Paintings for Taupe Walls (page 33)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,537 to 1,584 of 2,035.

Two women and a man in front of a column and arch nearly fill this vertical, oval painting. The two women have pale skin with round faces, wide-set eyes, and full pink lips.

Giovanni Battista Tiepolo Scene from Ancient History, c. 1750 National Gallery of Art

Salvator Mundi, Albrecht Dürer, ca. 1505, oil on linden

Albrecht Dürer Salvator Mundi, ca. 1505 The Met

This painting shows a woman from the chest up, with her head slightly turned to the right. She has fair skin, red lips, and brown hair in an updo.

Paul Gauguin Madame Alexandre Kohler, 1887/1888 National Gallery of Art

Portrait of the Artist, Gilbert Stuart, ca. 1786, oil on canvas

Gilbert Stuart Portrait of the Artist, ca. 1786 The Met

A tree with emerald-green leaves and laden with white blossoms grows in a dirt field, and is silhouetted against a vibrant blue sky in this horizontal landscape painting. The scene is loosely painted with visible dabs and strokes.

Camille Pissarro Orchard in Bloom, Louveciennes, 1872 National Gallery of Art

This painting depicts a seated woman facing the left. She has a pale complexion, rosy cheeks, arched eyebrows, and thin red lips set in a neutral expression. Her hands are resting on her lap.

Joshua Reynolds Lady Cornewall, c. 1785-1786 National Gallery of Art

Painting of a basket of green and red-yellow apples spilling over into a white cloth placed on a wooden table, with a dark green bottle and a plate of pale biscuits behind.

Paul Cézanne The Basket of Apples, c. 1893 Art Institute of Chicago

The Falls of Niagara, Edward Hicks, ca. 1825, oil on canvas

Edward Hicks The Falls of Niagara, ca. 1825 The Met

An elegantly dressed man and woman ride horses toward us and to our right in a landscape with low, rolling hills, stone buildings, and trees in this horizontal painting. The two horses and riders take up the right half of the composition.

Aelbert Cuyp Lady and Gentleman on Horseback, c. 1655, reworked 1660/1665 National Gallery of Art

In a dance studio, two ballerinas wearing knee-length tutus and ballet slippers sit on a bench and stretch to our right while four more pose at the back of the space, to our left, in this long, horizontal painting.

Edgar Degas Before the Ballet, 1890/1892 National Gallery of Art

Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille, Jacometto, ca. 1485–95, oil on wood; (verso: oil and gold on wood)

Jacometto Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille, ca. 1485–95 The Met

This is a painting of a park filled with tall trees and people in colorful clothes. Some people are seated on chairs, while others are walking or standing on the tan ground.

William Glackens Luxembourg Gardens, 1906 National Gallery of Art

Mount Starr King, Yosemite, Albert Bierstadt, 1866, oil on canvas on panel-back stretcher

Albert Bierstadt Mount Starr King, Yosemite, 1866 Cleveland Museum of Art

The Golden State Entering New York Harbor, Fitz Henry Lane, 1854, oil on canvas

Fitz Henry Lane The Golden State Entering New York Harbor, 1854 The Met

Cosimo I de' Medici (1519–1574), Agnolo Bronzino, 1548, oil on wood

Agnolo Bronzino Cosimo I de' Medici (1519–1574), 1548 The Met

A nude woman with brown skin and long black hair stands to our right against a landscape swirling with jewel-toned greens, pinks, and purples while a man, also with brown skin, sits under a tree behind her in this stylized vertical…

Paul Gauguin Parau na te Varua ino (Words of the Devil), 1892 National Gallery of Art

A woman with pale, peachy skin wearing elegant gold and ink-black garments sits in front of a stone portico in this vertical portrait painting. Her red armchair is angled to our right, but the woman turns to look at us under cocked brows.

Anthony van Dyck Isabella Brant, 1621 National Gallery of Art

A windmill stands on a promontory cutting into a waterway under a partially stormy sky in this square landcape painting.

Rembrandt van Rijn The Mill, 1645/1648 National Gallery of Art

A young girl with pale skin and long brown hair looks at us as she braces a tall, wooden hoop with one hand by her hip in this vertical painting.

Pierre-Auguste Renoir Girl with a Hoop, 1885 National Gallery of Art

Te burao (The Hibiscus Tree), Paul Gauguin, 1892, oil on canvas

Paul Gauguin Te burao (The Hibiscus Tree), 1892 Art Institute of Chicago

The Pigeon Tower at Bellevue, Paul Cézanne, 1890, oil on fabric

Paul Cézanne The Pigeon Tower at Bellevue, 1890 Cleveland Museum of Art

We look down onto a plaza with a sliver of a tall building rising along the left edge of the painting, a row of verdant, green trees to our right, and a row of buildings enclosing the space in the distance in this nearly square landscape…

Camille Pissarro Place du Carrousel, Paris, 1900 National Gallery of Art

A man and woman stand in a sunny field near a line of cone-shaped haystacks under a massive blue sky in this horizontal landscape painting. The scene is loosely painted with visible brushstrokes throughout.

Camille Pissarro Landscape, Ile-de-France, 1873 National Gallery of Art

View of Florence, Thomas Cole, 1837, oil on canvas

Thomas Cole View of Florence, 1837 Cleveland Museum of Art

Six men on horseback and wearing jockeys’ uniforms line up on a grassy field in front of us in this loosely painted horizontal scene. The jockeys and horses’ features are especially freely painted so much of the detail is indistinct.

Edgar Degas The Riders, c. 1885 National Gallery of Art

The painting depicts a stately building complex from an elevated point. The buildings are large, with white, ivy-covered walls and dark, peaked roofs.

Bernardo Bellotto The Fortress of Königstein: Courtyard with the Magdalenenburg, 1756-1758 National Gallery of Art

A woman with pale skin, wearing a sheer, lace shawl over a high-necked, ink-black dress sits in an upholstered chair in front of a dark, cranberry-red curtain in this vertical portrait painting.

John Singer Sargent Ellen Peabody Endicott (Mrs. William Crowninshield Endicott), 1901 National Gallery of Art

Joseph Sherburne, John Singleton Copley, ca. 1767–70, oil on canvas

John Singleton Copley Joseph Sherburne, ca. 1767–70 The Met

This painting shows a seated woman, her head turned slightly to the right. She has fair skin with rosy cheeks, pale eyebrows, a long nose, and thin pink lips in a neutral expression.

Benjamin West Maria Hamilton Beckford (Mrs. William Beckford), 1799 National Gallery of Art

Sellar Alp, Dolomites, John Singer Sargent, ca. 1913–14, watercolor and gouache on white wove paper

John Singer Sargent Sellar Alp, Dolomites, ca. 1913–14 The Met

A young girl with pale skin, rosy cheeks, and blond hair stands facing us in front of a landscape with forests and mountains in this vertical portrait painting. The girl looks at us with wide, gray eyes under delicately arched eyebrows.

Francisco de Goya María Teresa de Borbón y Vallabriga, later Condesa de Chinchón, 1783 National Gallery of Art

Dark moody painting of crumbling castle tower and walls amidst river and forest.

Jacob van Ruisdael Landscape with the Ruins of the Castle of Egmond, 1650–55 Art Institute of Chicago

James Monroe, Gilbert Stuart, ca. 1820–22, oil on canvas

Gilbert Stuart James Monroe, ca. 1820–22 The Met

The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935), Berthe Morisot, ca. 1870, oil on canvas

Berthe Morisot The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935), ca. 1870 The Met

The Loire, Alfred Sisley, 1896, oil on canvas

Alfred Sisley The Loire, 1896 Art Institute of Chicago

Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), Jacques-Louis David, 1788, oil on canvas

Jacques-Louis David Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), 1788 The Met

Rear Admiral George W. Melville, Thomas Eakins, 1905, oil on canvas

Thomas Eakins Rear Admiral George W. Melville, 1905 National Gallery of Art

Brace's Rock, Eastern Point, Gloucester, Fitz Henry Lane, c. 1864, oil on canvas

Fitz Henry Lane Brace's Rock, Eastern Point, Gloucester, c. 1864 National Gallery of Art

Lady Rich (Elizabeth Jenks, died 1558), Hans Holbein the Younger, ca. 1540, oil and gold on oak

Hans Holbein the Younger Lady Rich (Elizabeth Jenks, died 1558), ca. 1540 The Met

Arleux-Palluel, The Bridge of Trysts, Camille Corot, 1871–72, oil on canvas

Camille Corot Arleux-Palluel, The Bridge of Trysts, 1871–72 Art Institute of Chicago

Hamlet and His Mother, Eugène Delacroix, 1849, oil on canvas

Eugène Delacroix Hamlet and His Mother, 1849 The Met

This painting depicts a landscape with rolling green hills viewed from an elevated perspective. Closest to us, the light green hills on the left are covered with yellowish grass.

Kenyon Cox Flying Shadows, 1883 National Gallery of Art

Alpine Pool, John Singer Sargent, 1907, oil on canvas

John Singer Sargent Alpine Pool, 1907 The Met

We look slightly down onto a wooden table or buffet with a basket of fruit, a vase of pink and white flowers, a book, and a small tray holding a teacup, saucer, and two oranges in this horizontal still life painting.

Henri Fantin-Latour Still Life, 1866 National Gallery of Art

Shown from the lap up against a dark background, a pale-skinned woman wearing a black dress looks out at us in this vertical portrait.

Rembrandt van Rijn A Woman Holding a Pink, 1656 National Gallery of Art

The painting shows a coastal landscape from an elevated point of view. A structure resembling a thatched-roof cottage is on the right, partially obscured by the rolling green hills that take up the bottom right area of the painting.

Henri Moret The Island of Raguenez, Brittany, 1890/1895 National Gallery of Art

Curiosity, Gerard ter Borch, ca. 1660–62, oil on canvas

Gerard ter Borch Curiosity, ca. 1660–62 The Met

Lute Player, Valentin de Boulogne, ca. 1625–26, oil on canvas

Valentin de Boulogne Lute Player, ca. 1625–26 The Met

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