Paintings for Taupe Walls (page 37)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,729 to 1,776 of 2,035.

Grapes, Lemons, Pears, and Apples, Vincent van Gogh, 1887, oil on canvas

Vincent van Gogh Grapes, Lemons, Pears, and Apples, 1887 Art Institute of Chicago

Roland, William Merritt Chase, ca. 1902, oil on canvas

William Merritt Chase Roland, ca. 1902 The Met

From a little above a dirt road, we look past a grove of trees to a broad plain and a lake at the foot of towering, hazy mountains in this horizontal landscape painting.

Albert Bierstadt Lake Lucerne, 1858 National Gallery of Art

Horatio Gates, Gilbert Stuart, ca. 1793–94, oil on canvas

Gilbert Stuart Horatio Gates, ca. 1793–94 The Met

Lormes: Goat-Girl Sitting Beside a Stream in a Forest, Camille Corot, 1842, oil on fabric

Camille Corot Lormes: Goat-Girl Sitting Beside a Stream in a Forest, 1842 Cleveland Museum of Art

Cremorne Gardens, No. 2, James McNeill Whistler, ca. 1870–80, oil on canvas

James McNeill Whistler Cremorne Gardens, No. 2, ca. 1870–80 The Met

Portrait of a Man, Diego Velázquez, ca. 1650, oil on canvas

Diego Velázquez Portrait of a Man, ca. 1650 The Met

Landscape with Cattle at Limousin, Jules Dupré, 1837, oil on canvas

Jules Dupré Landscape with Cattle at Limousin, 1837 The Met

La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, 1851–1930), Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, 1851–1930), 1889 The Met

Shown from the chest up, an older man with pale, peachy skin, wearing a high-collared black coat and a cream-white, ruffled collar, is shown against a deep wine-red background in this vertical portrait painting.

Gilbert Stuart George Washington (Vaughan portrait), 1795 National Gallery of Art

The Beach at Deauville, Eugène Boudin, 1864, oil on wood panel

Eugène Boudin The Beach at Deauville, 1864 Cleveland Museum of Art

We look across a forested ravine painted in deep greens and blues at a terracotta-orange building at the top of a hill at the center of this nearly square, loosely painted landscape.

Paul Cézanne Château Noir, 1900/1904 National Gallery of Art

Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Francisco de Goya, 1804, oil on canvas

Francisco de Goya Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, 1804 The Met

The Banks of the Marne in Winter, Camille Pissarro, 1866, oil on canvas

Camille Pissarro The Banks of the Marne in Winter, 1866 Art Institute of Chicago

A lone wheat stack, in shadow, rests on a snow-covered field that is rendered in shades of white, blue, yellow, and purple. A house can be seen in the distance on the right against the blue hills beyond.

Claude Monet Stack of Wheat (Snow Effect, Overcast Day), 1890–91 Art Institute of Chicago

A young girl wearing a rust-red dress with a tight bodice and full, voluminous skirt sits in a hazy, garden-like setting in this vertical portrait painting. Her skin is pale with a greenish cast, but her cheeks are slightly flushed.

Joshua Reynolds Lady Elizabeth Hamilton, 1758 National Gallery of Art

St. Albert of Louvain, Peter Paul Rubens, 1620, oil on panel

Peter Paul Rubens St. Albert of Louvain, 1620 Art Institute of Chicago

Queen Henrietta Maria, Anthony van Dyck, 1636, oil on canvas

Anthony van Dyck Queen Henrietta Maria, 1636 The Met

A small child stands facing us on a sun-dappled path that runs up the center of a garden dominated by towering yellow and burnt-orange sunflowers in this loosely painted, vertical scene.

Claude Monet The Artist's Garden at Vétheuil, 1881 National Gallery of Art

Boys in a Dory, Winslow Homer, 1873, watercolor washes and gouache over graphite underdrawing on medium rough textured white wove paper

Winslow Homer Boys in a Dory, 1873 The Met

Portrait of a Bearded Man with a Ruff, Frans Hals, 1625, oil on canvas

Frans Hals Portrait of a Bearded Man with a Ruff, 1625 The Met

Arrangement in Black, No. 3: Sir Henry Irving as Philip II of Spain, James McNeill Whistler, 1876, reworked 1885, oil on canvas

James McNeill Whistler Arrangement in Black, No. 3: Sir Henry Irving as Philip II of Spain, 1876, reworked 1885 The Met

Early Morning, Tarpon Springs, George Inness, 1892, oil on canvas

George Inness Early Morning, Tarpon Springs, 1892 Art Institute of Chicago

River with a Distant Tower, Camille Corot, 1865, oil on canvas

Camille Corot River with a Distant Tower, 1865 The Met

Samson Captured by the Philistines, Guercino, 1619, oil on canvas

Guercino Samson Captured by the Philistines, 1619 The Met

This painting shows a green landscape from an elevated viewpoint. In the distance, light blue water meets a pale-yellow sky, and the sun casts a golden glow over the landscape.

George Inness Lake Albano, Sunset, c. 1874 National Gallery of Art

From Ávila, John Singer Sargent, ca. 1903, watercolor and gouache on white wove paper

John Singer Sargent From Ávila, ca. 1903 The Met

The Drinkers, Honoré Daumier, by 1861, oil on wood

Honoré Daumier The Drinkers, by 1861 The Met

Henry Rice, Gilbert Stuart, ca. 1815, oil on wood

Gilbert Stuart Henry Rice, ca. 1815 The Met

This is a painting of a red horse standing on a patch of tan ground, tethered by a rope to a tall brown post. The horse's reddish-brown coat is rich and glossy, with white highlights. It faces the left, with its ears pricked up.

Eugène Delacroix A Horse Hitched to a Post, c. 1820 National Gallery of Art

A Bouquet of Flowers, Clara Peeters, ca. 1612, oil on wood

Clara Peeters A Bouquet of Flowers, ca. 1612 The Met

The Call, Paul Gauguin, 1902, oil on canvas

Paul Gauguin The Call, 1902 Cleveland Museum of Art

Portrait of a Family Playing Music, Pieter de Hooch, 1663, oil on canvas

Pieter de Hooch Portrait of a Family Playing Music, 1663 Cleveland Museum of Art

Portrait of a Woman, Gerard ter Borch, c. 1665, oil on canvas

Gerard ter Borch Portrait of a Woman, c. 1665 Cleveland Museum of Art

Fish Market, Joachim Beuckelaer, 1568, oil on Baltic oak

Joachim Beuckelaer Fish Market, 1568 The Met

From Jerusalem, John Singer Sargent, 1905–6, watercolor, gouache, and graphite on off-white wove paper

John Singer Sargent From Jerusalem, 1905–6 The Met

Four women and two children, all with pale skin, carry baskets as they walk along a beach under a brilliant blue sky in this horizontal painting. The scene is painted with visible dabs and blended strokes.

John Singer Sargent En route pour la pêche (Setting Out to Fish), 1878 National Gallery of Art

Mrs. Henry Hill (Anna Barrett), John Singleton Copley, c. 1765–70, pastel on paper mounted on linen

John Singleton Copley Mrs. Henry Hill (Anna Barrett), c. 1765–70 Art Institute of Chicago

Landscape at Saint-Ouen, Georges Seurat, 1878 or 1879, oil on wood, mounted on wood

Georges Seurat Landscape at Saint-Ouen, 1878 or 1879 The Met

L'Arlésienne: Madame Joseph-Michel Ginoux (Marie Julien, 1848–1911), Vincent van Gogh, 1888–89, oil on canvas

Vincent van Gogh L'Arlésienne: Madame Joseph-Michel Ginoux (Marie Julien, 1848–1911), 1888–89 The Met

Gulian Verplanck, John Singleton Copley, 1771, oil on canvas

John Singleton Copley Gulian Verplanck, 1771 The Met

Still Life with Meat, Fish, Vegetables, and Fruit, Jacob van Hulsdonck, c. 1615–20, oil on panel, the reverse prepared with gesso

Jacob van Hulsdonck Still Life with Meat, Fish, Vegetables, and Fruit, c. 1615–20 Cleveland Museum of Art

Hills around the Bay of Moulin Huet, Guernsey, Pierre-Auguste Renoir, 1883, oil on canvas

Pierre-Auguste Renoir Hills around the Bay of Moulin Huet, Guernsey, 1883 The Met

Madame Jean-Baptiste Nicolet (Anne Antoinette Desmoulins, 1743–1817), Jean-Baptiste Greuze, late 1780s, oil on wood

Jean-Baptiste Greuze Madame Jean-Baptiste Nicolet (Anne Antoinette Desmoulins, 1743–1817), late 1780s The Met

Portrait of an Old Man, El Greco, ca. 1595–1600, oil on canvas

El Greco Portrait of an Old Man, ca. 1595–1600 The Met

Florentine Poet, Alexandre Cabanel, 1861, oil on wood

Alexandre Cabanel Florentine Poet, 1861 The Met

This painting shows a tranquil river scene with a distant horizon on the left showing rolling landscapes, trees, and small brown buildings across calm water.

Charles-François Daubigny Washerwomen at the Oise River near Valmondois, 1865 National Gallery of Art

Edward Guthrie Kennedy, William Merritt Chase, ca. 1895, oil on canvas

William Merritt Chase Edward Guthrie Kennedy, ca. 1895 The Met

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