Paintings for Taupe Walls (page 35)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,633 to 1,680 of 2,035.

Portrait of a Woman, Agnolo Bronzino, c. 1550, oil on wood

Agnolo Bronzino Portrait of a Woman, c. 1550 Cleveland Museum of Art

Alessandro Vittoria (1525–1608), Paolo Veronese, ca. 1580, oil on canvas

Paolo Veronese Alessandro Vittoria (1525–1608), ca. 1580 The Met

Lady in Gray, James McNeill Whistler, ca. 1883, watercolor and gouache on dark brown wove paper

James McNeill Whistler Lady in Gray, ca. 1883 The Met

The painting depicts a coastal scene. A rocky shore in warm tones of orange, brown, red, and purple is closest to us, with two boats and a simple structure visible near the center of the painting.

Henri-Edmond Cross Calanque des Antibois, 1891/1892 National Gallery of Art

Jean-Auguste-Dominique Ingres Ulysses, 1827 National Gallery of Art

Shown from the lap up, a woman with peach-colored skin sits leaning sideways against the back of a wooden chair with her head tilted to our left on her long neck in this vertical, stylized portrait.

Amedeo Modigliani Woman with Red Hair, 1917 National Gallery of Art

The Baptism of Christ, Jacopo Bassano, ca. 1590, oil on canvas

Jacopo Bassano The Baptism of Christ, ca. 1590 The Met

Camp Fire, Winslow Homer, 1880, oil on canvas

Winslow Homer Camp Fire, 1880 The Met

The image shows a woman's upper body. She is looking directly at the viewer with a calm expression. The woman has fair skin, dark brown hair styled away from her face, blue eyes, and delicate features.

William Jennys Mrs. Asa Benjamin, 1795 National Gallery of Art

This painting shows a woman standing outdoors, facing the left. She has pale skin, and her face is in shadow, obscured by a wide-brimmed flat white hat with a red stripe around the edge, tied with a black bow behind her head.

Eastman Johnson Lambs, Nantucket, 1874 National Gallery of Art

Watercolor of man with golden halo on horse, green background.

Ghasi Maharana Bhim Singh in Procession, c. 1820 Art Institute of Chicago

Landscape with a Village in the Distance, Jacob van Ruisdael, 1646, oil on wood

Jacob van Ruisdael Landscape with a Village in the Distance, 1646 The Met

A young woman with pale, peach skin wearing a white apron over an ankle-length navy-blue dress stands in a dining room in this vertical painting. The painting is created using loose brushstrokes throughout.

Berthe Morisot In the Dining Room, 1886 National Gallery of Art

Painted in golden tones of butter and harvest yellow, tawny brown, and olive green, this horizontal landscape painting has a low wall stretching diagonally from the lower right corner off to our left, dividing a river to our right from a…

Joseph Mallord William Turner Mortlake Terrace, 1827 National Gallery of Art

Pastoral Landscape: The Roman Campagna, Claude Lorrain, ca. 1639, oil on canvas

Claude Lorrain Pastoral Landscape: The Roman Campagna, ca. 1639 The Met

This painting shows a woodland scene with tall trees surrounding a small, still pond. The trees and grassy ground are painted in shades of olive-green, rusty orange, yellow ochre, and dark brown.

Narcisse Virgilio Díaz de la Peña The Frog Pond, 1876 National Gallery of Art

About two dozen men and women sit in straight-backed, wooden chairs gathered along a sandy beach near low, gently breaking waves with sailboats floating in the ocean beyond in this horizontal landscape painting.

Eugène Boudin Beach Scene at Trouville, 1863 National Gallery of Art

A diagonal line of leaping ballet dancers recedes from a starkly lit dancer partially visible at bottom left. All are broadly painted against a blue-green ground above them, pale pink below.

Henri de Toulouse-Lautrec Ballet Dancers, 1885–86 Art Institute of Chicago

Five women, all with brown skin, sit and stand in a landscape painted with tones of emerald green, mauve pink, lilac and plum purple, and cobalt blue in this horizontal composition.

Paul Gauguin The Invocation, 1903 National Gallery of Art

This painting shows two people. A woman is seen from the knees up in the center, standing partially in front of the man next to her, her body facing the left and her head turned back towards us.

Jean-Louis Forain Behind the Scenes, c. 1880 National Gallery of Art

Portrait of a Woman, Rembrandt van Rijn, 1633, oil on wood

Rembrandt van Rijn Portrait of a Woman, 1633 The Met

Venice from the Bacino di San Marco, Francesco Guardi, ca. 1765–75, oil on canvas

Francesco Guardi Venice from the Bacino di San Marco, ca. 1765–75 The Met

Under the Cypress Trees at Corfu, John Singer Sargent, 1909, oil on canvas

John Singer Sargent Under the Cypress Trees at Corfu, 1909 Art Institute of Chicago

Eaton's Neck, Long Island, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Eaton's Neck, Long Island, 1872 The Met

Landscape on a River, Charles-François Daubigny, 1863, oil on wood

Charles-François Daubigny Landscape on a River, 1863 The Met

Sunset at Sea, John Singer Sargent, 1905–6 (?) or 1905–?6, watercolor and gouache on white wove paper

John Singer Sargent Sunset at Sea, 1905–6 (?) or 1905–?6 The Met

Charlotte Morton Dexter (Mrs. Andrew Dexter), Gilbert Stuart, 1808/c. 1825, oil on wood

Gilbert Stuart Charlotte Morton Dexter (Mrs. Andrew Dexter), 1808/c. 1825 National Gallery of Art

Marguerite-Juliette Pierret, Eugène Delacroix, c. 1827, oil on fabric

Eugène Delacroix Marguerite-Juliette Pierret, c. 1827 Cleveland Museum of Art

Thomas Willing, Charles Willson Peale, 1782, oil on canvas

Charles Willson Peale Thomas Willing, 1782 The Met

In this painting, a pile of cherries is displayed on a grassy ground. The cherries are in different shades of red, orange, and light yellow, set against a dark green background. Some cherries are scattered in the grass around the pile.

William Mason Brown Mound of Cherries, n.d. National Gallery of Art

Clouds, Thomas Cole, ca. 1838, oil on paper laid down on canvas

Thomas Cole Clouds, ca. 1838 The Met

The Dispatch of the Messenger, François Boucher, 1765, oil on canvas

François Boucher The Dispatch of the Messenger, 1765 The Met

Treetops against Sky, John Singer Sargent, 1909–13, watercolor and gouache on white wove paper

John Singer Sargent Treetops against Sky, 1909–13 The Met

The Valley of Les Puits-Noir, Gustave Courbet, 1868, oil on canvas

Gustave Courbet The Valley of Les Puits-Noir, 1868 Art Institute of Chicago

This painting shows a dynamic scene of a green tennis court with a player in action near the bottom-right corner, their hand extended behind their head and one leg in the air.

George Bellows Tennis Tournament, 1920 National Gallery of Art

Portrait of a Man, Possibly an Architect or Geographer, Peter Paul Rubens, 1597, oil on copper

Peter Paul Rubens Portrait of a Man, Possibly an Architect or Geographer, 1597 The Met

This painting shows an adult woman and two children on a white lounge chair. The adult is sitting on the chair with her legs extended, supporting one of the children who is lying across her lap.

George Bellows My Family, 1916 National Gallery of Art

Arques-la-Bataille, John Henry Twachtman, ca. 1884, oil on canvas

John Henry Twachtman Arques-la-Bataille, ca. 1884 The Met

Wheat Field with Cypresses, Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Wheat Field with Cypresses, 1889 The Met

Landscape, George Inness, 1884 or 1889, oil on canvas

George Inness Landscape, 1884 or 1889 The Met

Portrait of man, black coat, white collar, hand in book.

Ammi Phillips Cornelius Allerton, 1821–22 Art Institute of Chicago

Portrait of a Lady, Frans Hals, 1627, oil on canvas

Frans Hals Portrait of a Lady, 1627 Art Institute of Chicago

Fantastic Landscape, Francesco Guardi, ca. 1765, oil on canvas

Francesco Guardi Fantastic Landscape, ca. 1765 The Met

Painted dark colored portrait of man, hands in prayer.

Rogier van der Weyden Portrait of Jean Gros (recto); Coat of Arms of Jean Gros (verso), 1460–64 Art Institute of Chicago

Portrait of a Woman, Rembrandt van Rijn, 1635 or earlier, oil on wood

Rembrandt van Rijn Portrait of a Woman, 1635 or earlier Cleveland Museum of Art

Watering Place at Marly, Alfred Sisley, 1875, oil on canvas

Alfred Sisley Watering Place at Marly, 1875 Art Institute of Chicago

Saint Jerome as Scholar, El Greco, ca. 1610, oil on canvas

El Greco Saint Jerome as Scholar, ca. 1610 The Met

Miss Davidson Reid, Henry Raeburn, c. 1800/1806, oil on canvas

Henry Raeburn Miss Davidson Reid, c. 1800/1806 National Gallery of Art

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