Paintings for Taupe Walls (page 13)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 577 to 624 of 2,035.

The Creation of the World and the Expulsion from Paradise, Giovanni di Paolo, 1445, tempera and gold on wood

Giovanni di Paolo The Creation of the World and the Expulsion from Paradise, 1445 The Met

Cupids in Conspiracy, François Boucher, 1740s, oil on canvas

François Boucher Cupids in Conspiracy, 1740s Cleveland Museum of Art

Mrs. Charles Gifford Dyer (Mary Anthony), John Singer Sargent, 1880, oil on canvas

John Singer Sargent Mrs. Charles Gifford Dyer (Mary Anthony), 1880 Art Institute of Chicago

A tired-looking brown and white cow lies down on a patch of dry earth, a dark-brown bull and cow standing behind her against an overcast sky.

Paulus Potter Two Cows and a Young Bull beside a Fence in a Meadow, 1647 Art Institute of Chicago

Head of a Young Woman, François Boucher, early 1730s, oil on canvas

François Boucher Head of a Young Woman, early 1730s Cleveland Museum of Art

Diana and Her Nymphs Departing for the Hunt, Peter Paul Rubens, c. 1615, oil on canvas

Peter Paul Rubens Diana and Her Nymphs Departing for the Hunt, c. 1615 Cleveland Museum of Art

Shown from the lap up, a woman with peachy skin, wearing a white silk dress and feathered headpiece, sits facing and looking at us in a harvest-yellow, upholstered chair in this vertical portrait painting.

Jacques-Louis David Madame David, 1813 National Gallery of Art

The Cottage by the Roadside, Stormy Sky, Jules Dupré, c. 1860, oil on canvas

Jules Dupré The Cottage by the Roadside, Stormy Sky, c. 1860 Art Institute of Chicago

Portrait of Charlotte and Sarah Carteret-Hardy, Thomas Lawrence, 1801, oil on canvas

Thomas Lawrence Portrait of Charlotte and Sarah Carteret-Hardy, 1801 Cleveland Museum of Art

A wide creek winds between a tree-lined bank to our left and hazy mountains to our right in this horizontal landscape painting. The riverbank curves deeply like a backward capital letter B.

Camille Pissarro A Creek in St. Thomas (Virgin Islands), 1856 National Gallery of Art

Portrait of a light-skinned woman with dark curly hair and to her right a small, blond child. Both are elegantly dressed, the woman in a dark, short-sleeved dress with gathered bodice and the child in a short-sleeved white dress.

Joshua Johnson Elizabeth Grant Bankson Beatty (Mrs. James Beatty) and Her Daughter Susan, c. 1805 Art Institute of Chicago

Three light-skinned, dark-haired ballerinas, painted in muted tones, wear off-the-shoulder yellow leotards and tutus as they huddle near each other. One adjusts her costume, while one holds her hands clasped above her head.

Edgar Degas Yellow Dancers (In the Wings), 1874–76 Art Institute of Chicago

Music and Dance and Cupids in Conspiracy, François Boucher, 1740s, oil on canvas

François Boucher Music and Dance and Cupids in Conspiracy, 1740s Cleveland Museum of Art

Shown from the chest up, a young woman faces us holding a nude baby in her arms in this vertical painting. They both have pale, peachy skin with pink cheeks.

Giovanni Battista Tiepolo Madonna of the Goldfinch, c. 1767/1770 National Gallery of Art

Shown from the knees up, a pale-skinned woman wears a wide, pleated collar and a black gown in this vertical portrait painting. Her body is angled to our left, and she looks at us from the corners of her light brown eyes.

Anthony van Dyck Portrait of a Flemish Lady, probably 1618 National Gallery of Art

Pine Grove of the Barberini Villa, George Inness, 1876, oil on canvas

George Inness Pine Grove of the Barberini Villa, 1876 The Met

From a low vantage point, we look up a steep, rocky mountainside at a towering mountain peak in the distance in this nearly square landscape painting.

John Singer Sargent Simplon Pass, 1911 National Gallery of Art

Fishmarket, Camille Pissarro, 1902, oil on canvas

Camille Pissarro Fishmarket, 1902 Cleveland Museum of Art

An older, pale-skinned man wearing a richly brocaded robe and bishop’s mitre stands under a rounded arch in front of a deep landscape in this tall, narrow, vertical painting.

Gerard David The Saint Anne Altarpiece: Saint Nicholas [left panel], c. 1500/1520 National Gallery of Art

The painting features a scene showing men in a boat landing on a shore. The horizon is low, with larger sailing ships seen in the distance on the right, floating on the dark green water.

Edward Hicks The Landing of Columbus, c. 1837 National Gallery of Art

The Dance Class, Edgar Degas, 1874, oil on canvas

Edgar Degas The Dance Class, 1874 The Met

This painting shows a grand building with elaborate arches, columns, statues, and staircases, in front of which is a courtyard filled with people facing away from us.

Francesco Guardi Temporary Tribune in the Campo San Zanipolo, Venice, 1782 or after National Gallery of Art

Gray Day on the Bay, William Merritt Chase, c. 1886, oil on wood

William Merritt Chase Gray Day on the Bay, c. 1886 Cleveland Museum of Art

Portrait of a Man, Jean-François Millet, c. 1845, oil on canvas

Jean-François Millet Portrait of a Man, c. 1845 National Gallery of Art

Sarah Shippen Lea (Mrs. Thomas Lea), Gilbert Stuart, c. 1798, oil on canvas

Gilbert Stuart Sarah Shippen Lea (Mrs. Thomas Lea), c. 1798 National Gallery of Art

William Forsyth (1749–1814), Henry Raeburn, ca. 1800, oil on canvas

Henry Raeburn William Forsyth (1749–1814), ca. 1800 The Met

A man with pale peach skin and dark hair wears a military uniform and stands in front of a desk in this vertical portrait painting. He nearly fills the composition so seems close to us, and he looks directly at us.

Jacques-Louis David The Emperor Napoleon in His Study at the Tuileries, 1812 National Gallery of Art

A light-skinned man wearing a voluminous, ocean-blue, hooded robe sits at a cloth-draped writing table and looks up, fingers splayed over an open book and a pen held in his other hand, in this vertical painting.

El Greco Saint Ildefonso, c. 1603/1614 National Gallery of Art

The Meeting of Antony and Cleopatra, Giovanni Battista Tiepolo, ca. 1745–47, oil on canvas

Giovanni Battista Tiepolo The Meeting of Antony and Cleopatra, ca. 1745–47 The Met

This painting shows a landscape with several buildings near a body of water. Closest to us, near the bottom right corner, a person in red leans over a wooden fence to cast a fishing rod into the water.

Meindert Hobbema Village near a Pool, c. 1670 National Gallery of Art

Watercolor of tiny people and horses, framed with gold flowers on navy background.

'Aliquli Jabbadar Royal Horse Inspection, Safavid dynasty (1501–1722), late 17th century Art Institute of Chicago

The Woodchopper, Jean-François Millet, c. 1858–66, oil on canvas

Jean-François Millet The Woodchopper, c. 1858–66 Art Institute of Chicago

Herself, Robert Henri, 1913, oil on canvas

Robert Henri Herself, 1913 Art Institute of Chicago

The Supper at Emmaus, Diego Velázquez, 1622–23, oil on canvas

Diego Velázquez The Supper at Emmaus, 1622–23 The Met

The image shows a group of Native American men gathered closely together in a dance formation. They are positioned facing slightly towards the right, with their full bodies visible.

George Catlin Bear Dance - K'nisteneux, 1861 National Gallery of Art

A Forest at Dawn with a Deer Hunt, Peter Paul Rubens, ca. 1635, oil on wood

Peter Paul Rubens A Forest at Dawn with a Deer Hunt, ca. 1635 The Met

Alexandre Charles Emmanuel de Crussol-Florensac (1743–1815), Élisabeth Louise Vigée Le Brun, 1787, oil on wood

Élisabeth Louise Vigée Le Brun Alexandre Charles Emmanuel de Crussol-Florensac (1743–1815), 1787 The Met

A Foggy Sky, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett A Foggy Sky, 1872 The Met

Vividly colored painting of Virgin Mary with baby Jesus and baby John the Baptist.

Correggio Virgin and Child with the Young Saint John the Baptist, c. 1515 Art Institute of Chicago

Near Squam Lake, New Hampshire, Eastman Johnson, 1856, oil on canvas

Eastman Johnson Near Squam Lake, New Hampshire, 1856 The Met

Signora Gomez d'Arza, Thomas Eakins, 1901–2, oil on canvas

Thomas Eakins Signora Gomez d'Arza, 1901–2 The Met

Jean Renoir Sewing, Pierre-Auguste Renoir, 1899–1900, oil on canvas

Pierre-Auguste Renoir Jean Renoir Sewing, 1899–1900 Art Institute of Chicago

Shown from about the knees up, a woman, baby, and two angels crowd together in a narrow interior space pierced by three window openings.

Sandro Botticelli Madonna and Child with Angels, 1465/1470 National Gallery of Art

The Immaculate Conception, Guido Reni, 1627, oil on canvas

Guido Reni The Immaculate Conception, 1627 The Met

A shaft of warm light from our left pierces a dark wood filled with tall trees in this horizontal landscape painting. The light falls on a stout white trunk and a portion of the moss-green forest floor near the center of the composition.

George Inness Sunset in the Woods, 1891 National Gallery of Art

A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.

Thomas Lawrence Isabella Wolff, 1803–15 Art Institute of Chicago

Landscape with Haywain, Worthington Whittredge, 1861, oil on canvas

Worthington Whittredge Landscape with Haywain, 1861 Cleveland Museum of Art

The Brierwood Pipe, Winslow Homer, 1864, oil on canvas

Winslow Homer The Brierwood Pipe, 1864 Cleveland Museum of Art

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