Fitz Henry Lane Harbor of Boston, with the City in the Distance, c. 1846–47
The Golden State Entering New York Harbor
Fitz Henry Lane (American, 1804–1865)
- Date
- 1854
- Medium
- Oil on canvas
- Size
- 26 × 48 in (66 × 121.9 cm)
- Museum
- The Metropolitan Museum of Art, New York, accession 1974.33. See the museum’s record
- Credit
- Purchase, Gift of Hanson K. Corning, by exchange, and Morris K. Jesup and Maria DeWitt Jesup Funds, 1974
Public domain image courtesy of The Metropolitan Museum of Art (Open Access, CC0).
Palette
- #B8B39F, 30 % of the picture, closest to Taupe walls
- #A1A290, 27 % of the picture, closest to Sage Green walls
- #8A8F7B, 19 % of the picture, closest to Taupe walls
- #282E19, 14 % of the picture, closest to Forest Green walls
- #65633A, 10 % of the picture, closest to Olive walls
Closest wall colors:
Fits these rooms
Hang it
Pick the furniture and a print size to see it to scale on your wall.
- 21¾ × 40 in, the whole painting on 30 × 40 in paper
- Center
- 54 in (137 cm) from the floor
- Above the sofa
- 8 in (20 cm) from the sofa to the frame
- Ideal width
- 56 to 63 in over an 84 in sofa
- Why this height
- Centered at eye level, this frame would not sit 6 to 10 in above the sofa, so the 8 in gap sets the height.
Try it on your wall color
Default greige
Print it
No standard paper matches this painting’s proportions closely, so print it whole with a white border, or trim the edges to fill the paper.
| Paper | Filling the paper | Printed whole | Frame | Frame with a 2 in mat | Frame with a 3 in mat | Sharpness |
|---|---|---|---|---|---|---|
| 5 × 7 in | trims 24.2 % | 3¾ × 7 in | 5 × 7 in ready-made | 9 × 11 in custom | 11 × 13 in custom | 544 dpi, crisp up close |
| 12 × 16 in | trims 27.8 % | 8¾ × 16 in | 12 × 16 in ready-made | 16 × 20 in ready-made | 18 × 22 in custom | 238 dpi, crisp from a step back |
| 18 × 24 in | trims 27.8 % | 13 × 24 in | 18 × 24 in ready-made | 22 × 28 in ready-made | 24 × 30 in ready-made | 158 dpi, crisp from a step back |
| 20 × 30 in | trims 18.8 % | 16¼ × 30 in | 20 × 30 in ready-made | 24 × 34 in custom | 26 × 36 in custom | 127 dpi, soft up close |
| 24 × 36 in | trims 18.8 % | 19½ × 36 in | 24 × 36 in ready-made | 28 × 40 in custom | 30 × 42 in custom | 105 dpi, soft up close |
| 30 × 40 in | trims 27.8 % | 21¾ × 40 in | 30 × 40 in ready-made | 34 × 44 in custom | 36 × 46 in custom | 95 dpi, soft up close |
Sharpness is worked out from the largest file the museum offers. Above 300 dpi a print holds up at arm’s length; 150 dpi is plenty for a picture seen from across a sofa.
Download
Free for any use, including commercial: this image is public domain (CC0).
- Thumbnail (WebP) 560 × 311 px from Room Paintings
- Web image 600 × 333 px from The Met
- Print and original file 3,811 × 2,116 px from The Met
- The museum’s record of this painting The Met
Public domain image courtesy of The Metropolitan Museum of Art (Open Access, CC0). You may print, share, change and sell it without asking. Read what that means on our image license page, and how to get a good result in how to print a public-domain painting.
More like this
By Fitz Henry Lane, or in the same style or subject.
All works by Fitz Henry LaneFitz Henry Lane Brace's Rock, Eastern Point, Gloucester, c. 1864
Fitz Henry Lane Lumber Schooners at Evening on Penobscot Bay, 1863
Fitz Henry Lane Becalmed off Halfway Rock, 1860
Martin Johnson Heade Magnolias on Light Blue Velvet Cloth, 1885–95
John Frederick Kensett Lake George, 1869
Gustave Caillebotte Paris Street; Rainy Day, 1877
Georges Seurat A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89