Joshua Reynolds Lady Sarah Bunbury Sacrificing to the Graces, 1763–65
Georgiana Augusta Frederica Elliott (1782–1813), Later Lady Charles Bentinck
Workshop of Joshua Reynolds (British, 1723–1792)
- Date
- 1784
- Medium
- Oil on canvas
- Size
- 35 × 30 in (88.9 × 76.2 cm)
- Museum
- The Metropolitan Museum of Art, New York, accession 15.30.38. See the museum’s record
- Credit
- Bequest of Maria DeWitt Jesup, from the collection of her husband, Morris K. Jesup, 1914
Public domain image courtesy of The Metropolitan Museum of Art (Open Access, CC0).
Palette
- #211F1A, 45 % of the picture, closest to Black walls
- #3D3C2C, 17 % of the picture, closest to Chocolate walls
- #8F8763, 14 % of the picture, closest to Olive walls
- #6B664A, 13 % of the picture, closest to Olive walls
- #B1A279, 12 % of the picture, closest to Taupe walls
Closest wall colors:
Fits these rooms
Hang it
Pick the furniture and a print size to see it to scale on your wall.
- 18 × 21 in, the whole painting on 18 × 24 in paper
- Center
- 58 in (147 cm) above the stair line
Try it on your wall color
Default greige
Print it
No standard paper matches this painting’s proportions closely, so print it whole with a white border, or trim the edges to fill the paper.
| Paper | Filling the paper | Printed whole | Frame | Frame with a 2 in mat | Frame with a 3 in mat | Sharpness |
|---|---|---|---|---|---|---|
| 8 × 10 in | trims 6.7 % | 8 × 9¼ in | 8 × 10 in ready-made | 12 × 14 in custom | 14 × 16 in custom | 401 dpi, crisp up close |
| 11 × 14 in | trims 8.3 % | 11 × 12¾ in | 11 × 14 in ready-made | 15 × 18 in custom | 17 × 20 in custom | 292 dpi, crisp from a step back |
| 12 × 16 in | trims 12.5 % | 12 × 14 in | 12 × 16 in ready-made | 16 × 20 in ready-made | 18 × 22 in custom | 267 dpi, crisp from a step back |
| 16 × 20 in | trims 6.7 % | 16 × 18¾ in | 16 × 20 in ready-made | 20 × 24 in ready-made | 22 × 26 in custom | 200 dpi, crisp from a step back |
| 18 × 24 in | trims 12.5 % | 18 × 21 in | 18 × 24 in ready-made | 22 × 28 in ready-made | 24 × 30 in ready-made | 178 dpi, crisp from a step back |
| 30 × 40 in | trims 12.5 % | 30 × 35 in | 30 × 40 in ready-made | 34 × 44 in custom | 36 × 46 in custom | 107 dpi, soft up close |
Sharpness is worked out from the largest file the museum offers. Above 300 dpi a print holds up at arm’s length; 150 dpi is plenty for a picture seen from across a sofa.
Download
Free for any use, including commercial: this image is public domain (CC0).
- Thumbnail (WebP) 467 × 560 px from Room Paintings
- Web image 521 × 625 px from The Met
- Print and original file 3,214 × 3,853 px from The Met
- The museum’s record of this painting The Met
Public domain image courtesy of The Metropolitan Museum of Art (Open Access, CC0). You may print, share, change and sell it without asking. Read what that means on our image license page, and how to get a good result in how to print a public-domain painting.
More like this
By Joshua Reynolds, or in the same style or subject.
All works by Joshua ReynoldsJoshua Reynolds Captain George K. H. Coussmaker (1759–1801), 1782
Joshua Reynolds Miss Beatrix Lister, 1765
Joshua Reynolds Anne Dashwood (1743–1830), Later Countess of Galloway, 1764
Canaletto Piazza San Marco, late 1720s
Thomas Gainsborough Cottage Children (The Wood Gatherers), 1787
Pierre-Auguste Renoir Two Sisters (On the Terrace), 1881
Francisco de Goya Manuel Osorio Manrique de Zuñiga (1784–1792), 1787–88