Paintings for Warm White Walls (page 14)

Soft and muted

Gentle, low-color paintings that keep a pale room calm. The warmest come first, to answer the cream in the wall. Showing 625 to 672 of 1,315.

Woman in the Garden of Monsieur Forest, Henri de Toulouse-Lautrec, 1889–91, oil on canvas

Henri de Toulouse-Lautrec Woman in the Garden of Monsieur Forest, 1889–91 The Met

People and a horse-drawn wagon move along a street lined with buildings on the left and trees on the right in this loosely painted horizontal landscape. The wide street angles from the bottom left of the composition to the middle right.

Alfred Sisley Boulevard Héloïse, Argenteuil, 1872 National Gallery of Art

Rehearsal of the Pasdeloup Orchestra at the Cirque d'Hiver, John Singer Sargent, c. 1879, oil on canvas

John Singer Sargent Rehearsal of the Pasdeloup Orchestra at the Cirque d'Hiver, c. 1879 Art Institute of Chicago

Landscape with Cattle at Limousin, Jules Dupré, 1837, oil on canvas

Jules Dupré Landscape with Cattle at Limousin, 1837 The Met

Richard Dana, John Singleton Copley, ca. 1770, oil on canvas

John Singleton Copley Richard Dana, ca. 1770 The Met

The Wood Chopper, George Inness, 1849, oil on canvas

George Inness The Wood Chopper, 1849 Cleveland Museum of Art

Allegorical Figure Representing Fortitude, Giovanni Battista Tiepolo, 1760, fresco, transferred to canvas

Giovanni Battista Tiepolo Allegorical Figure Representing Fortitude, 1760 The Met

Head of a Young Woman, François Boucher, early 1730s, oil on canvas

François Boucher Head of a Young Woman, early 1730s Cleveland Museum of Art

Girl in a Sailor's Blouse, Amedeo Modigliani, 1918, oil on canvas

Amedeo Modigliani Girl in a Sailor's Blouse, 1918 The Met

Pierre-Auguste Renoir Girl with a Basket of Oranges, c. 1889 National Gallery of Art

This painting shows an expansive green and yellow grassland under a textured blue and white sky. The horizon line is high, separating the fields and clouds with a thin line of dark trees and small white buildings.

Georges Seurat A Summer Landscape, 1883 National Gallery of Art

Two Young Peasant Women, Camille Pissarro, 1891–92, oil on canvas

Camille Pissarro Two Young Peasant Women, 1891–92 The Met

Sarah Ursula Rose, Benjamin West, 1756, oil on canvas

Benjamin West Sarah Ursula Rose, 1756 The Met

This painting shows a seated woman from the waist up. Her body faces us, and she looks off to the right with a neutral expression. She has light skin, brown eyes, and rosy cheeks.

George Bellows Maud Murray Dale (Mrs. Chester Dale), 1919 National Gallery of Art

We look up through an opening surrounded by a stone ledge, with clusters of people and clouds swirling into a blue sky up and away from us in this vertical, rectangular painting.

Giovanni Battista Tiepolo Wealth and Benefits of the Spanish Monarchy under Charles III, 1762 National Gallery of Art

Separated by a vertical, column-like partition, a woman to our right kneels opposite a winged angel to our left, who also kneels and holds the stem of a long white lily propped against one shoulder in this horizontal painting.

Fra Filippo Lippi The Annunciation, c. 1435/1440 National Gallery of Art

A young girl with medium skin wears a striking dress of black and white stripes with a short lace collar. Behind her is backdrop featuring symbols and native figures. Mangos sit beside her.

Paul Gauguin Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana), 1893 Art Institute of Chicago

Moorish Buildings in Sunlight, John Singer Sargent, 1879–80, oil on wood

John Singer Sargent Moorish Buildings in Sunlight, 1879–80 The Met

A plate of oysters, a halved lemon, an oyster fork and shells, and a dish of salt are arranged on a wooden tabletop in front of a gray wall in this horizontal still life painting.

Édouard Manet Oysters, 1862 National Gallery of Art

Marine, William Merritt Chase, c. 1888, oil on wood

William Merritt Chase Marine, c. 1888 Cleveland Museum of Art

This painting shows a seascape with large sailing ships and smaller vessels. To the right of center is a large ship with several tall masts and many billowing white sails.

Fitz Henry Lane New York Harbor, 1852 National Gallery of Art

Christ Healing the Blind, El Greco, ca. 1570, oil on canvas

El Greco Christ Healing the Blind, ca. 1570 The Met

Close to us, a woman and a winged, child-like putto float on clouds above a clean-shaven young man in a forest setting in this horizontal painting. All three people have smooth, pale skin, rosy cheeks, and ash-blond hair.

Jean-Honoré Fragonard Diana and Endymion, c. 1753/1756 National Gallery of Art

Portrait of a woman in white with a bonnet perched on an architectural feature painting something to her right, a spouting water fountain, greenery, and a an ornate, low white fence behind her.

John Singer Sargent The Fountain, Villa Torlonia, Frascati, Italy, 1907 Art Institute of Chicago

Mount Vesuvius at Midnight, Albert Bierstadt, 1868, oil on canvas

Albert Bierstadt Mount Vesuvius at Midnight, 1868 Cleveland Museum of Art

Portrait of a Man, Diego Velázquez, ca. 1650, oil on canvas

Diego Velázquez Portrait of a Man, ca. 1650 The Met

Haystacks, Morning, Eragny, Camille Pissarro, 1899, oil on canvas

Camille Pissarro Haystacks, Morning, Eragny, 1899 The Met

Shown from the hips up, a man with pale, peachy skin, dressed in a black suit and tall hat, looks at us from in front of a dark brown background in this vertical portrait painting.

Rembrandt van Rijn Portrait of a Gentleman with a Tall Hat and Gloves, c. 1656/1658 National Gallery of Art

A young woman sitting with a nude infant lying in her lap is flanked on either side by an older woman to our left and an elderly man with a nude young boy to our right in this vertical painting. They all have pale skin tinged with blue.

El Greco The Holy Family with Saint Anne and the Infant John the Baptist, c. 1595/1600 National Gallery of Art

Henri de Toulouse-Lautrec Hussars, 1878 National Gallery of Art

High Point: Shandaken Mountains, Asher Brown Durand, 1853, oil on canvas

Asher Brown Durand High Point: Shandaken Mountains, 1853 The Met

Lake George, 1872, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, 1872, 1872 The Met

Passing off of the Storm, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Passing off of the Storm, 1872 The Met

Arques-la-Bataille, John Henry Twachtman, ca. 1884, oil on canvas

John Henry Twachtman Arques-la-Bataille, ca. 1884 The Met

Several people sit, stand, or stroll along a dirt road that winds from the lower left corner of this horizontal landscape painting into the distance, past trees and cottages under a vivid blue sky.

Meindert Hobbema A View on a High Road, 1665 National Gallery of Art

James McNeill Whistler Mother of Pearl and Silver: The Andalusian, 1888(?)-1900 National Gallery of Art

A young woman draws on an oval surface with white chalk while three winged, baby-like putti gather nearby, all on a bank of pale pink clouds in this horizontal painting.

François Boucher Allegory of Painting, 1765 National Gallery of Art

The painting shows a coastal landscape from an elevated point of view. A structure resembling a thatched-roof cottage is on the right, partially obscured by the rolling green hills that take up the bottom right area of the painting.

Henri Moret The Island of Raguenez, Brittany, 1890/1895 National Gallery of Art

Six elegantly dressed, light-skinned women, a man with dark brown skin, and a person of short stature gather around a nude baby boy in front of a landscape with a town in the distance in this vertical painting.

Paolo Veronese The Finding of Moses, c. 1581/1582 National Gallery of Art

Thomas Wilmer Dewing Lady with a Lute, 1886 National Gallery of Art

A lone wheat stack, in shadow, rests on a field with traces of snow, the snow taking on reflected shades of pink, yellow, orange, and blue from the unseen setting sun. A line of pale yellow illuminates the horizon above the hills beyond.

Claude Monet Stack of Wheat (Thaw, Sunset), 1890–91 Art Institute of Chicago

Coast of Maine, Winslow Homer, 1893, oil on canvas

Winslow Homer Coast of Maine, 1893 Art Institute of Chicago

Still Life with Apples and Pitcher, Camille Pissarro, 1872, oil on canvas

Camille Pissarro Still Life with Apples and Pitcher, 1872 The Met

Portrait of a Man, Rembrandt van Rijn, 1632, oil on wood

Rembrandt van Rijn Portrait of a Man, 1632 The Met

Landscape at Saint-Ouen, Georges Seurat, 1878 or 1879, oil on wood, mounted on wood

Georges Seurat Landscape at Saint-Ouen, 1878 or 1879 The Met

A densely packed crowd of men and women, all of them with pale skin and most of them wearing black, stand in a theater lobby beneath a mezzanine level that runs close to the top edge of the composition in this horizontal painting.

Édouard Manet Masked Ball at the Opera, 1873 National Gallery of Art

This painting shows a grand, domed cathedral by a busy waterway. The dome and the surrounding white buildings are silhouetted against a blue sky with thin white and gray clouds.

Francesco Guardi Santa Maria della Salute, c. 1770 National Gallery of Art

Ruined Archway, Francesco Guardi, 1775–93, oil on canvas

Francesco Guardi Ruined Archway, 1775–93 Art Institute of Chicago

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