Paintings for Taupe Walls (page 11)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 481 to 528 of 2,035.

This horizontal painting shows a harbor scene filled with tall-masted ships and steamships adorned with colorful flags. The masts of the ship to our left dominate the composition, reaching almost to the top edge of the painting.

Eugène Boudin Festival in the Harbor of Honfleur, 1858 National Gallery of Art

The Antechamber of the Sala del Maggior Consiglio, Francesco Guardi, ca. 1765–68, oil on canvas

Francesco Guardi The Antechamber of the Sala del Maggior Consiglio, ca. 1765–68 The Met

We look across the gleaming, forest-green surface of a lake at the foot of tall, jagged mountains in this horizontal landscape painting.

Albert Bierstadt Mount Corcoran, c. 1876-1877 National Gallery of Art

This is a painting of various people gathered in a pastoral setting. The scene features a group of nude and partially-clothed people of different ages, including an elderly man who is seated on the left, gesturing to the others around him.

Pierre Puvis de Chavannes Rest, c. 1863 National Gallery of Art

This oval painting shows a cherubic child floating mid-air with one leg bent and their arms outstretched. The cherub has curly hair, a round face, and pale skin dusted with rosy pink and light teal shadows. They are smiling gently.

Jean-Honoré Fragonard Love as Folly, c. 1773/1776 National Gallery of Art

Madonna and Child, Benvenuto di Giovanni, ca. 1475–85, tempera on wood, gold ground

Benvenuto di Giovanni Madonna and Child, ca. 1475–85 The Met

Twilight on the Sound, Darien, Connecticut, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Twilight on the Sound, Darien, Connecticut, 1872 The Met

The Adoration of the Magi, Hieronymus Bosch, ca. 1475, oil and gold on oak

Hieronymus Bosch The Adoration of the Magi, ca. 1475 The Met

A three-part panel featuring a variety of scenes, vertically stacked and richly painted. The central panel features the Virgin Mary and and Child flanked by archangels Gabriel and Michael, twelve disciples below them in grid formation.

Central Ethiopia Triptych, Late 17th century Art Institute of Chicago

Music and Dance, François Boucher, 1740s, oil on canvas

François Boucher Music and Dance, 1740s Cleveland Museum of Art

Untitled (Cracked Watermelon), Charles Ethan Porter, ca. 1890, oil on canvas

Charles Ethan Porter Untitled (Cracked Watermelon), ca. 1890 The Met

Light pours over a woman floating in front of a bank of clouds, surrounded by ten mostly nude, toddler-like winged putti in this vertical painting. The woman, Mary, and the putti all have pale, peachy skin.

Anthony van Dyck The Virgin as Intercessor, 1628/1629 National Gallery of Art

Paying the Hostess, Pieter de Hooch, ca. 1670, oil on canvas

Pieter de Hooch Paying the Hostess, ca. 1670 The Met

The head of a pale-skinned man nearly fills this shadowy, vertical portrait painting. His shoulders angle to our right, and his dark eyes cut back to look at us.

Édouard Vuillard Self-Portrait, Aged 21, 1889 National Gallery of Art

Painting, heavy in tones of blue-green and burnt orange, depicting a bar scene at night. The men wear top hats and many are bearded; the women are dressed in voluminous gowns and decorative hats.

Henri de Toulouse-Lautrec At the Moulin Rouge, 1892–95 Art Institute of Chicago

The Assumption of the Virgin, Bernardo Daddi, 1337–38, tempera on wood, gold ground

Bernardo Daddi The Assumption of the Virgin, 1337–38 The Met

Ecuadorian landscape with people, palm trees, waterfall, and volcano in background.

Frederic Edwin Church View of Cotopaxi, 1857 Art Institute of Chicago

Portrait of a Woman, Joseph Wright of Derby, ca. 1770, oil on canvas

Joseph Wright of Derby Portrait of a Woman, ca. 1770 The Met

Two ships and two sailboats, all with full sails, float on a gently rippling body of water in front of a pale pastel-shaded sky in this horizontal painting.

Fitz Henry Lane Becalmed off Halfway Rock, 1860 National Gallery of Art

Rinaldo and Armida in Her Garden, Giovanni Battista Tiepolo, c. 1742–45, oil on canvas

Giovanni Battista Tiepolo Rinaldo and Armida in Her Garden, c. 1742–45 Art Institute of Chicago

We look slightly down onto a woman dressed in golden yellows, sitting in a pale green chair, with a nude child sitting in her lap as they both gaze into a mirror in this vertical portrait painting. Both the people have pale, peachy skin.

Mary Cassatt Woman with a Sunflower, c. 1905 National Gallery of Art

Don Andrés de Andrade y la Cal, Bartolomé Esteban Murillo, ca. 1665–72, oil on canvas

Bartolomé Esteban Murillo Don Andrés de Andrade y la Cal, ca. 1665–72 The Met

Ruin by the Sea, Arnold Böcklin, 1881, oil on fabric

Arnold Böcklin Ruin by the Sea, 1881 Cleveland Museum of Art

The image shows a landscape with trees, hills, and mountains under a partly cloudy sky. In the foreground, there is a tipi surrounded by figures dressed in traditional attire interacting with a horse.

George Catlin The Cheyenne Brothers Starting on Their Fall Hunt, 1861/1869 National Gallery of Art

Two green pears lit from the upper right sit on a pale blue tabletop or ledge against a dark background in this horizontal still life painting. The left pear sits upright against the other.

Édouard Manet Pears, 1880 National Gallery of Art

This painting shows a man depicted from two angles; on the left, he faces us, while on the right, his back is to us. In both views he wears the same clothes and is in the same position.

Eugène Delacroix Two Studies of a Standing Indian from Calcutta, c. 1823/1824 National Gallery of Art

This painting shows a harbor with sailing ships displaying countless colorful flags. The ships stretch across the painting horizontally, floating on clear, reflective water.

Eugène Boudin Yacht Basin at Trouville-Deauville, probably 1895/1896 National Gallery of Art

Chrysanthemum, Piet Mondrian, 1906–42, oil on canvas

Piet Mondrian Chrysanthemum, 1906–42 Cleveland Museum of Art

This painting shows a woman seated on a wooden chair, facing the right with her head slightly tilted down. She is focused on the thin silver needles she holds in her hands.

Edmund Charles Tarbell Josephine Knitting, 1916 National Gallery of Art

A rocky shoreline juts into a vivid, aquamarine-blue body of water in this loosely painted, nearly square landscape.

Childe Hassam A North East Headland, 1901 National Gallery of Art

Lady Maria Conyngham (died 1843), Thomas Lawrence, ca. 1824–25, oil on canvas

Thomas Lawrence Lady Maria Conyngham (died 1843), ca. 1824–25 The Met

A group of four people gather around a person in a bed, seen through an open doorway to our left, while a man and woman stand near a second doorway of a beige building in this horizontal painting. All the people have pale skin.

Fra Angelico The Healing of Palladia by Saint Cosmas and Saint Damian, c. 1438/1440 National Gallery of Art

Rehearsal of the Pasdeloup Orchestra at the Cirque d'Hiver, John Singer Sargent, c. 1879, oil on canvas

John Singer Sargent Rehearsal of the Pasdeloup Orchestra at the Cirque d'Hiver, c. 1879 Art Institute of Chicago

Portrait of Genio C. Scott, Eastman Johnson, 1859, oil on canvas

Eastman Johnson Portrait of Genio C. Scott, 1859 Cleveland Museum of Art

A View near Tivoli (Morning), Thomas Cole, 1832, oil on canvas

Thomas Cole A View near Tivoli (Morning), 1832 The Met

Lady Smith (Charlotte Delaval) and Her Children (George Henry, Louisa, and Charlotte), Joshua Reynolds, 1787, oil on canvas

Joshua Reynolds Lady Smith (Charlotte Delaval) and Her Children (George Henry, Louisa, and Charlotte), 1787 The Met

Virgin and Child, Bartolomé Esteban Murillo, 1670s, oil on canvas

Bartolomé Esteban Murillo Virgin and Child, 1670s The Met

Landscape (The Lock), John Constable, c. 1820–25, oil on canvas

John Constable Landscape (The Lock), c. 1820–25 Art Institute of Chicago

Young Woman Knitting, Berthe Morisot, ca. 1883, oil on canvas

Berthe Morisot Young Woman Knitting, ca. 1883 The Met

The painting depicts a rural scene with a wide, cloudy blue sky over a riverbank. On the right there are tall, dark green trees that stretch up to the top of the painting.

Camille Corot River View, 1868/1872 National Gallery of Art

The Glorification of the Barbaro Family, Giovanni Battista Tiepolo, ca. 1750, oil on canvas

Giovanni Battista Tiepolo The Glorification of the Barbaro Family, ca. 1750 The Met

A sand-colored riverbank stretches in front of us to meet an arched bridge that spans a pale blue river to our right in this horizontal landscape painting. The scene is loosely painted so many details are indistinct.

Camille Corot Bridge on the Saône River at Mâcon, 1834 National Gallery of Art

Reverie, Camille Corot, 1857 or later, oil on wood

Camille Corot Reverie, 1857 or later The Met

The Banks of the Oise, Charles-François Daubigny, 1863, oil on wood

Charles-François Daubigny The Banks of the Oise, 1863 The Met

Long Island Farmhouses, William Sidney Mount, 1862–63, oil on canvas

William Sidney Mount Long Island Farmhouses, 1862–63 The Met

Shown from the chest up, a young, pale-skinned boy dressed in black turns to face us in this vertical portrait painting.

Edgar Degas René de Gas, 1855 National Gallery of Art

Roses in a Bowl, Henri Fantin-Latour, 1881, oil on canvas

Henri Fantin-Latour Roses in a Bowl, 1881 Art Institute of Chicago

This is a painting of a seaside scene with people sitting on a sandy beach. In the center is a group of three women and one child. The women wear high-necked dresses and tall hats in shades of red, yellow, and pink.

Eugène Boudin On the Beach, Trouville, 1887 National Gallery of Art

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