Paintings for Warm White Walls (page 10)

Soft and muted

Gentle, low-color paintings that keep a pale room calm. The warmest come first, to answer the cream in the wall. Showing 433 to 480 of 1,315.

Long scroll ink painting depicting people with their animals and belongings crossing a river.

Unknown artist Yang Pu Moving His Family, Yuan dynasty (1279–1368) 元朝 Art Institute of Chicago

The Biglin Brothers Turning the Stake, Thomas Eakins, 1873, oil on canvas

Thomas Eakins The Biglin Brothers Turning the Stake, 1873 Cleveland Museum of Art

Peonies, Édouard Manet, 1864–65, oil on canvas

Édouard Manet Peonies, 1864–65 The Met

A Pond in Picardy, Camille Corot, ca. 1867, oil on canvas

Camille Corot A Pond in Picardy, ca. 1867 The Met

Storm in the Mountains, Frederic Edwin Church, 1847, oil on canvas

Frederic Edwin Church Storm in the Mountains, 1847 Cleveland Museum of Art

A Young Man with a Chain, Rembrandt van Rijn, c. 1629 or 1632, oil on wood

Rembrandt van Rijn A Young Man with a Chain, c. 1629 or 1632 Cleveland Museum of Art

About three dozen men and women sit, stand, or stroll along a sandy beach beneath a sunset-streaked sky in this horizontal landscape painting.

Eugène Boudin The Beach at Villerville, 1864 National Gallery of Art

Shown from the knees up, a light-skinned man and woman are seated side-by-side on grassy rise in a landscape in this horizontal portrait painting.

Charles Willson Peale Benjamin and Eleanor Ridgely Laming, 1788 National Gallery of Art

Two women reach for or touch the arm of a man wearing a uniform and standing next to a chestnut-brown horse in front of a deep landscape in this horizontal painting.

John Singleton Copley Colonel William Fitch and His Sisters Sarah and Ann Fitch, 1800/1801 National Gallery of Art

A child and man stand facing away from us in this vertical painting. The scene is painted with visible dabs, stipples, and strokes of paint, and many details, especially in the distance, are indistinct.

Édouard Vuillard Child Wearing a Red Scarf, c. 1891 National Gallery of Art

Shown from the knees up, a pale-skinned woman wearing a voluminous, gold-trimmed, white satin gown and a black overdress stands holding a closed fan in this vertical portrait painting.

Anthony van Dyck Lady with a Fan, c. 1628 National Gallery of Art

Warm light pours onto white stone and brown brick buildings in a grassy landscape in this horizontal painting. Tiny people walk, stand, sit, and work across the turf, among the buildings, and over a bridge spanning a canal to our right.

Canaletto The Porta Portello, Padua, c. 1741/1742 National Gallery of Art

Shown from the elbows up, a young person with pale skin and brown hair wearing a wide, scarlet-red hat sits in front of a tapestry in this vertical portrait painting.

Johannes Vermeer Girl with the Red Hat, c. 1669 National Gallery of Art

The White Tablecloth, Jean-Baptiste-Siméon Chardin, c. 1731–32, oil on canvas

Jean-Baptiste-Siméon Chardin The White Tablecloth, c. 1731–32 Art Institute of Chicago

Portrait of a Woman, Amedeo Modigliani, c. 1917/19, oil on cardboard

Amedeo Modigliani Portrait of a Woman, c. 1917/19 Art Institute of Chicago

We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting.

John Constable Wivenhoe Park, Essex, 1816 National Gallery of Art

We hover over the bottle-green surface of a river as it rushes toward a horseshoe-shaped waterfall that curves away from us in this horizontal landscape painting.

Frederic Edwin Church Niagara, 1857 National Gallery of Art

Towering, sheer cliffs loom to our left, over a sunny beach scattered with boats in this horizontal landscape painting.

Gustave Courbet Beach in Normandy, c. 1872/1875 National Gallery of Art

We look across a river at a long, flat bridge that runs parallel to a hazy, city skyline in the distance in this horizontal painting.

Camille Pissarro Charing Cross Bridge, London, 1890 National Gallery of Art

House and Courtyard, John Singer Sargent, 1895–1903 (?), watercolor and gouache on white wove paper

John Singer Sargent House and Courtyard, 1895–1903 (?) The Met

Portrait of a Young Woman with a Fan, Rembrandt van Rijn, 1633, oil on canvas

Rembrandt van Rijn Portrait of a Young Woman with a Fan, 1633 The Met

The Interrupted Sleep, François Boucher, 1750, oil on canvas

François Boucher The Interrupted Sleep, 1750 The Met

Two men with pale skin, wearing white sleeveless shirts and royal-blue caps, row in unison in a long, narrow boat on a placid blue river in this horizontal landscape painting.

Thomas Eakins The Biglin Brothers Racing, 1872 National Gallery of Art

Women Picking Olives, Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Women Picking Olives, 1889 The Met

This painting shows a woman standing, her left arm raised to her chest. She has dark hair in an updo and adorned with a white accessory, and wears a dress in shades of blue, white, and tan. She has a black necklace around her neck.

Pierre-Auguste Renoir Woman Standing by a Tree, 1866 National Gallery of Art

The Van Moerkerken Family, Gerard ter Borch, ca. 1653–54, oil on wood

Gerard ter Borch The Van Moerkerken Family, ca. 1653–54 The Met

The Dance Class, Edgar Degas, 1874, oil on canvas

Edgar Degas The Dance Class, 1874 The Met

Close to us, a young man and three boys sit or recline in a small sailboat that tips to our left on a choppy dark green sea in this horizontal painting.

Winslow Homer Breezing Up (A Fair Wind), 1873-1876 National Gallery of Art

Field with Young Trees in the Foreground, Piet Mondrian, c. 1907, oil on paper laid on board

Piet Mondrian Field with Young Trees in the Foreground, c. 1907 Cleveland Museum of Art

Scene on the Mersey, James McNeill Whistler, 1869, watercolor and gouache on white wove paper

James McNeill Whistler Scene on the Mersey, 1869 The Met

Market Place, John Singer Sargent, 1890s, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Market Place, 1890s The Met

Watercolor of man with golden halo on horse, green background.

Ghasi Maharana Bhim Singh in Procession, c. 1820 Art Institute of Chicago

This painting displays a young girl sitting, her head and body slightly turned to the left. She has fair skin and light reddish-brown hair tied back with a blue ribbon, a few curls framing her face.

Berthe Morisot Young Girl with an Apron, 1891 National Gallery of Art

Entrance to a Village, Meindert Hobbema, ca. 1665, oil on wood

Meindert Hobbema Entrance to a Village, ca. 1665 The Met

Horsewoman, Théodore Géricault, 1820 or later, oil on canvas

Théodore Géricault Horsewoman, 1820 or later The Met

Sunset Sky, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset Sky, 1872 The Met

Worthington Whittredge, Emanuel Leutze, 1856, oil on canvas

Emanuel Leutze Worthington Whittredge, 1856 The Met

Samuel Mifflin, Charles Willson Peale, 1777–80, oil on canvas

Charles Willson Peale Samuel Mifflin, 1777–80 The Met

Auvers (Washerwomen), Charles-François Daubigny, 1861, oil on wood

Charles-François Daubigny Auvers (Washerwomen), 1861 National Gallery of Art

The Old Pine, Darien, Connecticut, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett The Old Pine, Darien, Connecticut, 1872 The Met

The Brierwood Pipe, Winslow Homer, 1864, oil on canvas

Winslow Homer The Brierwood Pipe, 1864 Cleveland Museum of Art

The Adoration of the Magi, Hieronymus Bosch, ca. 1475, oil and gold on oak

Hieronymus Bosch The Adoration of the Magi, ca. 1475 The Met

The Virgin of Guadalupe with the Four Apparitions, Nicolás Enríquez, 1773, oil on copper

Nicolás Enríquez The Virgin of Guadalupe with the Four Apparitions, 1773 The Met

This nearly square, sketchy painting shows the interior of an empty courtyard, created in milky tones of oatmeal brown, ivory, muted brick red, eucalyptus green, and slate blue.

John Singer Sargent Pavement, Cairo, 1891 National Gallery of Art

Dozens of men with several women and a few children gather in pairs or small groups across a sun-drenched plaza in front of a domed church next to a long, pale pink building in this horizontal painting.

Canaletto The Square of Saint Mark's, Venice, 1742/1744 National Gallery of Art

The rounded, feathery canopies of trees are mirrored in the placid surface of a river in this horizontal landscape painting. The scene is loosely painted with visible dashes and strokes. The largest tree is to our right of center.

Claude Monet The Seine at Giverny, 1897 National Gallery of Art

A young woman with light skin stands in a garden, wearing a voluminous, full-length, silvery, shimmering gown in this vertical portrait painting. Her body faces us, as she looks into the distance to our left.

François Boucher Madame Bergeret, possibly 1766 National Gallery of Art

Shown from the knees up, a pale-skinned woman wearing an off-the-shoulder, black gown stands in front of a maroon-red wall in this vertical portrait painting. Her body is angled to our left, but she turns her round face to us.

Jean-Auguste-Dominique Ingres Madame Moitessier, 1851 National Gallery of Art

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