Paintings for Taupe Walls (page 10)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 433 to 480 of 2,035.

This painting depicts a snowy forest scene with a path running through tall, leafless trees.

Eastman Johnson On Their Way to Camp, 1873 National Gallery of Art

Sparrow Hall, Winslow Homer, c. 1881-1882, oil on canvas

Winslow Homer Sparrow Hall, c. 1881-1882 National Gallery of Art

Green Door, Santa Maria della Salute, John Singer Sargent, ca. 1904, watercolor, graphite, gouache, and wax crayon on white wove paper

John Singer Sargent Green Door, Santa Maria della Salute, ca. 1904 The Met

Captain John Gell, Gilbert Stuart, 1785, oil on canvas

Gilbert Stuart Captain John Gell, 1785 The Met

A dimly lit ballet studio is filled with about two dozen young dancers tying on their shoes, stretching, or practicing en pointe in this horizontal painting.

Edgar Degas The Dance Class, c. 1873 National Gallery of Art

Shown from about the knees up, a young woman with pale skin, wearing a long, flowing, peachy-pink satin dress, looks at us in this vertical portrait painting.

John Singer Sargent Miss Grace Woodhouse, 1890 National Gallery of Art

In this painting, thick, overlapping strokes of paint create the blurred image of people standing and sitting on grass. In the center, two people in pink and dark purple appear to sit on the green ground, facing the left.

Georges Seurat Study of Figures for "La Grande Jatte", 1884/1885 National Gallery of Art

The image shows a winter scene with an icy river and activity on the shore. A rocky cliff partially covered in snow is on the right, with evergreen trees.

George Catlin The Expedition Encamped below the Falls of Niagara. January 20, 1679, 1847/1848 National Gallery of Art

Dense and varied landscape with open fields, groves of bushy trees, and a row of thin conifers. A light-blue river tranverses the canvas, and a church steeple emerges from the trees at left of center.

Édouard Vuillard Landscape: Window Overlooking the Woods, 1899 Art Institute of Chicago

A woman floats among billowing clouds over a rectangular stone coffin in this vertical painting.

Nicolas Poussin The Assumption of the Virgin, c. 1630/1632 National Gallery of Art

Piping Shepherds, Aelbert Cuyp, ca. 1643–44, oil on canvas

Aelbert Cuyp Piping Shepherds, ca. 1643–44 The Met

The Holy Family on the Steps, Nicolas Poussin, 1648, oil on canvas

Nicolas Poussin The Holy Family on the Steps, 1648 Cleveland Museum of Art

A woman with pale skin holds a baby in the crook of her left arm, on our right, against a gold background in this vertical, arched wooden panel. The woman is shown from the waist up with her body angled slightly to our right.

Giotto di Bondone Madonna and Child, c. 1310/1315 National Gallery of Art

Study Head of an Old Man with a White Beard, Anthony van Dyck, ca. 1617–20, oil on wood

Anthony van Dyck Study Head of an Old Man with a White Beard, ca. 1617–20 The Met

The image displays a landscape with rolling plains and sloping hills in the background. A rider on a galloping horse is depicted aiming a firearm at birds in flight. The painting features detailed brushwork capturing movement.

George Catlin Ostrich Chase, Buenos Aires - Auca, 1854/1869 National Gallery of Art

This painting shows a young boy sitting on a wooden rocking chair next to a dark metal stove. He is leaning forward with one arm extended towards the stove door, which is partially open, revealing bright orange light.

Eastman Johnson The Early Scholar, c. 1865 National Gallery of Art

Seven men, women, and children with pale, peachy skin flank a woman surrounded by a halo of light, sitting on a throne and holding a nearly nude baby boy in her lap in this long, horizontal painting.

Jacopo Tintoretto Doge Alvise Mocenigo and Family before the Madonna and Child, c. 1575 National Gallery of Art

This painting depicts a young boy sitting in a relaxed position, with his right arm leaning on a black surface. He has pale skin, wide eyes, and a small, slightly downturned mouth.

Camille Corot Italian Peasant Boy, 1825/1827 National Gallery of Art

Tall grasses lead back to a body of water and then perhaps a town in this loosely painted, horizontal landscape.

Pierre-Auguste Renoir Landscape at Vétheuil, c. 1890 National Gallery of Art

Papers with Japanese text hang from a tree bearing red and gold leaves.

Tosa Mitsuoki Autumn Maples with Poem Slips, c. 1675 Art Institute of Chicago

Dozens of people line up around a shed-like structure and around stone ruins to kneel before a woman and baby at the lower center of this circular painting. All the people have pale skin.

Fra Angelico The Adoration of the Magi, c. 1440/1460 National Gallery of Art

Lake George, John Frederick Kensett, 1869, oil on canvas

John Frederick Kensett Lake George, 1869 The Met

Livestock, woodland animals, and about a dozen people cluster in groups throughout a densely wooded landscape with rocky outcroppings and the ruins of a round structure in this horizontal painting. The people all appear to have light skin.

Roelandt Savery Landscape with the Flight into Egypt, 1624 National Gallery of Art

Sulking, Edgar Degas, ca. 1870, oil on canvas

Edgar Degas Sulking, ca. 1870 The Met

Saints Bartholomew and Simon, Master of Saint Francis, ca. 1272, tempera on wood, gold ground

Master of Saint Francis Saints Bartholomew and Simon, ca. 1272 The Met

Landscape, George Inness, 1888, oil on canvas

George Inness Landscape, 1888 Cleveland Museum of Art

We look across a waterlogged path at a line of rust-red and bronze-brown trees that nearly span the width of this horizontal landscape painting. The scene is loosely painted, which creates a blurred look.

Théodore Rousseau After the Rain, c. 1850 National Gallery of Art

Himself, Robert Henri, 1913, oil on canvas

Robert Henri Himself, 1913 Art Institute of Chicago

Twilight in the Cedars at Darien, Connecticut, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Twilight in the Cedars at Darien, Connecticut, 1872 The Met

Midas Washing at the Source of the Pactolus, Nicolas Poussin, ca. 1627, oil on canvas

Nicolas Poussin Midas Washing at the Source of the Pactolus, ca. 1627 The Met

George Stubbs White Poodle in a Punt, c. 1780 National Gallery of Art

Woman Ironing, Édouard Vuillard, 1892, oil on board

Édouard Vuillard Woman Ironing, 1892 Cleveland Museum of Art

Shown under an ornately carved stone arch, a young woman holds a baby on her lap as she sits on a curving gold chair flanked by two kneeling angels in this vertical painting. All of the people have pale skin.

Hans Memling Madonna and Child with Angels, after 1479 National Gallery of Art

Anna van der Aar (born 1576/77, died after 1626), Frans Hals, 1626, oil on wood

Frans Hals Anna van der Aar (born 1576/77, died after 1626), 1626 The Met

Young Woman with a Turban, Jacques-Louis David, c. 1780, oil on canvas

Jacques-Louis David Young Woman with a Turban, c. 1780 Cleveland Museum of Art

Matsuchiyama on the Sumida River, Utagawa Hiroshige, Edo period, 1856, hanging scroll; Ink and color on silk

Utagawa Hiroshige Matsuchiyama on the Sumida River, Edo period, 1856 Art Institute of Chicago

Chrysanthemums in the Garden at Petit-Gennevilliers, Gustave Caillebotte, 1893, oil on canvas

Gustave Caillebotte Chrysanthemums in the Garden at Petit-Gennevilliers, 1893 The Met

Woman with Collie, John Singer Sargent, after 1890, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Woman with Collie, after 1890 The Met

A long, brightly lit room is filled with at least nine young ballerinas in robin’s egg-blue dance costumes and pale pink shoes in this wide, horizontal painting. They all have light skin and brown or dark blond hair.

Edgar Degas The Dance Lesson, c. 1879 National Gallery of Art

Campo Santa Maria Zobenigo, Venice, Canaletto, 1730s, oil on canvas

Canaletto Campo Santa Maria Zobenigo, Venice, 1730s The Met

Portrait of Colonel Charles Heathcote, Joseph Wright of Derby, c. 1771–72, oil on canvas

Joseph Wright of Derby Portrait of Colonel Charles Heathcote, c. 1771–72 Cleveland Museum of Art

Landscape with Fisherman and Washerwoman, John Rathbone, 1790–1800, oil on panel

John Rathbone Landscape with Fisherman and Washerwoman, 1790–1800 Art Institute of Chicago

Two people, perhaps a woman and man, and a baby sit at a table in a courtyard surrounded by vine-covered walls in this square painting. The scene is loosely painted with visible dabs, dashes, or smudges. The table is to the left of center.

Édouard Vuillard Repast in a Garden, 1898 National Gallery of Art

River Boat, Charles-François Daubigny, c. 1860, oil on board

Charles-François Daubigny River Boat, c. 1860 Art Institute of Chicago

An older woman wearing a long black dress sits reading a book in front of a younger woman wearing cream white, who sits on a couch just beyond, in this vertical portrait painting.

Berthe Morisot The Mother and Sister of the Artist, 1869/1870 National Gallery of Art

A Bearded Man Wearing a Hat, Rembrandt van Rijn, c. 1655–60, oil on canvas

Rembrandt van Rijn A Bearded Man Wearing a Hat, c. 1655–60 Cleveland Museum of Art

The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, Henri de Toulouse-Lautrec, 1892, oil on cardboard

Henri de Toulouse-Lautrec The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, 1892 The Met

Graves of Travellers, Fort Kearny, Nebraska, Worthington Whittredge, 1866, oil on paper mounted on canvas

Worthington Whittredge Graves of Travellers, Fort Kearny, Nebraska, 1866 Cleveland Museum of Art

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