Charles-François Daubigny The Marsh, 1871
The Seine: Morning
Charles-François Daubigny (French, 1817–1878)
- Date
- 1874
- Medium
- Oil on wood
- Size
- 15¼ × 27¼ in (38.7 × 69.2 cm)
- Museum
- The Metropolitan Museum of Art, New York, accession 87.15.120. See the museum’s record
- Credit
- Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887
Public domain image courtesy of The Metropolitan Museum of Art (Open Access, CC0).
Palette
- #9A8C70, 28 % of the picture, closest to Taupe walls
- #908366, 21 % of the picture, closest to Olive walls
- #32321F, 19 % of the picture, closest to Chocolate walls
- #4F4C2D, 17 % of the picture, closest to Chocolate walls
- #746A46, 14 % of the picture, closest to Olive walls
Closest wall colors:
Fits these rooms
Hang it
Pick the furniture and a print size to see it to scale on your wall.
- 22½ × 40 in, the whole painting on 30 × 40 in paper
- Center
- 54½ in (138 cm) from the floor
- Above the sofa
- 8 in (20 cm) from the sofa to the frame
- Ideal width
- 56 to 63 in over an 84 in sofa
- Why this height
- Centered at eye level, this frame would not sit 6 to 10 in above the sofa, so the 8 in gap sets the height.
Try it on your wall color
Default greige
Print it
No standard paper matches this painting’s proportions closely, so print it whole with a white border, or trim the edges to fill the paper.
| Paper | Filling the paper | Printed whole | Frame | Frame with a 2 in mat | Frame with a 3 in mat | Sharpness |
|---|---|---|---|---|---|---|
| 5 × 7 in | trims 21.7 % | 4 × 7 in | 5 × 7 in ready-made | 9 × 11 in custom | 11 × 13 in custom | 571 dpi, crisp up close |
| 12 × 16 in | trims 25.4 % | 9 × 16 in | 12 × 16 in ready-made | 16 × 20 in ready-made | 18 × 22 in custom | 250 dpi, crisp from a step back |
| 18 × 24 in | trims 25.4 % | 13½ × 24 in | 18 × 24 in ready-made | 22 × 28 in ready-made | 24 × 30 in ready-made | 166 dpi, crisp from a step back |
| 20 × 30 in | trims 16.1 % | 16¾ × 30 in | 20 × 30 in ready-made | 24 × 34 in custom | 26 × 36 in custom | 133 dpi, soft up close |
| 24 × 36 in | trims 16.1 % | 20 × 36 in | 24 × 36 in ready-made | 28 × 40 in custom | 30 × 42 in custom | 111 dpi, soft up close |
| 30 × 40 in | trims 25.4 % | 22½ × 40 in | 30 × 40 in ready-made | 34 × 44 in custom | 36 × 46 in custom | 100 dpi, soft up close |
Sharpness is worked out from the largest file the museum offers. Above 300 dpi a print holds up at arm’s length; 150 dpi is plenty for a picture seen from across a sofa.
Download
Free for any use, including commercial: this image is public domain (CC0).
- Thumbnail (WebP) 560 × 322 px from Room Paintings
- Web image 599 × 344 px from The Met
- Print and original file 4,000 × 2,296 px from The Met
- The museum’s record of this painting The Met
Public domain image courtesy of The Metropolitan Museum of Art (Open Access, CC0). You may print, share, change and sell it without asking. Read what that means on our image license page, and how to get a good result in how to print a public-domain painting.
More like this
By Charles-François Daubigny, or in the same style or subject.
All works by Charles-François DaubignyCharles-François Daubigny Sunset on the River Oise, 1866
Charles-François Daubigny Boats on the Seacoast at Etaples, 1871
Charles-François Daubigny Apple Blossoms, 1873
Camille Corot Interrupted Reading, c. 1870
Camille Corot Hagar in the Wilderness, 1835
Georges Seurat A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89
Claude Monet Stacks of Wheat (End of Summer), 1890–91