Paintings for Warm White Walls (page 12)

Soft and muted

Gentle, low-color paintings that keep a pale room calm. The warmest come first, to answer the cream in the wall. Showing 529 to 576 of 1,315.

Two Men, Edgar Degas, ca. 1865–69, oil on wood

Edgar Degas Two Men, ca. 1865–69 The Met

This painting shows several people in the sky, surrounded by billowing fabric. In the center is a person who appears to be sitting on a cloud-like form. The person is on their back with their legs towards us and their head tilted up.

Giovanni Battista Tiepolo Saint Roch Carried to Heaven by Angels, c. 1735/1745 National Gallery of Art

Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848), Élisabeth Louise Vigée Le Brun, 1789, oil on canvas

Élisabeth Louise Vigée Le Brun Comtesse de la Châtre (Marie Charlotte Louise Perrette Aglaé Bontemps, 1762–1848), 1789 The Met

Stoke-by-Nayland, John Constable, ca. 1810–11, oil on canvas

John Constable Stoke-by-Nayland, ca. 1810–11 The Met

Set in a valley carpeted in sage green, about a dozen armed men, on foot and horseback, close to us, line up and face off against an attack advancing from the back left in this vertical painting.

Eugène Delacroix Arabs Skirmishing in the Mountains, 1863 National Gallery of Art

Shown from the waist up, a woman with light, peachy-yellow skin sits with her body facing us as she looks over her shoulder to our right in this loosely painted, vertical portrait.

Henri de Toulouse-Lautrec Carmen Gaudin, 1885 National Gallery of Art

Wooded Landscape with Cottage and Horseman, Meindert Hobbema, 1663, oil on canvas

Meindert Hobbema Wooded Landscape with Cottage and Horseman, 1663 Art Institute of Chicago

This is a painting of a park filled with tall trees and people in colorful clothes. Some people are seated on chairs, while others are walking or standing on the tan ground.

William Glackens Luxembourg Gardens, 1906 National Gallery of Art

Madame X (Virginie Amélie Avegno Gautreau), John Singer Sargent, 1883–84, oil on canvas

John Singer Sargent Madame X (Virginie Amélie Avegno Gautreau), 1883–84 The Met

The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, Johann Zoffany, c. 1772, oil on canvas

Johann Zoffany The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, c. 1772 Cleveland Museum of Art

Portrait of Sor Juana de Nuestra Señora de Guadalupe, Domingo Ortiz, 1797, oil on canvas

Domingo Ortiz Portrait of Sor Juana de Nuestra Señora de Guadalupe, 1797 The Met

Portrait of a Young Woman, Hans Holbein the Younger, ca. 1540–45, oil and gold on oak

Hans Holbein the Younger Portrait of a Young Woman, ca. 1540–45 The Met

The head and shoulders of a pale-skinned, clean-shaven man fills this vertical portrait painting. The man’s shoulders are angled to our left, and he looks off in that direction with light green eyes.

Giovanni Bellini Portrait of a Young Man, c. 1490 National Gallery of Art

This horizontal painting is filled with gray and white clouds against a blue sky. Wisps of white clouds are interspersed among banks of darker gray clouds against a pale blue sky in the top half of the painting.

John Constable Cloud Study: Stormy Sunset, 1821-1822 National Gallery of Art

Sunrise on the Matterhorn, Albert Bierstadt, after 1875, oil on canvas

Albert Bierstadt Sunrise on the Matterhorn, after 1875 The Met

Frieze of Dancers, Edgar Degas, c. 1895, oil on fabric

Edgar Degas Frieze of Dancers, c. 1895 Cleveland Museum of Art

Travelers in Hilly Countryside, Aelbert Cuyp, c. 1650, oil on wood

Aelbert Cuyp Travelers in Hilly Countryside, c. 1650 Cleveland Museum of Art

Wooded and Hilly Landscape, Jacob van Ruisdael, 1660s, oil on canvas

Jacob van Ruisdael Wooded and Hilly Landscape, 1660s Cleveland Museum of Art

The Sea, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett The Sea, 1872 The Met

Twilight in the Cedars at Darien, Connecticut, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Twilight in the Cedars at Darien, Connecticut, 1872 The Met

Madame Jean-Baptiste Nicolet (Anne Antoinette Desmoulins, 1743–1817), Jean-Baptiste Greuze, late 1780s, oil on wood

Jean-Baptiste Greuze Madame Jean-Baptiste Nicolet (Anne Antoinette Desmoulins, 1743–1817), late 1780s The Met

Georgiana Augusta Frederica Elliott (1782–1813), Later Lady Charles Bentinck, Joshua Reynolds, 1784, oil on canvas

Joshua Reynolds Georgiana Augusta Frederica Elliott (1782–1813), Later Lady Charles Bentinck, 1784 The Met

Alexandre Charles Emmanuel de Crussol-Florensac (1743–1815), Élisabeth Louise Vigée Le Brun, 1787, oil on wood

Élisabeth Louise Vigée Le Brun Alexandre Charles Emmanuel de Crussol-Florensac (1743–1815), 1787 The Met

A cleanshaven man in a saffron-yellow cloak runs and points to a nude woman whose fingers are turning into leafy tree branches in this horizontal painting.

Giovanni Battista Tiepolo Apollo Pursuing Daphne, c. 1755/1760 National Gallery of Art

Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), Peter Paul Rubens, ca. 1635, oil on wood

Peter Paul Rubens Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), ca. 1635 The Met

The Rock of Hautepierre, Gustave Courbet, c. 1869, oil on canvas

Gustave Courbet The Rock of Hautepierre, c. 1869 Art Institute of Chicago

Mme L . . . (Laure Borreau), Gustave Courbet, 1863, oil on fabric

Gustave Courbet Mme L . . . (Laure Borreau), 1863 Cleveland Museum of Art

River and Rocks, Gustave Courbet, 1873–77, oil on canvas

Gustave Courbet River and Rocks, 1873–77 The Met

Steamboats in the Port of Rouen, Camille Pissarro, 1896, oil on canvas

Camille Pissarro Steamboats in the Port of Rouen, 1896 The Met

Portrait of a Man, Possibly a Self-Portrait, Diego Velázquez, ca. 1635, oil on canvas

Diego Velázquez Portrait of a Man, Possibly a Self-Portrait, ca. 1635 The Met

Sailboats line a grassy riverbank in this loosely painted horizontal landscape. Vivid blue water stretches before us to meet a verdant bank along the left third of the horizon, which comes less than halfway up the composition.

Pierre-Auguste Renoir Regatta at Argenteuil, 1874 National Gallery of Art

Sellar Alp, Dolomites, John Singer Sargent, ca. 1913–14, watercolor and gouache on white wove paper

John Singer Sargent Sellar Alp, Dolomites, ca. 1913–14 The Met

Apple Blossoms, Charles-François Daubigny, 1873, oil on canvas

Charles-François Daubigny Apple Blossoms, 1873 The Met

The painting depicts a golden, grassy landscape with low green trees in the distance, leading towards vibrant blue water on the horizon.

William Merritt Chase Gathering Autumn Flowers, 1894/1895 National Gallery of Art

This image depicts a snow-covered landscape with a high horizon line meeting a line of evergreen trees under a sky with blue and grayish clouds. The sky and treetops are textured with lively brushstrokes.

George Catlin La Salle Crossing Lake Michigan on the Ice. December 8, 1681, 1847/1848 National Gallery of Art

Portrait of Mary Wise, Thomas Gainsborough, c. 1774, oil on canvas

Thomas Gainsborough Portrait of Mary Wise, c. 1774 Cleveland Museum of Art

Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856), John Constable, 1818, oil on canvas

John Constable Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856), 1818 The Met

The Streetwalker, Henri de Toulouse-Lautrec, ca. 1890–91, oil on cardboard

Henri de Toulouse-Lautrec The Streetwalker, ca. 1890–91 The Met

Moss-green land rising to a tree-topped bluff follows the curve of a sandy beach surrounding a pale blue cove in this horizontal landscape painting.

Camille Corot Beach near Etretat, c. 1872 National Gallery of Art

Madame Paul Escudier (Louise Lefevre), John Singer Sargent, 1882, oil on canvas

John Singer Sargent Madame Paul Escudier (Louise Lefevre), 1882 Art Institute of Chicago

A man and woman standing with their backs to us face a room where others stand or pose in this vertical painting.

Henri de Toulouse-Lautrec Quadrille at the Moulin Rouge, 1892 National Gallery of Art

Shown from the waist up, a young girl wearing a slate-gray dress and straw hat stands with her hands clasped in front of her in this vertical portrait painting. The girl has light, peachy skin, and her cheeks are lightly flushed.

Mary Cassatt Child in a Straw Hat, c. 1886 National Gallery of Art

John Julius Angerstein (1736–1823), Thomas Lawrence, 1810, oil on canvas

Thomas Lawrence John Julius Angerstein (1736–1823), 1810 The Met

A fleet of ships gathers in a river lined by trees and buildings in this horizontal painting.

Aelbert Cuyp The Maas at Dordrecht, c. 1650 National Gallery of Art

Allegorical Figure Representing a Virtue, Possibly Patriotism, Giovanni Battista Tiepolo, 1760, fresco, transferred to canvas

Giovanni Battista Tiepolo Allegorical Figure Representing a Virtue, Possibly Patriotism, 1760 The Met

The artwork depicts a peaceful landscape viewed from an elevated perspective. The horizon divides the sky from the land below, with distant blue hills visible. The sky shows soft blues and gray clouds.

George Catlin Halsey's Bluff - Sioux Indians on the March, 1861/1869 National Gallery of Art

Anna Dummer Powell, John Singleton Copley, 1764, oil on canvas

John Singleton Copley Anna Dummer Powell, 1764 Cleveland Museum of Art

The Brook of Les Puits-Noir, Gustave Courbet, c. 1855, oil on canvas

Gustave Courbet The Brook of Les Puits-Noir, c. 1855 Art Institute of Chicago

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