Paintings for Taupe Walls (page 15)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 673 to 720 of 2,035.

Friar Pedro Wrests the Gun from El Maragato, Francisco de Goya, c. 1806, oil on panel

Francisco de Goya Friar Pedro Wrests the Gun from El Maragato, c. 1806 Art Institute of Chicago

American Pasturage - Prairies of the Platte, George Catlin, 1861/1869, oil on card mounted on paperboard

George Catlin American Pasturage - Prairies of the Platte, 1861/1869 National Gallery of Art

Reapers Resting in a Wheat Field, John Singer Sargent, 1885, oil on canvas

John Singer Sargent Reapers Resting in a Wheat Field, 1885 The Met

Monte Pincio, Rome, Camille Corot, 1840–50, oil on canvas

Camille Corot Monte Pincio, Rome, 1840–50 Art Institute of Chicago

This painting shows a landscape with a wide river on the right flowing through green hills.

John Frederick Kensett View on the Genesee near Mount Morris, 1857 National Gallery of Art

Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, Joseph Wright of Derby, 1779, oil on canvas

Joseph Wright of Derby Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, 1779 The Met

Peter Paul Rubens Agrippina and Germanicus, c. 1614 National Gallery of Art

Painting in tones of gray and brown, with some green and blue, of a woman digging with a garden tool before a structure with a thatched roof that descends almost to the ground. Above her the sky is gray and blue, a haze of clouds.

Vincent van Gogh A Peasant Woman Digging in Front of Her Cottage, c. 1885 Art Institute of Chicago

The Annunciation, Hans Memling, 1480–89, oil on panel, transferred to canvas

Hans Memling The Annunciation, 1480–89 The Met

Dance in a Subterranean Roundhouse at Clear Lake, California, Jules Tavernier, 1878, oil on canvas

Jules Tavernier Dance in a Subterranean Roundhouse at Clear Lake, California, 1878 The Met

Shown from the knees up, a woman wearing a shimmering teal-blue gown and holding a garland of flowers stands in front of columns and a landscape in this vertical portrait painting.

John Singleton Copley Anne Fairchild Bowler (Mrs. Metcalf Bowler), c. 1763 National Gallery of Art

The Plate of Apples, Paul Cézanne, c. 1877, oil on canvas

Paul Cézanne The Plate of Apples, c. 1877 Art Institute of Chicago

General Étienne-Maurice Gérard (1773–1852), Jacques-Louis David, 1816, oil on canvas

Jacques-Louis David General Étienne-Maurice Gérard (1773–1852), 1816 The Met

A woman with a pale, peachy skin stands wearing a voluminous rose-pink, silk dress and holding a wreath of pink and white roses and greenery in this vertical portrait painting.

Anthony van Dyck Catherine Howard, Lady d'Aubigny, c. 1638 National Gallery of Art

The Source of the Loue, Gustave Courbet, 1864, oil on canvas

Gustave Courbet The Source of the Loue, 1864 The Met

A Pond in Picardy, Camille Corot, ca. 1867, oil on canvas

Camille Corot A Pond in Picardy, ca. 1867 The Met

Arion on a Sea Horse, William-Adolphe Bouguereau, 1855, oil on fabric

William-Adolphe Bouguereau Arion on a Sea Horse, 1855 Cleveland Museum of Art

The painting shows a large bronze vase filled with a bouquet of wildflowers, including white daisies, light blue cornflowers, and bright red poppies and roses.

Odilon Redon Flowers in a Vase, c. 1910 National Gallery of Art

At the Circus: The Bareback Rider (Au Cirque: Écuyère), Henri de Toulouse-Lautrec, 1888, oil on vellum

Henri de Toulouse-Lautrec At the Circus: The Bareback Rider (Au Cirque: Écuyère), 1888 Art Institute of Chicago

Apple Blossoms, Martin Johnson Heade, 1873, oil on canvas

Martin Johnson Heade Apple Blossoms, 1873 Cleveland Museum of Art

Portrait of a Young Man, Hans Memling, ca. 1472–75, oil on oak panel

Hans Memling Portrait of a Young Man, ca. 1472–75 The Met

Madonna and Child, Giovanni Bellini, ca. 1470, tempera, oil, and gold on wood

Giovanni Bellini Madonna and Child, ca. 1470 The Met

Head of Jean-Baptiste Faure (1830–1914), Édouard Manet, 1882–83, oil on canvas

Édouard Manet Head of Jean-Baptiste Faure (1830–1914), 1882–83 The Met

Madonna Adoring the Sleeping Child, Giovanni Bellini, early 1460s, tempera on wood

Giovanni Bellini Madonna Adoring the Sleeping Child, early 1460s The Met

This painting depicts a pastoral scene with grassy marshland dotted with several yellow haystacks. A river winds through the flat green landscape, and on the right side a shallow boat sits next to the edge of the water.

Martin Johnson Heade View of Marshfield, c. 1866/1876 National Gallery of Art

View of Schroon Mountain, Essex County, New York, After a Storm, Thomas Cole, 1838, oil on canvas

Thomas Cole View of Schroon Mountain, Essex County, New York, After a Storm, 1838 Cleveland Museum of Art

Autumn, a Wood Path, Sanford Robinson Gifford, 1876, oil on canvas

Sanford Robinson Gifford Autumn, a Wood Path, 1876 Cleveland Museum of Art

Under the Trees (from "The Public Gardens"), Édouard Vuillard, 1894, distemper on fabric

Édouard Vuillard Under the Trees (from "The Public Gardens"), 1894 Cleveland Museum of Art

Shown from the knees up, a pale-skinned woman wearing a black dress with white cuffs and a wide, starched collar sits in a wooden chair against a dark brown background in this vertical portrait painting.

Rembrandt van Rijn An Old Lady with a Book, 1637 National Gallery of Art

Fountain of Venus, François Boucher, 1756, oil on canvas

François Boucher Fountain of Venus, 1756 Cleveland Museum of Art

Shown from the waist up, a bearded man with a tanned, peachy complexion wears a turban and voluminous robes and looks out at us in this vertical portrait painting.

Rembrandt van Rijn Man in Oriental Costume, c. 1635 National Gallery of Art

A woman with pale skin, wearing a shimmering, azure-blue gown, stands next to a child with a pale pink complexion, wearing a flame-red suit in this vertical portrait painting.

Anthony van Dyck Queen Henrietta Maria with Sir Jeffrey Hudson, 1633 National Gallery of Art

Upon first glance, the shapes and colors in this painting are hard to distinguish. After closer inspection, three women become visible, all with pale skin, light hair, and indistinct facial features.

Edgar Degas The Loge, c. 1883 National Gallery of Art

Mrs. Mary Arthur, Thomas Eakins, 1900, oil on canvas

Thomas Eakins Mrs. Mary Arthur, 1900 The Met

The painting depicts a busy harbor scene with ships and masts rising into the blue-gray sky. The brushstrokes are loose and impressionistic, in shades of soft grey, brown, and blue, with some pops of red and yellow from indistinct objects.

Eugène Boudin The Trawlers, 1885 National Gallery of Art

Landscape at Saint-André, Near Marseilles, Paul Guigou, c. 1865, oil on wood panel

Paul Guigou Landscape at Saint-André, Near Marseilles, c. 1865 Cleveland Museum of Art

Autumn Landscape with a Flock of Turkeys, Jean-François Millet, 1872–73, oil on canvas

Jean-François Millet Autumn Landscape with a Flock of Turkeys, 1872–73 The Met

The Windmill, Jules Dupré, late 1850s, oil on fabric

Jules Dupré The Windmill, late 1850s Cleveland Museum of Art

Landscape painting featuring a wavy tree tree in the foreground and a watermill with a red roof adjacent to a river at right. Colors are subdued earth tones, the foliage a dark green and the river a muddy brown.

Meindert Hobbema The Watermill with the Great Red Roof, c. 1665 Art Institute of Chicago

The Cascade, Jean-Honoré Fragonard, ca. 1775, oil on wood

Jean-Honoré Fragonard The Cascade, ca. 1775 The Met

Madonna and Child Enthroned with Two Angels, Fra Filippo Lippi, ca. 1440, tempera and gold on wood, transferred from wood

Fra Filippo Lippi Madonna and Child Enthroned with Two Angels, ca. 1440 The Met

Shown from the waist up, a pale-skinned, round-cheeked young boy wears a brocade red and gold garment and hat in this vertical portrait painting.

Hans Holbein the Younger Edward VI as a Child, probably 1538 National Gallery of Art

Egyptian Woman, John Singer Sargent, 1890–91, oil on canvas

John Singer Sargent Egyptian Woman, 1890–91 The Met

This is a painting of a gathering near a river. The scene depicts a riverside filled with tall trees and grass where several groups of people have gathered. Several canoes are visible on the water and docked along the shore.

George Catlin La Salle Taking Possession of the Land at the Mouth of the Arkansas. March 10, 1682, 1847/1848 National Gallery of Art

A person at the center of this loosely painted horizontal landscape rides a dark horse across a field as a man to the left works the field behind a horse-drawn plow.

Camille Corot View near Epernon, 1850/1860 National Gallery of Art

A pale-skinned woman is shown from the waist up within an oval opening in this vertical portrait painting. The woman’s body is angled to our right, but she turns her face to look off to our left with gray eyes.

Thomas Gainsborough Mrs. John Taylor, c. 1778 National Gallery of Art

A woman with pale white skin and her blond hair covered by a wide veil is shown from the waist up in this vertical portrait painting.

Rogier van der Weyden Portrait of a Lady, c. 1460 National Gallery of Art

Women Working in a Field, Winslow Homer, 1867, oil on wood

Winslow Homer Women Working in a Field, 1867 Cleveland Museum of Art

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