Paintings for Terracotta Walls (page 4)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 145 to 192 of 1,311.

James Monroe, Gilbert Stuart, ca. 1820–22, oil on canvas

Gilbert Stuart James Monroe, ca. 1820–22 The Met

Pierre-Auguste Renoir Young Girl Reading, c. 1888 National Gallery of Art

This horizontal painting shows a tapestry being unfurled and held up by winged, baby-like putti against a structure with gray and gold columns, seen at the edges of the composition.

Peter Paul Rubens The Meeting of Abraham and Melchizedek, c. 1626 National Gallery of Art

Florentine Poet, Alexandre Cabanel, 1861, oil on wood

Alexandre Cabanel Florentine Poet, 1861 The Met

The Investiture of Bishop Harold as Duke of Franconia, Giovanni Battista Tiepolo, ca. 1751–52, oil on canvas

Giovanni Battista Tiepolo The Investiture of Bishop Harold as Duke of Franconia, ca. 1751–52 The Met

Shown from the lap up against a dark background, a pale-skinned woman wearing a black dress looks out at us in this vertical portrait.

Rembrandt van Rijn A Woman Holding a Pink, 1656 National Gallery of Art

A view across a wide, brightly lit field scattered with broken pieces of stone is framed to the left and right by crumbling stone temples in this horizontal painting.

Sanford Robinson Gifford Ruins of the Parthenon, 1880 National Gallery of Art

A woman holding a baby stands near a young boy who perches in the tipped-up end of a rowboat that has been pulled onto a sandy beach in this horizontal painting. All the people have light skin.

Winslow Homer Dad's Coming!, 1873 National Gallery of Art

Madonna and Child with Seraphim and Cherubim, Andrea Mantegna, ca. 1454, tempera and gold on wood

Andrea Mantegna Madonna and Child with Seraphim and Cherubim, ca. 1454 The Met

This painting depicts a coastal scene with a perspective from the water. There are dark, billowing gray clouds above the horizon, and the sky is pale orange.

Thomas Chambers Threatening Sky, Bay of New York, mid 19th century National Gallery of Art

Benedikt von Hertenstein (born about 1495, died 1522), Hans Holbein the Younger, 1517, oil and gold on paper, laid down on wood

Hans Holbein the Younger Benedikt von Hertenstein (born about 1495, died 1522), 1517 The Met

The Musicians, Caravaggio, 1597, oil on canvas

Caravaggio The Musicians, 1597 The Met

A pink-toned sandy beach meets a placid body of pale blue water under a hazy sky in this horizontal landscape painting.

John Frederick Kensett Beach at Beverly, c. 1869/1872 National Gallery of Art

Large painting of ancient arch ruins, statues, humans are small in comparison.

Hubert Robert The Fountains, 1787–88 Art Institute of Chicago

A light-skinned man wearing a voluminous, ocean-blue, hooded robe sits at a cloth-draped writing table and looks up, fingers splayed over an open book and a pen held in his other hand, in this vertical painting.

El Greco Saint Ildefonso, c. 1603/1614 National Gallery of Art

Portrait of a Woman, possibly Ginevra d'Antonio Lupari Gozzadini, Unknown artist, 1494?, tempera on wood

Unknown artist Portrait of a Woman, possibly Ginevra d'Antonio Lupari Gozzadini, 1494? The Met

Shown from the lap up, a person with peach-colored skin sits facing us as he looks down and to our left in this vertical, stylized, portrait painting.

Amedeo Modigliani Monsieur Deleu, 1916 National Gallery of Art

Two people are depicted in this painting. The person on the left is standing with their hands on a wooden chair. They have light skin, close-cut hair, and wear a long, black, high-necked dress.

Édouard Vuillard The Conversation, 1891 National Gallery of Art

This painting is a portrait of a woman. She has fair skin, a straight nose, and thin red lips, with her dark hair styled up with flowers.

John Singleton Copley Elizabeth Gray Otis (Mrs. Samuel Alleyne Otis), c. 1764 National Gallery of Art

Shown from the knees up, an older man sits in a rustic wooden chair and holds up a pocket watch for a young child who stands at his knees in this vertical portrait painting. They both have pale, peachy skin with flushed cheeks.

Henry Raeburn John Tait and His Grandson, c. 1793, with additions c. 1800 National Gallery of Art

The Hatch Family, Eastman Johnson, 1870–71, oil on canvas

Eastman Johnson The Hatch Family, 1870–71 The Met

In this painting, short, angular brushstrokes suggest a person in motion. The person is bent over, facing the left, raising a large, thin object over one shoulder.

Georges Seurat The Stone Breaker, c. 1882 National Gallery of Art

Portrait of George Pitt, First Baron Rivers, Thomas Gainsborough, 1769, oil on canvas

Thomas Gainsborough Portrait of George Pitt, First Baron Rivers, 1769 Cleveland Museum of Art

Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.

John Philip Simpson The Captive Slave (Ira Aldridge), 1827 Art Institute of Chicago

Marshland, Jules Dupré, 1860s-1870s, oil on fabric

Jules Dupré Marshland, 1860s-1870s Cleveland Museum of Art

Two Men Contemplating the Moon, Caspar David Friedrich, ca. 1825–30, oil on canvas

Caspar David Friedrich Two Men Contemplating the Moon, ca. 1825–30 The Met

Shown from the chest up, a cleanshaven man with peachy skin sits angled to our right in this vertical portrait painting. He has chin-length, curly, auburn-red hair. He gazes off to our right with hazel eyes under thick brows.

Hans Holbein the Younger Portrait of a Young Man, c. 1520/1530 National Gallery of Art

Apples, Henri Matisse, 1916, oil on canvas

Henri Matisse Apples, 1916 Art Institute of Chicago

From far below, we look up at an older man with standing on a cliff edge or rocky ledge with his arms raised as he turns his head to gaze up to a second man and winged, child-like angels surrounded by clouds in the sky above in this square…

Titian Saint John the Evangelist on Patmos, c. 1553/1555 National Gallery of Art

A man stands on a rocky, tan-colored outcropping and gestures to two men in a rowboat, all against a gold background in this square painting. The men’s pale skin is tinged with gray but they have rosy cheeks, and all three have beards.

Duccio di Buoninsegna The Calling of the Apostles Peter and Andrew, 1308-1311 National Gallery of Art

The Love Letter, Jean-Honoré Fragonard, early 1770s, oil on canvas

Jean-Honoré Fragonard The Love Letter, early 1770s The Met

Ovid among the Scythians, Eugène Delacroix, 1862, oil on paper, laid down on wood

Eugène Delacroix Ovid among the Scythians, 1862 The Met

Pillars of the Country, Yao Shou, Ming dynasty (1368–1644), 1494, handscroll; ink and color on paper

Yao Shou Pillars of the Country, Ming dynasty (1368–1644), 1494 Art Institute of Chicago

Woman with a Water Pitcher, and a Man by a Bed, Pieter de Hooch, ca. 1667–70, oil on canvas

Pieter de Hooch Woman with a Water Pitcher, and a Man by a Bed, ca. 1667–70 The Met

Shown from the shins up, a woman with medium-toned skin plays a mandolin in this loosely painted vertical composition. The woman’s body faces us but her head tips to our left and she looks down in that direction with dark eyes.

Camille Corot Gypsy Woman with Mandolin, c. 1870 National Gallery of Art

Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene, William Sidney Mount, 1852, oil on canvas

William Sidney Mount Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene, 1852 The Met

The Third-Class Carriage, Honoré Daumier, 1864, oil on canvas

Honoré Daumier The Third-Class Carriage, 1864 The Met

The Capture of Samson, Peter Paul Rubens, 1609–10, oil on panel

Peter Paul Rubens The Capture of Samson, 1609–10 Art Institute of Chicago

A woman and nude child, both with pale skin, sit in front of a deep landscape in this vertical painting.

Raphael The Small Cowper Madonna, c. 1505 National Gallery of Art

Portrait of a Man, possibly Matteo di Sebastiano di Bernardino Gozzadini, Unknown artist, 1494(?), tempera on wood

Unknown artist Portrait of a Man, possibly Matteo di Sebastiano di Bernardino Gozzadini, 1494(?) The Met

Roses in a Bowl, Henri Fantin-Latour, 1883, oil on canvas

Henri Fantin-Latour Roses in a Bowl, 1883 The Met

Papers with Japanese text hang from a tree bearing red and gold leaves.

Tosa Mitsuoki Autumn Maples with Poem Slips, c. 1675 Art Institute of Chicago

Shown from the chest up, a young, pale-skinned woman faces and looks out at us with a slight smile on her lips in this vertical portrait painting.

Henri Fantin-Latour Mademoiselle de Fitz-James, 1867 National Gallery of Art

A Vista through Trees: Fontainebleau, Narcisse Virgilio Díaz de la Peña, 1873, oil on wood

Narcisse Virgilio Díaz de la Peña A Vista through Trees: Fontainebleau, 1873 The Met

Two groups of people face off in front of a hilly landscape in this loosely painted, vertical scene. On our left, a pale young man in a white tunic looks with eyes wide and lips parted at a group of three people on our right.

Edgar Degas Alexander and Bucephalus, 1861/1862 National Gallery of Art

Virgin and Child, Gerard David, 1490–1523, oil on oak panel

Gerard David Virgin and Child, 1490–1523 The Met

Two young boys sit side by side on some boulders with a cloudy sky behind them and dark tree branches above in this vertical portrait painting.

Henry Raeburn The Binning Children, probably c. 1811 National Gallery of Art

A bearded man with copper-blond hair and flushed, peachy skin stands on a stone-gray pedestal and gestures toward a group of five more men gathered before him in this square painting. Some of the men are light-skinned, others are tan.

Peter Paul Rubens Decius Mus Addressing the Legions, probably 1616 National Gallery of Art

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