georges Seurat, ca. 1881, oil on wood

Georges Seurat A Man Leaning on a Parapet, ca. 1881 The Met

Marine, William Merritt Chase, c. 1888, oil on wood

William Merritt Chase Marine, c. 1888 Cleveland Museum of Art

Seven roses in full bloom are clustered in a wide bouquet set against a dark brown background in this horizontal still life painting. The blossom to our left is peach, and a bud dips down in front of that flower.

Henri Fantin-Latour _Roses de Nice_ on a Table, 1882 National Gallery of Art

Trees on a Rocky Hillside, Asher Brown Durand, c. 1849, oil on canvas

Asher Brown Durand Trees on a Rocky Hillside, c. 1849 Cleveland Museum of Art

A Cottage in the Woods, Meindert Hobbema, c. 1662, oil on canvas

Meindert Hobbema A Cottage in the Woods, c. 1662 Cleveland Museum of Art

The Fishing Boat, Gustave Courbet, 1865, oil on canvas

Gustave Courbet The Fishing Boat, 1865 The Met

Woman with a Rake, Jean-François Millet, probably 1856–57, oil on canvas

Jean-François Millet Woman with a Rake, probably 1856–57 The Met

George Capel, Viscount Malden (1757–1839), and Lady Elizabeth Capel (1755–1834), Joshua Reynolds, 1768, oil on canvas

Joshua Reynolds George Capel, Viscount Malden (1757–1839), and Lady Elizabeth Capel (1755–1834), 1768 The Met

Édouard Vuillard Woman Sitting by the Fireside, c. 1894 National Gallery of Art

Summer Day on Conesus Lake, John Frederick Kensett, 1870, oil on canvas

John Frederick Kensett Summer Day on Conesus Lake, 1870 The Met

Painting of a vast autumn scene with two very small figures in Indigenous clothing standing on a cliff overlooking a massive waterfall in the distance.

Thomas Cole Distant View of Niagara Falls, 1830 Art Institute of Chicago

Jean-Baptiste Faure (1830–1914), Édouard Manet, 1882–83, oil on canvas

Édouard Manet Jean-Baptiste Faure (1830–1914), 1882–83 The Met

The image shows a group of individuals on horseback in a landscape with hills in the distance. The perspective is from above, providing a panoramic view of the scene.

George Catlin Camanchee Horsemanship, 1861/1869 National Gallery of Art

We look onto the side of a rowboat crowded with nine men trying to save a pale, nude young man who flails in the water in front of us as a shark approaches, mouth agape, from our right in this horizontal painting.

John Singleton Copley Watson and the Shark, 1778 National Gallery of Art

A Boy in a Red-Lined Cloak, Jean-Honoré Fragonard, 1780s, oil on wood

Jean-Honoré Fragonard A Boy in a Red-Lined Cloak, 1780s Cleveland Museum of Art

Harmony in Yellow and Gold: The Gold Girl—Connie Gilchrist, James McNeill Whistler, ca. 1876–77, oil on canvas

James McNeill Whistler Harmony in Yellow and Gold: The Gold Girl—Connie Gilchrist, ca. 1876–77 The Met

Camouflaged Field in France, John Singer Sargent, 1918, watercolor, gouache, graphite, and wax crayon on white wove paper

John Singer Sargent Camouflaged Field in France, 1918 The Met

A young, light-skinned, rosy-cheeked child stands against a landscape of trees and rolling hills in this vertical portrait painting. Some areas are loosely painted, especially in the background, giving the portrait a soft look.

Thomas Gainsborough Master John Heathcote, c. 1771/1772 National Gallery of Art

Joseph Rodefer DeCamp The Seamstress, 1916 National Gallery of Art

Friar Pedro Binds El Maragato with a Rope, Francisco de Goya, c. 1806, oil on panel

Francisco de Goya Friar Pedro Binds El Maragato with a Rope, c. 1806 Art Institute of Chicago

Roman Landscape, Arnold Böcklin, ca. 1850–52, oil on canvas, several pieces joined

Arnold Böcklin Roman Landscape, ca. 1850–52 The Met

Shown from the knees up, a young pale-skinned woman sits looking at us in this vertical portrait painting. Her body is angled to our right, but she turns her face to gaze out with large brown eyes under dark brows.

Henri Fantin-Latour Portrait of Sonia, 1890 National Gallery of Art

The Streetwalker, Henri de Toulouse-Lautrec, ca. 1890–91, oil on cardboard

Henri de Toulouse-Lautrec The Streetwalker, ca. 1890–91 The Met

The image depicts a group of individuals engaged in a dance. They are in a tightly-knit, curved line, with dynamic poses suggestive of movement and rhythm.

George Catlin Dog Dance - Sioux, 1861 National Gallery of Art

Dozens of men, women, and a few children gather in groups amid a grassy landscape with a mountain in the distance in this horizontal painting. All of the people have pale or ruddy skin and wear flowing cloaks over long tunics or gowns.

Jacopo Tintoretto The Worship of the Golden Calf, c. 1594 National Gallery of Art

Landscape with the Flight into Egypt, Aelbert Cuyp, ca. 1650, oil on wood

Aelbert Cuyp Landscape with the Flight into Egypt, ca. 1650 The Met

Against a distant, hazy, verdant forest, a petal-pink and amethyst-purple orchid grows from a mossy branch close to us, to our left, while three jewel-toned hummingbirds gather around a nest to our right in this horizontal painting.

Martin Johnson Heade Cattleya Orchid and Three Hummingbirds, 1871 National Gallery of Art

The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo, ca. 1455–60, tempera and gold on wood

Giovanni di Paolo The Annunciation to Zacharias; (verso) The Angel of the Annunciation, ca. 1455–60 The Met

The Calmady Children (Emily, 1818–?1906, and Laura Anne, 1820–1894), Thomas Lawrence, 1823, oil on canvas

Thomas Lawrence The Calmady Children (Emily, 1818–?1906, and Laura Anne, 1820–1894), 1823 The Met

We hover over the bottle-green surface of a river as it rushes toward a horseshoe-shaped waterfall that curves away from us in this horizontal landscape painting.

Frederic Edwin Church Niagara, 1857 National Gallery of Art

Vase of Flowers (Pink Background), Odilon Redon, ca. 1906, oil on canvas

Odilon Redon Vase of Flowers (Pink Background), ca. 1906 The Met

The Agony in the Garden, Raphael, ca. 1504, oil on wood

Raphael The Agony in the Garden, ca. 1504 The Met

Hulking mountains are mostly backlit against a watery blue sky edged with shell pink along the horizon, which comes about two-thirds of the way up this horizontal landscape painting.

Thomas Cole Sunrise in the Catskills, 1826 National Gallery of Art

Edouard Delessert, Jean-Léon Gérôme, 1864, oil on panel

Jean-Léon Gérôme Edouard Delessert, 1864 National Gallery of Art

The image shows a riverside scene with various activities. The horizon has green hills with trees. Villagers and tipis are on both sides of the riverbanks. Canoes filled with people are on the water, some docked near the sandy shore.

George Catlin La Salle and Party Arrive at the Village of the Illinois. January 1, 1680, 1847/1848 National Gallery of Art

Study for "The Destruction of Sodom", Camille Corot, 1843, oil on canvas

Camille Corot Study for "The Destruction of Sodom", 1843 The Met

St. George on white horse, piercing green, gold dragon

Bernat Martorell Saint George and the Dragon, 1434–35 Art Institute of Chicago

A young, pale-skinned woman sits with her back to us as she looks at a painting on an easel in a studio in this vertical painting.

Camille Corot Corot's Studio: Woman Seated Before an Easel, a Mandolin in her Hand, c. 1868 National Gallery of Art

Shown from the knees up, a woman wearing an ice- and teal-blue dress and shawl sits in front of a window in this vertical painting. The scene is painted loosely with brushstrokes especially evident in the clothing and background.

Childe Hassam The New York Window, 1912 National Gallery of Art

The painting depicts a landscape with waterfalls, a river, trees, and hills in the distance. In the foreground, a group of people are near a canoe on a grassy patch. The painting features distinct brushstrokes showing texture and movement.

George Catlin Father Hennepin and Companions at the Falls of St. Anthony. May 1, 1680, 1847/1848 National Gallery of Art

Whalers, Joseph Mallord William Turner, ca. 1845, oil on canvas

Joseph Mallord William Turner Whalers, ca. 1845 The Met

Wolf and Fox Hunt, Peter Paul Rubens, ca. 1616, oil on canvas

Peter Paul Rubens Wolf and Fox Hunt, ca. 1616 The Met

House and Courtyard, John Singer Sargent, 1895–1903 (?), watercolor and gouache on white wove paper

John Singer Sargent House and Courtyard, 1895–1903 (?) The Met

A Young Girl with Daisies, Pierre-Auguste Renoir, 1889, oil on canvas

Pierre-Auguste Renoir A Young Girl with Daisies, 1889 The Met

Close to us, a young man and three boys sit or recline in a small sailboat that tips to our left on a choppy dark green sea in this horizontal painting.

Winslow Homer Breezing Up (A Fair Wind), 1873-1876 National Gallery of Art

Two groups of people face off in front of a hilly landscape in this loosely painted, vertical scene. On our left, a pale young man in a white tunic looks with eyes wide and lips parted at a group of three people on our right.

Edgar Degas Alexander and Bucephalus, 1861/1862 National Gallery of Art

The Biglin Brothers Turning the Stake, Thomas Eakins, 1873, oil on canvas

Thomas Eakins The Biglin Brothers Turning the Stake, 1873 Cleveland Museum of Art

The painting shows a landscape with a calm body of water stretching across the center, beyond a brown bank of rocks and short green grass. A thin tree rises up on the left.

Théodore Rousseau Landscape with Boatman, c. 1860 National Gallery of Art

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