Paintings for Taupe Walls (page 9)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 385 to 432 of 2,035.

A woman and winged angel, both with pale, peach skin, are situated in a church interior in this tall, narrow painting. To our left, the angel has long, blond, curly hair, smooth skin, and is smiling.

Jan van Eyck The Annunciation, c. 1434/1436 National Gallery of Art

Luncheon (Annette and Her Grandmother), Édouard Vuillard, 1899, oil on board

Édouard Vuillard Luncheon (Annette and Her Grandmother), 1899 Cleveland Museum of Art

In the center of this painting is a blue vase filled with a variety of flowers in different sizes and colors. The flowers are in shades of orange, pink, yellow, and blue, with green leaves surrounding the blossoms.

Odilon Redon Large Vase with Flowers, c. 1912 National Gallery of Art

The painting depicts a tranquil lake scene with a low horizon line showing a pale green hill in the background under a pale, cloudy sky. Closer to us, on the right, there is a large, textured rock surrounded by greenery and red flowers.

John Frederick Kensett Landing at Sabbath Day Point, c. 1853 National Gallery of Art

The Glorification of the Eucharist, Peter Paul Rubens, ca. 1630–32, oil on wood

Peter Paul Rubens The Glorification of the Eucharist, ca. 1630–32 The Met

We stand on a beach lined with black rocks and boulders looking out onto the water below a brick-red sky that dominates this nearly square landscape painting.

Gustave Courbet The Black Rocks at Trouville, 1865/1866 National Gallery of Art

Jo, La Belle Irlandaise, Gustave Courbet, 1865–66, oil on canvas

Gustave Courbet Jo, La Belle Irlandaise, 1865–66 The Met

Shown from the waist up, a young woman sits on the other side of the edge of a table, leaning toward us on one elbow in this vertical painting. She looks at us with dark brown eyes under faint, arched brows.

Johannes Vermeer Girl with a Flute, c. 1669/1675 National Gallery of Art

The head and floppy ears of a dog with a delicate muzzle are loosely painted in this vertical portrait. The dog’s head is cocked to our left, and it looks at us with large, glistening black eyes.

Pierre-Auguste Renoir Head of a Dog, 1870 National Gallery of Art

This painting shows the upper half of a woman's body, focusing on her face, head, and large hat. The woman's body is slightly turned toward the right, but she is looking directly at us.

Édouard Vuillard Madame Bonnard, 1895/1900 National Gallery of Art

A broken white and gray birch tree trunk has fallen across a rocky, shallow waterfall at the edge of a dense, deeply shadowed forest in this horizontal landscape painting.

Jacob van Ruisdael Forest Scene, c. 1655 National Gallery of Art

The image is a portrait of a young child shown from the waist up. The child is seated and facing forward. The child has dark hair that is styled smoothly and parted down the middle.

Sturtevant J. Hamblin Little Girl with Pet Rabbit, c. 1845 National Gallery of Art

Bouquet of Chrysanthemums, Pierre-Auguste Renoir, 1881, oil on canvas

Pierre-Auguste Renoir Bouquet of Chrysanthemums, 1881 The Met

Glaucus and Nydia, Lawrence Alma-Tadema, 1867, oil on wood panel

Lawrence Alma-Tadema Glaucus and Nydia, 1867 Cleveland Museum of Art

Portrait of a Woman with a Man at a Casement, Fra Filippo Lippi, ca. 1440, tempera on wood

Fra Filippo Lippi Portrait of a Woman with a Man at a Casement, ca. 1440 The Met

Antoine Dominique Sauveur Aubert (born 1817), the Artist's Uncle, Paul Cézanne, 1866, oil on canvas

Paul Cézanne Antoine Dominique Sauveur Aubert (born 1817), the Artist's Uncle, 1866 The Met

A Matador, Édouard Manet, 1866–67, oil on canvas

Édouard Manet A Matador, 1866–67 The Met

Study for "William Rush Carving His Allegorical Figure of the Schuylkill River", Thomas Eakins, 1876–77, oil on canvas mounted on board

Thomas Eakins Study for "William Rush Carving His Allegorical Figure of the Schuylkill River", 1876–77 Art Institute of Chicago

An older man with a tanned skin and a white beard is shown from the waist up against a dark brown background in this vertical portrait painting. His body is angled to our right but he turns his head to look to our left.

Titian Doge Andrea Gritti, c. 1546/1550 National Gallery of Art

Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham, Joshua Reynolds, 1748, oil on canvas

Joshua Reynolds Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham, 1748 The Met

The painting depicts a landscape with a field, trees, and a dramatic cloudy sky. Grass, rocks, and a group of large trees are visible in the center of the composition.

Jules Dupré The Old Oak, c. 1870 National Gallery of Art

Pierre-Auguste Renoir Girl with a Basket of Fish, c. 1889 National Gallery of Art

The Thinker: Portrait of Louis N. Kenton, Thomas Eakins, 1900, oil on canvas

Thomas Eakins The Thinker: Portrait of Louis N. Kenton, 1900 The Met

This painting depicts a coastal scene with a large group of people with light skin dressed in draping fabric in shades of red, yellow, blue, and purple.

Benjamin West Telemachus and Calypso, c. 1809 National Gallery of Art

Haystacks: Autumn, Jean-François Millet, ca. 1874, oil on canvas

Jean-François Millet Haystacks: Autumn, ca. 1874 The Met

The Pont Neuf, Johan Barthold Jongkind, 1849–50, oil on canvas

Johan Barthold Jongkind The Pont Neuf, 1849–50 The Met

Sunset on the Sea, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset on the Sea, 1872 The Met

In this painting, a collection of large, ripe peaches sits on a light green plate with a white rim. The peaches are painted in shades of orange, yellow, and red, with some areas of dark red and black.

Pierre-Auguste Renoir Peaches on a Plate, 1902/1905 National Gallery of Art

The Mower, Georges Seurat, 1881–82, oil on wood

Georges Seurat The Mower, 1881–82 The Met

Large painting of soldier asleep outdoors surrounded by two women and a cupid.

Giovanni Battista Tiepolo Armida Encounters the Sleeping Rinaldo, c. 1742–45 Art Institute of Chicago

Painting of two fishermen in small wooden boat on rocky seas.

Winslow Homer The Herring Net, 1885 Art Institute of Chicago

Valley of the Sédelle at Pont Charraud: White Frost, Armand Guillaumin, c.1903–1911, oil on fabric

Armand Guillaumin Valley of the Sédelle at Pont Charraud: White Frost, c.1903–1911 Cleveland Museum of Art

Riter Fitzgerald, Thomas Eakins, 1895, oil on canvas

Thomas Eakins Riter Fitzgerald, 1895 Art Institute of Chicago

Janet Law, Henry Raeburn, 1800, oil on canvas

Henry Raeburn Janet Law, 1800 The Met

Golden sunlight pours across a landscape with three people on horseback and two more people near a flock of sheep, a cow, and a mule in this horizontal painting. The people all have pale, peachy skin.

Aelbert Cuyp Horsemen and Herdsmen with Cattle, 1655/1660 National Gallery of Art

Shown from the knees up, a pale-skinned woman wearing a voluminous, gold-trimmed, white satin gown and a black overdress stands holding a closed fan in this vertical portrait painting.

Anthony van Dyck Lady with a Fan, c. 1628 National Gallery of Art

Head of a Young Woman, Jean-Baptiste Greuze, possibly 1780s, oil on canvas

Jean-Baptiste Greuze Head of a Young Woman, possibly 1780s The Met

Two men with pale skin, wearing white sleeveless shirts and royal-blue caps, row in unison in a long, narrow boat on a placid blue river in this horizontal landscape painting.

Thomas Eakins The Biglin Brothers Racing, 1872 National Gallery of Art

Painting depicting Christ anointed by a woman in yellow, seated centrally at a crowded table of guests with long thin grayish faces in colorful robes with strong white highlights.

El Greco The Feast in the House of Simon, c. 1608–14 Art Institute of Chicago

Broken Eggs, Jean-Baptiste Greuze, 1756, oil on canvas

Jean-Baptiste Greuze Broken Eggs, 1756 The Met

Impressionist painting of seated man, girl with brown, black hues.

Edgar Degas Henri Degas and His Niece Lucie Degas (The Artist's Uncle and Cousin), 1875–76 Art Institute of Chicago

Albert (René) Grenier (1858–1925), Henri de Toulouse-Lautrec, 1887, oil on wood

Henri de Toulouse-Lautrec Albert (René) Grenier (1858–1925), 1887 The Met

Young Husband: First Marketing, Lilly Martin Spencer, 1854, oil on canvas

Lilly Martin Spencer Young Husband: First Marketing, 1854 The Met

Three Pears and an Apple, Eastman Johnson, 1857, oil on board

Eastman Johnson Three Pears and an Apple, 1857 National Gallery of Art

Painted portrait of a seated young light-skinned girl with brown hair in a gauzy white dress and hat, eyes downcast, holding a basket.

Berthe Morisot Young Girl with Hat, 1892 Art Institute of Chicago

Paul Cézanne Man with Pipe, 1892/1896 National Gallery of Art

Bullfight, Édouard Manet, 1865–66, oil on canvas

Édouard Manet Bullfight, 1865–66 Art Institute of Chicago

Large painting of Holy Family: Mary in red, holding baby Jesus.

Peter Paul Rubens The Holy Family with Saints Elizabeth and John the Baptist, c. 1615 Art Institute of Chicago

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