Paintings for Taupe Walls (page 34)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,585 to 1,632 of 2,035.

Nine people are gathered in a landscape around the gaunt body of a young man being carried on a cloth in the lower half of this vertical painting. All the people have pale skin tinged with yellow, and all but one have shiny gold halos.

Fra Angelico The Entombment of Christ, c. 1450 National Gallery of Art

Lieutenant Colonel Paul Pechell (1724–1800), Thomas Gainsborough, 1768, oil on canvas

Thomas Gainsborough Lieutenant Colonel Paul Pechell (1724–1800), 1768 The Met

Madame Henri François Riesener (Félicité Longrois, 1786–1847), Eugène Delacroix, 1835, oil on canvas

Eugène Delacroix Madame Henri François Riesener (Félicité Longrois, 1786–1847), 1835 The Met

This painting presents a series of curved and bending lines intersecting with each other in an abstract pattern. The lines create a design resembling tree branches and leafy canopies.

Franz Marc Weasels at Play, 1911 National Gallery of Art

Saint Peter Repentant, Georges de La Tour, 1645, oil on canvas

Georges de La Tour Saint Peter Repentant, 1645 Cleveland Museum of Art

Alfred Dedreux (1810–1860) as a Child, Théodore Géricault, ca. 1819–20, oil on canvas

Théodore Géricault Alfred Dedreux (1810–1860) as a Child, ca. 1819–20 The Met

Robert Rich (1587–1658), Second Earl of Warwick, Anthony van Dyck, ca. 1632–35, oil on canvas

Anthony van Dyck Robert Rich (1587–1658), Second Earl of Warwick, ca. 1632–35 The Met

The painting depicts a rocky coastline dotted with color. The horizon is high in the scene, and a strip of pale-yellow sky is visible at the very top of the painting.

Henry Golden Dearth Flecks of Foam, c. 1911/1912 National Gallery of Art

Fruits of the Midi, Pierre-Auguste Renoir, 1881, oil on canvas

Pierre-Auguste Renoir Fruits of the Midi, 1881 Art Institute of Chicago

Child with Blond Hair, Pierre-Auguste Renoir, 1895/1900, oil on canvas

Pierre-Auguste Renoir Child with Blond Hair, 1895/1900 National Gallery of Art

The Violin Player, James McNeill Whistler, c. 1890–94, oil on canvas

James McNeill Whistler The Violin Player, c. 1890–94 Cleveland Museum of Art

Approaching Storm, Eugène Boudin, 1864, oil on cradled panel

Eugène Boudin Approaching Storm, 1864 Art Institute of Chicago

Alice Gerson in Prospect Park, William Merritt Chase, 1886, oil on panel

William Merritt Chase Alice Gerson in Prospect Park, 1886 The Met

Nun’s Badge with the Virgin of the Immaculate Conception, Nicolás Rodríguez Juárez, ca. 1710, oil and gold on copper; tortoiseshell and silver frame

Nicolás Rodríguez Juárez Nun’s Badge with the Virgin of the Immaculate Conception, ca. 1710 The Met

From a sandy beach, we look across a sun-drenched body of water enclosed by a long, sand-colored, crenelated wall in this horizontal landscape painting.

Frédéric Bazille The Western Ramparts at Aigues-Mortes, 1867 National Gallery of Art

At the Café, Édouard Vuillard, c. 1897–99, oil on board, laid on cradled panel

Édouard Vuillard At the Café, c. 1897–99 Cleveland Museum of Art

Saints Peter and John Healing the Lame Man, Nicolas Poussin, 1655, oil on canvas

Nicolas Poussin Saints Peter and John Healing the Lame Man, 1655 The Met

Fantastic Landscape, Francesco Guardi, ca. 1765, oil on canvas

Francesco Guardi Fantastic Landscape, ca. 1765 The Met

Lieven Willemsz van Coppenol (born about 1599, died 1671 or later), Rembrandt van Rijn, 1648, oil on oak

Rembrandt van Rijn Lieven Willemsz van Coppenol (born about 1599, died 1671 or later), 1648 The Met

Édouard Manet Portrait of a Lady, c. 1879 National Gallery of Art

View of the Domaine Saint-Joseph, Paul Cézanne, late 1880s, oil on canvas

Paul Cézanne View of the Domaine Saint-Joseph, late 1880s The Met

Two men wearing brief-like shorts, shoes, and boxing gloves curl toward each other as they grapple in the middle of a boxing ring in this horizontal painting. We look at the ring from across the heads of the crowd below and around us.

George Bellows Club Night, 1907 National Gallery of Art

Sarah Ursula Rose, Benjamin West, 1756, oil on canvas

Benjamin West Sarah Ursula Rose, 1756 The Met

Dawn—Early Spring, Dwight William Tryon, 1894, oil on wood

Dwight William Tryon Dawn—Early Spring, 1894 The Met

A pale-skinned young girl with blond hair, wearing a blue dress, stands in a garden in this vertical painting. The girl and background are painted with blended strokes, giving the scene and especially the girl a soft look.

Pierre-Auguste Renoir A Girl with a Watering Can, 1876 National Gallery of Art

This painting shows a pastoral setting with a large white-and-gray house on a hill to the left. Distant people stand in front of the house, along with a horse-drawn wagon.

Edward Hicks The Grave of William Penn, c. 1847/1848 National Gallery of Art

Rushing Water, John Singer Sargent, ca. 1901–7, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Rushing Water, ca. 1901–7 The Met

We are eye-level on a beach with half a dozen ships in view, sitting on the ground against a gray sky in this vertical landscape oil painting created with broad, unblended strokes.

Eugène Boudin Low Tide, Sailboats Run Aground, 1885-1890 National Gallery of Art

The Wheat Field, George Inness, c. 1875–77, oil on canvas

George Inness The Wheat Field, c. 1875–77 Cleveland Museum of Art

Vase of Flowers, Odilon Redon, c. 1905, oil on fabric

Odilon Redon Vase of Flowers, c. 1905 Cleveland Museum of Art

Peaceable Kingdom, Edward Hicks, ca. 1830–32, oil on canvas

Edward Hicks Peaceable Kingdom, ca. 1830–32 The Met

Leisure Time in an Elegant Setting, Pieter de Hooch, ca. 1663–65, oil on canvas

Pieter de Hooch Leisure Time in an Elegant Setting, ca. 1663–65 The Met

Painting of the Annunciation, dove flying above Mary with angel.

Jean Hey, The Annunciation, 1490–95 Art Institute of Chicago

Venetian Glass Workers, John Singer Sargent, 1880–82, oil on canvas

John Singer Sargent Venetian Glass Workers, 1880–82 Art Institute of Chicago

Gideon Tucker, William Sidney Mount, 1830, oil on canvas

William Sidney Mount Gideon Tucker, 1830 The Met

Painting of four women with blue shawls walking near red fence.

Paul Gauguin Arlésiennes (Mistral), 1888 Art Institute of Chicago

Madame Auguste Cuoq (Mathilde Desportes, 1827–1910), Gustave Courbet, ca. 1852–57, oil on canvas

Gustave Courbet Madame Auguste Cuoq (Mathilde Desportes, 1827–1910), ca. 1852–57 The Met

A row of structures and a massive weeping willow tree line the clay-orange riverbank opposite us in this horizontal landscape painting. The scene is painted loosely with long, visible brushstrokes.

Paul Cézanne Banks of the Seine at Médan, c. 1885/1890 National Gallery of Art

Newport Rocks, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Newport Rocks, 1872 The Met

David Anderson, Henry Raeburn, 1790, oil on canvas

Henry Raeburn David Anderson, 1790 National Gallery of Art

Allegory of the Catholic Faith, Johannes Vermeer, ca. 1670–72, oil on canvas

Johannes Vermeer Allegory of the Catholic Faith, ca. 1670–72 The Met

Portrait of a Man, Anthony van Dyck, ca. 1618, oil on wood

Anthony van Dyck Portrait of a Man, ca. 1618 The Met

Elie Williams, Charles Willson Peale, 1789, oil on canvas

Charles Willson Peale Elie Williams, 1789 The Met

A plucked chicken, a few stray feathers remaining, hangs upside-down by one foot, illuminated. Behind it the metal hinges and wood panels of a door are visible.

William Michael Harnett For Sunday's Dinner, 1888 Art Institute of Chicago

We look slightly down onto a loosely painted scene with three ballerinas in rose-pink costumes and one man, wearing a black suit and top hat, against a backdrop made up of dabs and strokes of lime, mint, and pine green in this vertical…

Edgar Degas Dancers Backstage, 1876/1883 National Gallery of Art

A waterway flanked by low banks curves away from us in front of a band of rolling hills in this loosely painted horizontal landscape. The water is created with wide strokes of white, ice blue, or the muted jewel tones of the hills.

Paul Gauguin Brittany Landscape, 1888 National Gallery of Art

Portrait of Jeanne Wenz, Henri de Toulouse-Lautrec, 1886, oil on canvas

Henri de Toulouse-Lautrec Portrait of Jeanne Wenz, 1886 Art Institute of Chicago

The Dock of Deauville, Eugène Boudin, 1891, oil on wood panel

Eugène Boudin The Dock of Deauville, 1891 Cleveland Museum of Art

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