Paintings for Taupe Walls (page 31)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,441 to 1,488 of 2,035.

Woman Mending, Camille Pissarro, 1895, oil on canvas

Camille Pissarro Woman Mending, 1895 Art Institute of Chicago

Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene, William Sidney Mount, 1852, oil on canvas

William Sidney Mount Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene, 1852 The Met

Mrs. Gideon Tucker, William Sidney Mount, 1830, oil on canvas

William Sidney Mount Mrs. Gideon Tucker, 1830 The Met

Young Woman with Ibis, Edgar Degas, 1857–58; reworked 1860–62, oil on canvas

Edgar Degas Young Woman with Ibis, 1857–58; reworked 1860–62 The Met

Piazza San Marco, Venice, Bernardo Bellotto, c. 1740, oil on canvas

Bernardo Bellotto Piazza San Marco, Venice, c. 1740 Cleveland Museum of Art

Tall, billowing, lavender-purple and shell-pink clouds line the distant horizon over a vast plain of flat grassy land in this horizontal landscape painting.

Martin Johnson Heade Sunlight and Shadow: The Newbury Marshes, c. 1871/1875 National Gallery of Art

Shown from the knees up, a pale-skinned woman wearing a floppy, canary-yellow hat and a long white dress stands in a field of spring green in this vertical painting. Brushstrokes and loose dabs of paint are visible throughout.

Vincent van Gogh Girl in White, 1890 National Gallery of Art

A young woman peers out to the right from from a Dutch door whose bottom half is closed. She wears a brown dress with a corset and a red beaded necklace.

Rembrandt van Rijn Young Woman at an Open Half-Door, 1645 Art Institute of Chicago

The Brook in the Woods, Worthington Whittredge, ca. 1885–86, oil on canvas

Worthington Whittredge The Brook in the Woods, ca. 1885–86 The Met

On the Unadilla, New York, Eastman Johnson, 1884, oil on canvas

Eastman Johnson On the Unadilla, New York, 1884 The Met

Portrait of General José Manuel Romero, Francisco de Goya, c. 1810, oil on canvas

Francisco de Goya Portrait of General José Manuel Romero, c. 1810 Art Institute of Chicago

Mrs. Charles Deering (Marion Denison Whipple), John Singer Sargent, 1888, oil on canvas

John Singer Sargent Mrs. Charles Deering (Marion Denison Whipple), 1888 Art Institute of Chicago

The Coronation of the Virgin, Niccolò di Buonaccorso, ca. 1380, tempera on wood, gold ground

Niccolò di Buonaccorso The Coronation of the Virgin, ca. 1380 The Met

Pink Azalea—Chinese Vase, William Merritt Chase, 1880–90 (?), oil on wood

William Merritt Chase Pink Azalea—Chinese Vase, 1880–90 (?) The Met

Portrait of a Young Man, Agnolo Bronzino, 1530s, oil on wood

Agnolo Bronzino Portrait of a Young Man, 1530s The Met

Lion on the Watch, Jean-Léon Gérôme, c. 1885, oil on wood panel

Jean-Léon Gérôme Lion on the Watch, c. 1885 Cleveland Museum of Art

This painting shows three large peaches on a round white plate. The peaches are in shades of red, pink, and light yellow, and they cast dark shadows on the plate. The plate rests on a brown surface which fills the background of the image.

Henri Fantin-Latour Three Peaches on a Plate, 1868 National Gallery of Art

An Early Summer Morning in the Forest of Fontainebleau, Théodore Rousseau, probably 1861, oil on wood

Théodore Rousseau An Early Summer Morning in the Forest of Fontainebleau, probably 1861 The Met

Portrait of Jean-Baptiste Lemoyne the Younger, Élisabeth Louise Vigée Le Brun, 1774, oil on canvas

Élisabeth Louise Vigée Le Brun Portrait of Jean-Baptiste Lemoyne the Younger, 1774 Cleveland Museum of Art

Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie, Jean-Auguste-Dominique Ingres, 1851–53, oil on canvas

Jean-Auguste-Dominique Ingres Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie, 1851–53 The Met

Apples, Paul Cézanne, 1878–79, oil on canvas

Paul Cézanne Apples, 1878–79 The Met

A Washerwoman at Eragny, Camille Pissarro, 1893, oil on canvas

Camille Pissarro A Washerwoman at Eragny, 1893 The Met

Isabella of Bourbon, Wife of Philip IV of Spain, Diego Velázquez, c. 1632, oil on canvas

Diego Velázquez Isabella of Bourbon, Wife of Philip IV of Spain, c. 1632 Art Institute of Chicago

Portrait of a Young Woman, Hans Holbein the Younger, ca. 1540–45, oil and gold on oak

Hans Holbein the Younger Portrait of a Young Woman, ca. 1540–45 The Met

The Standard Bearer (probably Floris Soop, 1604–1657), Rembrandt van Rijn, 1654, oil on canvas

Rembrandt van Rijn The Standard Bearer (probably Floris Soop, 1604–1657), 1654 The Met

Portrait of a Man, Titian, ca. 1515, oil on canvas

Titian Portrait of a Man, ca. 1515 The Met

Retreat from the Storm, Jean-François Millet, ca. 1846, oil on canvas

Jean-François Millet Retreat from the Storm, ca. 1846 The Met

Pushing for Rail, Thomas Eakins, 1874, oil on canvas

Thomas Eakins Pushing for Rail, 1874 The Met

Mottled, geometric shapes painted in shades of peanut brown, beige, grass and spruce green, smoky gray, golden and buttercup yellow, and topaz and lapis blue are arranged across this wide, horizontal, abstract painting.

Roger de La Fresnaye The Watering Can (Emblems: The Garden), 1913 National Gallery of Art

The Banks of the Bièvre near Bicêtre, Henri Rousseau, ca. 1908–09, oil on canvas

Henri Rousseau The Banks of the Bièvre near Bicêtre, ca. 1908–09 The Met

Honey-gold sunlight from low along the horizon to our left falls across the copper and bronze-colored canopies of trees that frame our view of a stone church with stained glass windows and ornate spires in this horizontal landscape…

Thomas Cole The Return, 1837 National Gallery of Art

Fur Traders Descending the Missouri, George Caleb Bingham, 1845, oil on canvas

George Caleb Bingham Fur Traders Descending the Missouri, 1845 The Met

A vase holding mostly white flowers sits on a floral-patterned cloth in this vertical still life painting. The ice-blue vase has a narrow foot, tall, slightly tapering sides, round shoulders, and a long neck flanked by handles.

Paul Cézanne Vase of Flowers, 1900/1903 National Gallery of Art

Rachel Ruysch (1664–1750), Rachel Ruysch, 1692, oil on canvas

Rachel Ruysch Rachel Ruysch (1664–1750), 1692 The Met

Roses in a Bowl, Henri Fantin-Latour, 1883, oil on canvas

Henri Fantin-Latour Roses in a Bowl, 1883 The Met

Virgin and Child, Gerard David, 1490–1523, oil on oak panel

Gerard David Virgin and Child, 1490–1523 The Met

Painted portrait of woman in green dress and cloud backdrop.

John Singleton Copley Mrs. Daniel Hubbard (Mary Greene), c. 1764 Art Institute of Chicago

Louis Gueymard (1822–1880) as Robert le Diable, Gustave Courbet, 1857, oil on canvas

Gustave Courbet Louis Gueymard (1822–1880) as Robert le Diable, 1857 The Met

Shown from the waist up, an elderly man with pale, peachy skin, wavy, silvery-gray hair, and a long beard stands facing our right, almost filling this vertical painting.

Peter Paul Rubens Saint Peter, c. 1616/1618 National Gallery of Art

Figures and a Dog in a Landscape, Narcisse Virgilio Díaz de la Peña, 1852, oil on wood

Narcisse Virgilio Díaz de la Peña Figures and a Dog in a Landscape, 1852 The Met

Pirna: The Obertor from the South, Bernardo Bellotto, mid-1750s, oil on canvas

Bernardo Bellotto Pirna: The Obertor from the South, mid-1750s The Met

Sleep, Pierre Puvis de Chavannes, ca. 1867–70, oil on canvas

Pierre Puvis de Chavannes Sleep, ca. 1867–70 The Met

A young girl with dark hair and pale skin, wearing a long white dress, kneels on the ground in a hilly, tree-lined landscape in this vertical portrait painting.

Joshua Reynolds Lady Caroline Howard, 1778 National Gallery of Art

Bellona, Rembrandt van Rijn, 1633, oil on canvas

Rembrandt van Rijn Bellona, 1633 The Met

An older man with ruddy, peachy skin stands in the lower right of this vertical painting holding a large, green, leafy cabbage. He is shown from the hips up and faces our left with his body angled slightly toward us.

Camille Pissarro The Gardener - Old Peasant with Cabbage, 1883-1895 National Gallery of Art

We look down onto a landscape where several laundry lines have been draped mostly with white sheets or cloth to dry in a flat, grassy yard in front of a rustic house and a distant town in this horizontal painting.

Berthe Morisot Hanging the Laundry out to Dry, 1875 National Gallery of Art

Coronation of the Virgin, Giovanni di Paolo, ca. 1455, tempera on wood, gold ground

Giovanni di Paolo Coronation of the Virgin, ca. 1455 The Met

Joan of Arc, Jules Bastien-Lepage, 1879, oil on canvas

Jules Bastien-Lepage Joan of Arc, 1879 The Met

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