Joshua Reynolds Lady Sarah Bunbury Sacrificing to the Graces, 1763–65
Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham
Joshua Reynolds (British, 1723–1792)
- Date
- 1748
- Medium
- Oil on canvas
- Size
- 66¼ × 71 in (168 × 180.3 cm)
- Museum
- The Metropolitan Museum of Art, New York, accession 1986.264.5. See the museum’s record
- Credit
- Gift of Heathcote Art Foundation, 1986
Public domain image courtesy of The Metropolitan Museum of Art (Open Access, CC0).
Palette
- #2A2921, 28 % of the picture, closest to Black walls
- #726756, 21 % of the picture, closest to Olive walls
- #413428, 20 % of the picture, closest to Chocolate walls
- #594433, 20 % of the picture, closest to Chocolate walls
- #958A77, 10 % of the picture, closest to Taupe walls
Closest wall colors:
Fits these rooms
Hang it
Pick the furniture and a print size to see it to scale on your wall.
- 22½ × 24 in, the whole painting on 24 × 24 in paper
- Center
- 66½ in (169 cm) from the floor
- Above the mantel
- 6 in (15 cm) from the mantel to the frame
- Ideal width
- 44 to 50 in over a 66 in mantel
- Why this height
- Centered at eye level, this frame would not sit 4 to 8 in above the mantel, so the 6 in gap sets the height.
Try it on your wall color
Default greige
Print it
No standard paper matches this painting’s proportions closely, so print it whole with a white border, or trim the edges to fill the paper.
| Paper | Filling the paper | Printed whole | Frame | Frame with a 2 in mat | Frame with a 3 in mat | Sharpness |
|---|---|---|---|---|---|---|
| 8 × 10 in | trims 14.2 % | 8 × 8½ in | 8 × 10 in ready-made | 12 × 14 in custom | 14 × 16 in custom | 408 dpi, crisp up close |
| 12 × 12 in | trims 6.8 % | 11¼ × 12 in | 12 × 12 in ready-made | 16 × 16 in ready-made | 18 × 18 in custom | 291 dpi, crisp from a step back |
| 16 × 16 in | trims 6.8 % | 15 × 16 in | 16 × 16 in ready-made | 20 × 20 in ready-made | 22 × 22 in custom | 219 dpi, crisp from a step back |
| 16 × 20 in | trims 14.2 % | 16 × 17¼ in | 16 × 20 in ready-made | 20 × 24 in ready-made | 22 × 26 in custom | 204 dpi, crisp from a step back |
| 20 × 20 in | trims 6.8 % | 18½ × 20 in | 20 × 20 in ready-made | 24 × 24 in ready-made | 26 × 26 in custom | 175 dpi, crisp from a step back |
| 24 × 24 in | trims 6.8 % | 22½ × 24 in | 24 × 24 in ready-made | 28 × 28 in custom | 30 × 30 in custom | 145 dpi, soft up close |
Sharpness is worked out from the largest file the museum offers. Above 300 dpi a print holds up at arm’s length; 150 dpi is plenty for a picture seen from across a sofa.
Download
Free for any use, including commercial: this image is public domain (CC0).
- Thumbnail (WebP) 560 × 509 px from Room Paintings
- Web image 599 × 544 px from The Met
- Print and original file 3,601 × 3,268 px from The Met
- The museum’s record of this painting The Met
Public domain image courtesy of The Metropolitan Museum of Art (Open Access, CC0). You may print, share, change and sell it without asking. Read what that means on our image license page, and how to get a good result in how to print a public-domain painting.
More like this
By Joshua Reynolds, or in the same style or subject.
All works by Joshua ReynoldsJoshua Reynolds Captain George K. H. Coussmaker (1759–1801), 1782
Joshua Reynolds Georgiana Augusta Frederica Elliott (1782–1813), Later Lady Charles Bentinck, 1784
Joshua Reynolds Miss Beatrix Lister, 1765
Canaletto Piazza San Marco, late 1720s
Thomas Gainsborough Cottage Children (The Wood Gatherers), 1787
Georges Seurat A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89
Giovanni Battista Tiepolo Armida Encounters the Sleeping Rinaldo, c. 1742–45