Paintings for Warm White Walls (page 21)

Soft and muted

Gentle, low-color paintings that keep a pale room calm. The warmest come first, to answer the cream in the wall. Showing 961 to 1,008 of 1,315.

Jalais Hill, Pontoise, Camille Pissarro, 1867, oil on canvas

Camille Pissarro Jalais Hill, Pontoise, 1867 The Met

Charing Cross Bridge, London, Claude Monet, 1901, oil on canvas

Claude Monet Charing Cross Bridge, London, 1901 Art Institute of Chicago

View of the Seine, Georges Seurat, 1882–83, oil on wood

Georges Seurat View of the Seine, 1882–83 The Met

Tahitian Landscape, Paul Gauguin, 1892, oil on canvas

Paul Gauguin Tahitian Landscape, 1892 The Met

This painting shows a coastal scene with a rocky tan cliff on the left side extending down to the blue sea. The horizon is in the middle of the painting, with a bright, slightly cloudy blue sky above the sea.

Eugène Boudin Washerwomen on the Beach of Etretat, 1894 National Gallery of Art

Circus Sideshow (Parade de cirque), Georges Seurat, 1887–88, oil on canvas

Georges Seurat Circus Sideshow (Parade de cirque), 1887–88 The Met

A Cowherd at Valhermeil, Auvers-sur-Oise, Camille Pissarro, 1874, oil on canvas

Camille Pissarro A Cowherd at Valhermeil, Auvers-sur-Oise, 1874 The Met

A bearded man with a coppery-peach completion, wearing a dark, navy-blue brimmed cap, vest, jacket, and pants sits on a wooden bench or chair against a green background in this vertical portrait.

Paul Cézanne The Gardener Vallier, 1906 National Gallery of Art

This horizontal landscape painting shows a cluster of tan and rust-brown buildings set on a tiny island at the center of a wide brownish-gray river.

Camille Corot The Island and Bridge of San Bartolomeo, Rome, 1825/1828 National Gallery of Art

Arrangement in Black: Girl Reading, James McNeill Whistler, ca. 1880–90, oil on wood

James McNeill Whistler Arrangement in Black: Girl Reading, ca. 1880–90 The Met

Fishing, Édouard Manet, ca. 1862–63, oil on canvas

Édouard Manet Fishing, ca. 1862–63 The Met

Catherine Brooks Hall, William Sidney Mount, ca. 1830, oil on canvas

William Sidney Mount Catherine Brooks Hall, ca. 1830 The Met

Inter artes et naturam (Between Art and Nature), Pierre Puvis de Chavannes, ca. 1890–95, oil on canvas

Pierre Puvis de Chavannes Inter artes et naturam (Between Art and Nature), ca. 1890–95 The Met

Madame Roulin Rocking the Cradle (La berceuse), Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Madame Roulin Rocking the Cradle (La berceuse), 1889 Art Institute of Chicago

Bright landscape painting featuring spindly trees with lush leaves surrounded by light-green foliage, a small town visible between the trees at center, and a calm blue sea in the background.

Claude Monet Bordighera, 1884 Art Institute of Chicago

Pond at Ville-d'Avray, Camille Corot, late 1860s, oil on fabric

Camille Corot Pond at Ville-d'Avray, late 1860s Cleveland Museum of Art

The Boulevard Montmartre on a Winter Morning, Camille Pissarro, 1897, oil on canvas

Camille Pissarro The Boulevard Montmartre on a Winter Morning, 1897 The Met

A road or path curves away from us, past a tall formation, perhaps rocks, to our left, and into a valley filled with trees and a low hill beyond in this stylized, vertical landscape.

Paul Cézanne The Bend in the Road, 1900/1906 National Gallery of Art

We look slightly down onto a bare, gnarled tree near a gray, dirt path, which leads back to a hamlet in this horizontal landscape painting. The scene is loosely painted with visible brushstrokes, so many details are indistinct.

Camille Pissarro The Fence, 1872 National Gallery of Art

We look slightly down onto a baby tucked into an oval-shaped cradle with a woman sitting on the far side looking down at the child in this vertical painting. Both the woman and baby have light skin.

Claude Monet The Cradle - Camille with the Artist's Son Jean, 1867 National Gallery of Art

The Old Road to the Sea, William Merritt Chase, c. 1893, oil on canvas

William Merritt Chase The Old Road to the Sea, c. 1893 Cleveland Museum of Art

A nearly nude man with peachy skin stands next to and looks up at a man with ashen, ivory-colored skin, wearing armor and riding a bright white horse in this vertical painting.

El Greco Saint Martin and the Beggar, 1600/1614 National Gallery of Art

A pale-skinned woman wearing a cream-white dress stands in front of a shadowy landscape in this vertical portrait painting. Facing us, the woman looks directly out with dark gray eyes under gently curving brows.

Joshua Reynolds Lady Elizabeth Compton, 1780-1782 National Gallery of Art

Wheat Field with Cypresses, Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Wheat Field with Cypresses, 1889 The Met

Nicolas Rubens, the Artist's Son, Peter Paul Rubens, c. 1635, oil on panel

Peter Paul Rubens Nicolas Rubens, the Artist's Son, c. 1635 Art Institute of Chicago

Versailles, Pierre-Auguste Renoir, 1900–1905, oil on canvas

Pierre-Auguste Renoir Versailles, 1900–1905 The Met

A woman bends double to tend a garden that stretches before us in front of two houses in this horizontal landscape painting.

Camille Pissarro The Artist's Garden at Eragny, 1898 National Gallery of Art

We look across rolling, bright green pastures and honey-brown farmland to a cluster of buildings nestled beyond a copse of trees, along the horizon in this horizontal, stylized landscape painting.

Paul Gauguin Landscape at Le Pouldu, 1890 National Gallery of Art

Willows and Farmhouse at Sainte-Catherine-lès-Arras, Camille Corot, 1871, oil on fabric

Camille Corot Willows and Farmhouse at Sainte-Catherine-lès-Arras, 1871 Cleveland Museum of Art

The Curious Little Girl, Camille Corot, 1860–64, oil on cardboard, laid down on wood

Camille Corot The Curious Little Girl, 1860–64 The Met

Entrance to the Port of Honfleur, Johan Barthold Jongkind, 1863–64, oil on canvas

Johan Barthold Jongkind Entrance to the Port of Honfleur, 1863–64 Art Institute of Chicago

Boats on the Seacoast at Etaples, Charles-François Daubigny, 1871, oil on wood

Charles-François Daubigny Boats on the Seacoast at Etaples, 1871 The Met

This painting shows a cluster of trees against a bright sky in shades of pale yellow and pale seafoam green. Closest to us, a green-gray path stretches horizontally next to tall teal and blue grasses.

Julian Alden Weir Moonlight, c. 1905 National Gallery of Art

Landscape along the Seine with the Institut de France and the Pont des Arts, Alfred Sisley, c. 1875, oil on canvas

Alfred Sisley Landscape along the Seine with the Institut de France and the Pont des Arts, c. 1875 Art Institute of Chicago

View of the Domaine Saint-Joseph, Paul Cézanne, late 1880s, oil on canvas

Paul Cézanne View of the Domaine Saint-Joseph, late 1880s The Met

At least one rowboat occupied by two people floats on a lake, which is surrounded by lush green vegetation in this vertical landscape painting.

Berthe Morisot Girl in a Boat with Geese, c. 1889 National Gallery of Art

Peach Blossoms, Winslow Homer, 1878, oil on canvas

Winslow Homer Peach Blossoms, 1878 Art Institute of Chicago

View of Bordeaux, from the Quai des Chartrons, Eugène Boudin, 1874, oil on fabric

Eugène Boudin View of Bordeaux, from the Quai des Chartrons, 1874 Cleveland Museum of Art

From a point of view over the water, we look across a bustling canal at a bridge, which is flanked by rows of buildings to each side in this horizontal painting.

Francesco Guardi View on the Cannaregio Canal, Venice, c. 1775-1780 National Gallery of Art

Mäda Primavesi (1903–2000), Gustav Klimt, 1912–13, oil on canvas

Gustav Klimt Mäda Primavesi (1903–2000), 1912–13 The Met

The Crystal Palace, Camille Pissarro, 1871, oil on canvas

Camille Pissarro The Crystal Palace, 1871 Art Institute of Chicago

The Ferryman, Camille Corot, ca. 1865, oil on canvas

Camille Corot The Ferryman, ca. 1865 The Met

Olive Trees at Tivoli, George Inness, 1873, gouache, watercolor, and graphite on blue wove paper with colored fibers

George Inness Olive Trees at Tivoli, 1873 The Met

Virgin and Child with the Young Saint John the Baptist and Angels, François Boucher, 1765, oil on canvas

François Boucher Virgin and Child with the Young Saint John the Baptist and Angels, 1765 The Met

A woman with pale skin, wearing a silvery-gray dress adorned with white ribbons and light pink roses, stands looking out at us with a small, pug dog by her feet in this vertical portrait painting.

Francisco de Goya The Marquesa de Pontejos, c. 1786 National Gallery of Art

View of a village surrounded by hills, fields, and trees, shown from a vantage point above the scene. Subtly rolling hills recede into a bluish gray-ish sky punctuated by white clouds.

Paul Cézanne Auvers, Panoramic View, 1873–75 Art Institute of Chicago

Fantastic Landscape, Francesco Guardi, ca. 1765, oil on canvas

Francesco Guardi Fantastic Landscape, ca. 1765 The Met

Young Woman with a Water Pitcher, Johannes Vermeer, ca. 1662, oil on canvas

Johannes Vermeer Young Woman with a Water Pitcher, ca. 1662 The Met

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