A light-skinned man in red and woman in blue sit with an infant between them, angels beside and above them, a small town in the background.

The Nativity

Fra Bartolommeo (Baccio della Porta; Italian, 1472–1517)

Date
1504–7
Medium
Oil on panel
Museum
Art Institute of Chicago, accession 2005.49. See the museum’s record
Credit
Ethel T. Scarborough Fund; John G. Searle Family Trust, L. L. and A. S. Coburn, Mr. and Mrs. Lester King, John and Josephine Louis, Samuel A. Marx, Alexander McKay, Chester D. Tripp, and Murray Vale endowment funds; purchased with funds provided by Marilynn Alsdorf, Anne Searle Bent, David and Celia Hilliard, Alexandra and John Nichols, Mrs. Harold T. Martin, Mrs. George B. Young in memory of her husband, and the Rhoades Foundation; gift of John Bross and members of the Old Masters Society in memory of Louise Smith Bross; through prior gift of the George F. Harding, Mr. and Mrs. W. W. Kimball, Mr. and Mrs. Martin A. Ryerson, and Charles H. and Mary F. S. Worcester collections

Public domain image courtesy of the Art Institute of Chicago (CC0).

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Print
18 × 24 in, filling the paper (trims 4.4 % of the picture)
Center
58 in (147 cm) above the stair line
The Nativity: an 18 × 24 in print hung beside a staircase, drawn to scale on a 12 × 8 ft wall
18 × 24 in portrait print (46 × 61 cm), centered 58 in above the stair line. Drawn to scale on a 12 × 8 ft wall.

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Sharpness is worked out from the largest file the museum offers. Above 300 dpi a print holds up at arm’s length; 150 dpi is plenty for a picture seen from across a sofa.

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Free for any use, including commercial: this image is public domain (CC0).

Public domain image courtesy of the Art Institute of Chicago (CC0). You may print, share, change and sell it without asking. Read what that means on our image license page, and how to get a good result in how to print a public-domain painting.