Fitz Henry Lane Harbor of Boston, with the City in the Distance, c. 1846–47
Becalmed off Halfway Rock
Fitz Henry Lane (American, 1804–1865)
- Date
- 1860
- Medium
- oil on canvas
- Size
- 27¾ × 47½ in (70.4 × 120.5 cm)
- Museum
- National Gallery of Art, Washington, accession 1992.51.8. See the museum’s record
- Credit
- Collection of Mr. and Mrs. Paul Mellon, in Honor of the 50th Anniversary of the National Gallery of Art
Public domain image courtesy of the National Gallery of Art (Open Access, CC0).
Palette
- #EFDEC9, 32 % of the picture, closest to Cream walls
- #DACABD, 27 % of the picture, closest to Greige walls
- #CAB4A0, 18 % of the picture, closest to Taupe walls
- #AD9277, 12 % of the picture, closest to Taupe walls
- #7A5C41, 11 % of the picture, closest to Chocolate walls
Closest wall colors:
Fits these rooms
Hang it
Pick the furniture and a print size to see it to scale on your wall.
- 23½ × 40 in, the whole painting on 30 × 40 in paper
- Center
- 55 in (140 cm) from the floor
- Above the sofa
- 8 in (20 cm) from the sofa to the frame
- Ideal width
- 56 to 63 in over an 84 in sofa
- Why this height
- Centered at eye level, this frame would not sit 6 to 10 in above the sofa, so the 8 in gap sets the height.
Try it on your wall color
Default greige
Print it
No standard paper matches this painting’s proportions closely, so print it whole with a white border, or trim the edges to fill the paper.
| Paper | Filling the paper | Printed whole | Frame | Frame with a 2 in mat | Frame with a 3 in mat | Sharpness |
|---|---|---|---|---|---|---|
| 5 × 7 in | trims 18.2 % | 4 × 7 in | 5 × 7 in ready-made | 9 × 11 in custom | 11 × 13 in custom | 930 dpi, crisp up close |
| 12 × 16 in | trims 22.1 % | 9¼ × 16 in | 12 × 16 in ready-made | 16 × 20 in ready-made | 18 × 22 in custom | 409 dpi, crisp up close |
| 18 × 24 in | trims 22.1 % | 14 × 24 in | 18 × 24 in ready-made | 22 × 28 in ready-made | 24 × 30 in ready-made | 272 dpi, crisp from a step back |
| 20 × 30 in | trims 12.4 % | 17½ × 30 in | 20 × 30 in ready-made | 24 × 34 in custom | 26 × 36 in custom | 217 dpi, crisp from a step back |
| 24 × 36 in | trims 12.4 % | 21 × 36 in | 24 × 36 in ready-made | 28 × 40 in custom | 30 × 42 in custom | 181 dpi, crisp from a step back |
| 30 × 40 in | trims 22.1 % | 23½ × 40 in | 30 × 40 in ready-made | 34 × 44 in custom | 36 × 46 in custom | 162 dpi, crisp from a step back |
Sharpness is worked out from the largest file the museum offers. Above 300 dpi a print holds up at arm’s length; 150 dpi is plenty for a picture seen from across a sofa.
Download
Free for any use, including commercial: this image is public domain (CC0).
- Thumbnail (WebP) 560 × 323 px from Room Paintings
- Web image 843 × 486 px from National Gallery of Art
- Print file 2,000 × 1,152 px from National Gallery of Art
- Original file 6,618 × 3,813 px from National Gallery of Art
- The museum’s record of this painting National Gallery of Art
Public domain image courtesy of the National Gallery of Art (Open Access, CC0). You may print, share, change and sell it without asking. Read what that means on our image license page, and how to get a good result in how to print a public-domain painting.
More like this
By Fitz Henry Lane, or in the same style or subject.
All works by Fitz Henry LaneFitz Henry Lane The Golden State Entering New York Harbor, 1854
Fitz Henry Lane Brace's Rock, Eastern Point, Gloucester, c. 1864
Fitz Henry Lane Lumber Schooners at Evening on Penobscot Bay, 1863
Francisco de Goya Manuel Osorio Manrique de Zuñiga (1784–1792), 1787–88
John Constable Salisbury Cathedral from Lower Marsh Close, 1820
Martin Johnson Heade Magnolias on Light Blue Velvet Cloth, 1885–95
John Frederick Kensett Lake George, 1869