Paintings for Warm White Walls (page 13)

Soft and muted

Gentle, low-color paintings that keep a pale room calm. The warmest come first, to answer the cream in the wall. Showing 577 to 624 of 1,315.

Henri de Toulouse-Lautrec Rue des Moulins, 1894, 1894 National Gallery of Art

On the Beach, Sunset, Eugène Boudin, 1865, oil on wood

Eugène Boudin On the Beach, Sunset, 1865 The Met

Lady Smith (Charlotte Delaval) and Her Children (George Henry, Louisa, and Charlotte), Joshua Reynolds, 1787, oil on canvas

Joshua Reynolds Lady Smith (Charlotte Delaval) and Her Children (George Henry, Louisa, and Charlotte), 1787 The Met

Arches in Ruins, Hubert Robert, 1781, oil on canvas

Hubert Robert Arches in Ruins, 1781 The Met

Connecticut Village (Going to School), Julian Alden Weir, after 1891, oil on canvas

Julian Alden Weir Connecticut Village (Going to School), after 1891 The Met

The Baptism of Christ, Lucas Cranach the Elder, 1530s, oil on wood

Lucas Cranach the Elder The Baptism of Christ, 1530s Cleveland Museum of Art

Large English country landscape painting, farmers with horses, green trees.

John Constable Stoke-by-Nayland, 1836 Art Institute of Chicago

Condesa de Altamira and Her Daughter, María Agustina, Francisco de Goya, 1787–88, oil on canvas

Francisco de Goya Condesa de Altamira and Her Daughter, María Agustina, 1787–88 The Met

Valley of Aosta: Snowstorm, Avalanche, and Thunderstorm, Joseph Mallord William Turner, 1836–37, oil on canvas

Joseph Mallord William Turner Valley of Aosta: Snowstorm, Avalanche, and Thunderstorm, 1836–37 Art Institute of Chicago

Landscape, Camille Corot, 1865/70, oil on canvas

Camille Corot Landscape, 1865/70 Art Institute of Chicago

A thin, narrow-shouldered woman holding a black shawl close to her body walks toward us down an alleyway past a pair of men wearing all black in this horizontal painting.

John Singer Sargent Street in Venice, 1882 National Gallery of Art

In a lush, tree-lined park, filtered light falls across a group of about a dozen light-skinned people lounging and frolicking along the banks of a river in this vertical landscape painting.

Jean-Honoré Fragonard A Game of Horse and Rider, c. 1775/1780 National Gallery of Art

Rest on the Flight into Egypt, Claude Lorrain, early 1640s, oil on canvas

Claude Lorrain Rest on the Flight into Egypt, early 1640s Cleveland Museum of Art

Valley of the Sédelle at Pont Charraud: White Frost, Armand Guillaumin, c.1903–1911, oil on fabric

Armand Guillaumin Valley of the Sédelle at Pont Charraud: White Frost, c.1903–1911 Cleveland Museum of Art

Portrait of the Artist, Gilbert Stuart, ca. 1786, oil on canvas

Gilbert Stuart Portrait of the Artist, ca. 1786 The Met

Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918), Anders Zorn, ca. 1900, oil on canvas

Anders Zorn Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918), ca. 1900 The Met

A Knight of Alcántara or Calatrava, Bartolomé Esteban Murillo, ca. 1650–55, oil on canvas

Bartolomé Esteban Murillo A Knight of Alcántara or Calatrava, ca. 1650–55 The Met

Porte de la Reine at Aigues-Mortes, Frédéric Bazille, 1867, oil on canvas

Frédéric Bazille Porte de la Reine at Aigues-Mortes, 1867 The Met

Bellona, Rembrandt van Rijn, 1633, oil on canvas

Rembrandt van Rijn Bellona, 1633 The Met

Madonna and Child, Giovanni Bellini, ca. 1470, tempera, oil, and gold on wood

Giovanni Bellini Madonna and Child, ca. 1470 The Met

Shown from the hips up, a pale-skinned woman holds an open, gold-colored fan in her lap in this vertical, loosely painted portrait.

Mary Cassatt Woman with a Fan, c. 1878/1879 National Gallery of Art

Young Man and Woman in an Inn, Frans Hals, 1623, oil on canvas

Frans Hals Young Man and Woman in an Inn, 1623 The Met

Trees and Houses Near the Jas de Bouffan, Paul Cézanne, 1885–86, oil on canvas

Paul Cézanne Trees and Houses Near the Jas de Bouffan, 1885–86 The Met

Courtyard, Tétouan, Morocco, John Singer Sargent, 1879–80, oil on wood

John Singer Sargent Courtyard, Tétouan, Morocco, 1879–80 The Met

Portrait of a Man, probably a Member of the Van Beresteyn Family, Rembrandt van Rijn, 1632, oil on canvas

Rembrandt van Rijn Portrait of a Man, probably a Member of the Van Beresteyn Family, 1632 The Met

Eagle Head, Manchester, Massachusetts (High Tide), Winslow Homer, 1870, oil on canvas

Winslow Homer Eagle Head, Manchester, Massachusetts (High Tide), 1870 The Met

We look slightly down onto a woman and a young boy, both with pale skin, sitting together on a grassy lawn with a chicken standing nearby in this horizontal painting. The scene is loosely painted with visible brushstrokes throughout.

Pierre-Auguste Renoir Madame Monet and Her Son, 1874 National Gallery of Art

The painting shows a bright-green landscape with rolling hills in the distance.

Julian Alden Weir Obweebetuck, c. 1908 National Gallery of Art

River Boat, Charles-François Daubigny, c. 1860, oil on board

Charles-François Daubigny River Boat, c. 1860 Art Institute of Chicago

Nun’s Badge with the Virgin of the Immaculate Conception, Nicolás Rodríguez Juárez, ca. 1710, oil and gold on copper; tortoiseshell and silver frame

Nicolás Rodríguez Juárez Nun’s Badge with the Virgin of the Immaculate Conception, ca. 1710 The Met

A young boy with pale skin, wearing a black suit with densely pattered gold trim and decoration, stands holding an open book in front of a brown background in this vertical portrait painting.

Francisco de Goya Victor Guye, 1810 National Gallery of Art

Vétheuil, Claude Monet, 1901, oil on canvas

Claude Monet Vétheuil, 1901 Art Institute of Chicago

Mrs. Mary Arthur, Thomas Eakins, 1900, oil on canvas

Thomas Eakins Mrs. Mary Arthur, 1900 The Met

Padre Sebastiano, John Singer Sargent, ca. 1904–6, oil on canvas

John Singer Sargent Padre Sebastiano, ca. 1904–6 The Met

A Lane through the Trees, Camille Corot, ca. 1870–73, oil on canvas

Camille Corot A Lane through the Trees, ca. 1870–73 The Met

Between us and a river lined with buildings on the far bank in the distance, tall willow trees nearly span the height of this horizontal landscape.

Claude Monet The Willows, 1880 National Gallery of Art

Across a grassy field, a row of buildings and two trees line the horizon, which comes about halfway up this nearly square landscape painting.

Paul Cézanne Landscape near Paris, c. 1876 National Gallery of Art

The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935), Berthe Morisot, ca. 1870, oil on canvas

Berthe Morisot The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935), ca. 1870 The Met

Shown from about the ankles up, a woman with ashen, pale skin, wearing a full, silvery-white dress with gray dots, sits on a low-backed white sofa against a pale peach background in this horizontal portrait painting.

Edgar Degas Madame René de Gas, 1872/1873 National Gallery of Art

Street, Tangier, John Singer Sargent, 1895, watercolor, gouache, and graphite on off-white wove paper

John Singer Sargent Street, Tangier, 1895 The Met

Two loosely painted people stand side by side in a field as they rake with their backs to us in this horizontal painting. The brushstrokes are soft and textured, and the details are loosely rendered, giving the scene a hazy appearance.

Georges Seurat Haymakers at Montfermeil, c. 1882 National Gallery of Art

Landscape with a Windmill, Jacob van Ruisdael, 1646, oil on wood

Jacob van Ruisdael Landscape with a Windmill, 1646 Cleveland Museum of Art

This painting shows a busy marketplace scene at eye level with a crowd of people and cattle. Hills are in the distance under a cloudy gray sky, and in front of them we can see a line of rooftops and a tall church spire.

Eugène Boudin Fair in Brittany, 1874 National Gallery of Art

Sketch for a Ceiling, Giovanni Battista Tiepolo, 1750s, oil on canvas

Giovanni Battista Tiepolo Sketch for a Ceiling, 1750s Cleveland Museum of Art

Shown from the knees up, two young women with pale, peachy skin wearing white gowns sit close together and almost fill this vertical painting. The women are angled to our left and look in that direction.

Mary Cassatt The Loge, c. 1878-1880 National Gallery of Art

Brooklyn Bridge, Henry Ward Ranger, 1899, oil on canvas

Henry Ward Ranger Brooklyn Bridge, 1899 Art Institute of Chicago

Painting of a red-haired, bearded man with light skin, painted in short brushstrokes and multicolored dots. The background is likewise a mass of small, closely spaced colored dots, these in green, blue, and red-orange.

Vincent van Gogh Self-Portrait, 1887 Art Institute of Chicago

Trouville (Grey and Green, the Silver Sea), James McNeill Whistler, 1865, oil on canvas

James McNeill Whistler Trouville (Grey and Green, the Silver Sea), 1865 Art Institute of Chicago

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