Paintings for Taupe Walls (page 16)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 721 to 768 of 2,035.

The Drummond Children, Henry Raeburn, ca. 1808–9, oil on canvas

Henry Raeburn The Drummond Children, ca. 1808–9 The Met

The Deer, Gustave Courbet, ca. 1865, oil on canvas

Gustave Courbet The Deer, ca. 1865 The Met

Joseph-Henri Altès (1826–1895), Edgar Degas, 1868, oil on canvas

Edgar Degas Joseph-Henri Altès (1826–1895), 1868 The Met

Shown from the waist up, a bearded man with pale, peachy skin, wearing a black wide-brimmed hat and jacket, and a broad, layered, white collar, holds up a piece of rolled up paper in this vertical portrait painting.

Rembrandt van Rijn Man with a Sheet of Music, 1633 National Gallery of Art

Campo Sant'Angelo, Venice, Canaletto, 1730s, oil on canvas

Canaletto Campo Sant'Angelo, Venice, 1730s The Met

Close to us, a woman and a winged, child-like putto float on clouds above a clean-shaven young man in a forest setting in this horizontal painting. All three people have smooth, pale skin, rosy cheeks, and ash-blond hair.

Jean-Honoré Fragonard Diana and Endymion, c. 1753/1756 National Gallery of Art

The Calm Sea, Gustave Courbet, 1869, oil on canvas

Gustave Courbet The Calm Sea, 1869 The Met

Lady Maitland (Catherine Connor, died 1865), Henry Raeburn, 1800, oil on canvas

Henry Raeburn Lady Maitland (Catherine Connor, died 1865), 1800 The Met

Newport Mountain, Mount Desert, Frederic Edwin Church, 1851, oil on canvas

Frederic Edwin Church Newport Mountain, Mount Desert, 1851 National Gallery of Art

Mlle. Alexandrine-Julie de la Boutraye, Eugène Delacroix, c. 1832–34, oil on fabric

Eugène Delacroix Mlle. Alexandrine-Julie de la Boutraye, c. 1832–34 Cleveland Museum of Art

Cool light filters through a thick, verdant forest in this vertical landscape painting. Most of the trees have high canopies with celery, matcha, and olive-green leaves.

Asher Brown Durand Forest in the Morning Light, c. 1855 National Gallery of Art

The Seine: Morning, Charles-François Daubigny, 1874, oil on wood

Charles-François Daubigny The Seine: Morning, 1874 The Met

Head of a Young Boy, Jean-Baptiste Greuze, 1763, oil on canvas

Jean-Baptiste Greuze Head of a Young Boy, 1763 The Met

Sunny Autumn Day, George Inness, 1892, oil on canvas

George Inness Sunny Autumn Day, 1892 Cleveland Museum of Art

The Yellow Room, James McNeill Whistler, ca. 1883–84, watercolor and gouache on paperboard

James McNeill Whistler The Yellow Room, ca. 1883–84 The Met

The Adoration of the Magi, Bartolo di Fredi, ca. 1390, tempera and gold on wood

Bartolo di Fredi The Adoration of the Magi, ca. 1390 The Met

This painting depicts a street scene from a slightly elevated perspective. A tan dirt road stretches into the distance, lined with white houses on the left side.

Alfred Sisley Marly-le-Roi, c. 1875 National Gallery of Art

Courtyard, Tétouan, Morocco, John Singer Sargent, 1879–80, oil on wood

John Singer Sargent Courtyard, Tétouan, Morocco, 1879–80 The Met

Two Young Peasant Women, Camille Pissarro, 1891–92, oil on canvas

Camille Pissarro Two Young Peasant Women, 1891–92 The Met

The Farm at the Entrance of the Wood, Rosa Bonheur, 1860–80, oil on fabric

Rosa Bonheur The Farm at the Entrance of the Wood, 1860–80 Cleveland Museum of Art

This horizontal painting shows a tapestry being unfurled and held up by winged, baby-like putti against a structure with gray and gold columns, seen at the edges of the composition.

Peter Paul Rubens The Meeting of Abraham and Melchizedek, c. 1626 National Gallery of Art

A woman wearing a breastplate and helmet over a toga stands to our left on a platform, gesturing with one arm extended to a group of about a dozen soldiers gathered around her in this horizontal painting.

Giovanni Battista Tiepolo Queen Zenobia Addressing Her Soldiers, 1725/1730 National Gallery of Art

The image shows a landscape with a settlement surrounded by lush greenery and mountains in the distance. The mountains are partly covered by clouds. The painting technique is smooth and gentle, giving the scene a serene atmosphere.

George Catlin A Crow Village and the Salmon River Mountains, 1855/1869 National Gallery of Art

This oval painting shows a cherubic figure floating in mid-air with one leg bent and arms outstretched. The cherub has curly hair, a round face, and rosy cheeks, and they are smiling gently.

Jean-Honoré Fragonard Love as Folly, c. 1773/1776 National Gallery of Art

Cardinal Fernando Niño de Guevara (1541–1609), El Greco, ca. 1600, oil on canvas

El Greco Cardinal Fernando Niño de Guevara (1541–1609), ca. 1600 The Met

The Horse Fair, Rosa Bonheur, 1852–55, oil on canvas

Rosa Bonheur The Horse Fair, 1852–55 The Met

Armida Abandoned by Rinaldo, Giovanni Battista Tiepolo, c. 1742–45, oil on canvas

Giovanni Battista Tiepolo Armida Abandoned by Rinaldo, c. 1742–45 Art Institute of Chicago

A Colonnade in Ruins, Hubert Robert, 1781, oil on canvas

Hubert Robert A Colonnade in Ruins, 1781 The Met

The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, Johann Zoffany, c. 1772, oil on canvas

Johann Zoffany The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, c. 1772 Cleveland Museum of Art

Painting composed of short, dense brushstrokes depicts two domed stacks of wheat that cast long shadows on a field. The angled light indicates either a rising or setting sun.

Claude Monet Stacks of Wheat (End of Summer), 1890–91 Art Institute of Chicago

Three women, one man, and a winged child gather near a cave opening within a vast, distant landscape in this horizontal painting. The people are small in scale, taking up the lower left quadrant of the composition, and all have pale skin.

Claude Lorrain The Judgment of Paris, 1645/1646 National Gallery of Art

A small, shaggy, black and white dog stands in a wood paneled room with its body angled to our right but turning its head, pink tongue out, to our left in this vertical painting.

Édouard Manet Tama, the Japanese Dog, c. 1875 National Gallery of Art

Joseph-Antoine Moltedo (born 1775), Jean-Auguste-Dominique Ingres, ca. 1810, oil on canvas

Jean-Auguste-Dominique Ingres Joseph-Antoine Moltedo (born 1775), ca. 1810 The Met

Narcisa Barañano Gayoso de Goicoechea, Francisco de Goya, ca. 1805, oil on canvas

Francisco de Goya Narcisa Barañano Gayoso de Goicoechea, ca. 1805 The Met

The Collector of Prints, Edgar Degas, 1866, oil on canvas

Edgar Degas The Collector of Prints, 1866 The Met

Virgin and Child with Saint Anne, Albrecht Dürer, probably 1519, oil on linden

Albrecht Dürer Virgin and Child with Saint Anne, probably 1519 The Met

Boy with a Sword, Édouard Manet, 1861, oil on canvas

Édouard Manet Boy with a Sword, 1861 The Met

Dense green vegetation surrounds a band of sun-dappled boulders that arc shallowly across this horizontal landscape painting. Just to our left of center and on our side of the boulders are several slender tree trunks.

Camille Corot Rocks in the Forest of Fontainebleau, 1860/1865 National Gallery of Art

The Spanish Singer, Édouard Manet, 1860, oil on canvas

Édouard Manet The Spanish Singer, 1860 The Met

The painting depicts a view overlooking a valley with a river in the distance. The almost-cloudless sky is painted in shades of light blue with faint pink near the horizon.

George Inness View of the Tiber near Perugia, 1872-1874 National Gallery of Art

The Ford, Claude Lorrain, possibly 1636, oil on canvas

Claude Lorrain The Ford, possibly 1636 The Met

This painting shows a brown jug filled with pink roses and green leaves on a brown surface that looks like a suitcase on its side. To the right of the jug are some stacked books, which are a light green color.

Édouard Vuillard The Artist's Paint Box and Moss Roses, 1898 National Gallery of Art

Kitchen Scene, Diego Velázquez, 1618–20, oil on canvas

Diego Velázquez Kitchen Scene, 1618–20 Art Institute of Chicago

George Bellows Little Girl in White (Queenie Burnett), 1907 National Gallery of Art

Madonna and Child with Seraphim and Cherubim, Andrea Mantegna, ca. 1454, tempera and gold on wood

Andrea Mantegna Madonna and Child with Seraphim and Cherubim, ca. 1454 The Met

This vertical portrait painting shows a pale-skinned older woman wearing a full, long-sleeved black dress with a wide white ruff at her neck and white lace cuffs at her wrists.

Frans Hals Portrait of a Woman Aged Sixty, 1633 National Gallery of Art

This horizontal landscape is painted with dots and dashes in fresh green, shimmering blue, amethyst purple, shell pink, pale yellow, and cream white against the brown wood of the panel, which is visible throughout.

Georges Seurat Study for "La Grande Jatte", 1884/1885 National Gallery of Art

Madame X (Virginie Amélie Avegno Gautreau), John Singer Sargent, 1883–84, oil on canvas

John Singer Sargent Madame X (Virginie Amélie Avegno Gautreau), 1883–84 The Met

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