All paintings (page 23)

Showing 1,057 to 1,104 of 2,374 paintings

Street, Tangier, John Singer Sargent, 1895, watercolor, gouache, and graphite on off-white wove paper

John Singer Sargent Street, Tangier, 1895 The Met

Midas Washing at the Source of the Pactolus, Nicolas Poussin, ca. 1627, oil on canvas

Nicolas Poussin Midas Washing at the Source of the Pactolus, ca. 1627 The Met

Gnarled, ash-brown roots woven through a muddy, rocky bank and sprays of dark green leaves fill this loosely painted, horizontal landscape. Touches of spring green in the lower right corner suggest ground cover.

John Singer Sargent Wild Olive Tree Roots, Valldemosa, Majorca, 1908 National Gallery of Art

The Little Shepherdess, Jean-François Millet, 1868–72, oil on panel

Jean-François Millet The Little Shepherdess, 1868–72 Art Institute of Chicago

The Sheepshearers, Jean-François Millet, c. 1857–61, oil on canvas

Jean-François Millet The Sheepshearers, c. 1857–61 Art Institute of Chicago

Rest on the Flight into Egypt, Claude Lorrain, early 1640s, oil on canvas

Claude Lorrain Rest on the Flight into Egypt, early 1640s Cleveland Museum of Art

Return from the Fields, Jean-François Millet, c. 1846–47, oil on fabric

Jean-François Millet Return from the Fields, c. 1846–47 Cleveland Museum of Art

The Titan's Goblet, Thomas Cole, 1833, oil on canvas

Thomas Cole The Titan's Goblet, 1833 The Met

Arrangement in Black: Girl Reading, James McNeill Whistler, ca. 1880–90, oil on wood

James McNeill Whistler Arrangement in Black: Girl Reading, ca. 1880–90 The Met

A Village Street: Dardagny, Camille Corot, 1852, 1857, or 1863, oil on canvas

Camille Corot A Village Street: Dardagny, 1852, 1857, or 1863 The Met

The Cascade, Jean-Honoré Fragonard, ca. 1775, oil on wood

Jean-Honoré Fragonard The Cascade, ca. 1775 The Met

Mariana of Austria (1634–1696), Queen of Spain, Diego Velázquez, 1640, oil on canvas

Diego Velázquez Mariana of Austria (1634–1696), Queen of Spain, 1640 The Met

A bearded and balding man with deeply tanned skin, dressed only in a strip of robin’s egg-blue fabric around his shoulders and hips, sits reading a book on a rock at the entrance to a craggy cave, in front of a landscape in this vertical…

Giovanni Bellini Saint Jerome Reading, 1505 National Gallery of Art

A man with pale peach skin and dark hair wears a military uniform and stands in front of a desk in this vertical portrait painting. He nearly fills the composition so seems close to us, and he looks directly at us.

Jacques-Louis David The Emperor Napoleon in His Study at the Tuileries, 1812 National Gallery of Art

Shown from about the knees up, a pale, smooth-skinned woman in a fur-lined yellow jacket looks out at us as she sits writing at a table in this vertical painting. The woman’s body faces the table to our left.

Johannes Vermeer A Lady Writing, c. 1665 National Gallery of Art

This drawing shows the faint outline of a domed building. The representation is minimalistic, with few details of the building shown besides the dome and vertical lines that might suggest columns.

Thomas Cole Sketch for Ohio State Capitol Design, c. 1838 National Gallery of Art

A man sitting in a tall, upholstered armchair reads a newspaper in this vertical portrait painting. The man and the room in which he sits is loosely painted with bold, visible strokes throughout.

Paul Cézanne The Artist's Father, Reading "L'Événement", 1866 National Gallery of Art

Pierre-Auguste Renoir Young Girl Reading, c. 1888 National Gallery of Art

Thomas Eakins Study for "The Dancing Lesson": The Banjo Player, probably 1877 National Gallery of Art

Reverie, Camille Corot, 1857 or later, oil on wood

Camille Corot Reverie, 1857 or later The Met

Dancers, Pink and Green, Edgar Degas, ca. 1890, oil on canvas

Edgar Degas Dancers, Pink and Green, ca. 1890 The Met

Abstract line composition of black lines at right angles forming quadrants including a gray square at upper left and a gray rectangle and red rectangle at lower right, against a white background.

Piet Mondrian Composition (No. 1) Gray-Red, 1935 Art Institute of Chicago

Market Place, John Singer Sargent, 1890s, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Market Place, 1890s The Met

The Harvest, Pontoise (La Récolte, Pontoise), Camille Pissarro, 1881, oil on canvas

Camille Pissarro The Harvest, Pontoise (La Récolte, Pontoise), 1881 The Met

This painting shows a view from above, looking down a path on the left where several people walk away from us towards a house in the distance surrounded by lush green vegetation.

Pierre-Auguste Renoir The Mussel Harvest, 1879 National Gallery of Art

Shown from the lap up, a pale-skinned woman with an oval face and long neck sits facing us in this vertical painting. The portrait is created with areas of mottled colors outlined with black lines.

Amedeo Modigliani Girl in a Green Blouse, 1917 National Gallery of Art

We look slightly down onto a woman dressed in golden yellows, sitting in a pale green chair, with a nude child sitting in her lap as they both gaze into a mirror in this vertical portrait painting. Both the people have pale, peachy skin.

Mary Cassatt Woman with a Sunflower, c. 1905 National Gallery of Art

Wolf and Fox Hunt, Peter Paul Rubens, ca. 1616, oil on canvas

Peter Paul Rubens Wolf and Fox Hunt, ca. 1616 The Met

A dimly lit ballet studio is filled with about two dozen young dancers tying on their shoes, stretching, or practicing en pointe in this horizontal painting.

Edgar Degas The Dance Class, c. 1873 National Gallery of Art

Two men with pale skin, wearing white sleeveless shirts and royal-blue caps, row in unison in a long, narrow boat on a placid blue river in this horizontal landscape painting.

Thomas Eakins The Biglin Brothers Racing, 1872 National Gallery of Art

Storm in the Mountains, Frederic Edwin Church, 1847, oil on canvas

Frederic Edwin Church Storm in the Mountains, 1847 Cleveland Museum of Art

Dancers Practicing at the Barre, Edgar Degas, 1877, mixed media on canvas

Edgar Degas Dancers Practicing at the Barre, 1877 The Met

Long scroll drawing, upper half is script; lower half depicts people in courtyard.

Ike Taiga Group Pilgrimage to the Jizo Nun, 1755/65 Art Institute of Chicago

A three-part panel featuring a variety of scenes, vertically stacked and richly painted. The central panel features the Virgin Mary and and Child flanked by archangels Gabriel and Michael, twelve disciples below them in grid formation.

Central Ethiopia Triptych, Late 17th century Art Institute of Chicago

Watercolor of man with golden halo on horse, green background.

Ghasi Maharana Bhim Singh in Procession, c. 1820 Art Institute of Chicago

Pillars of the Country, Yao Shou, Ming dynasty (1368–1644), 1494, handscroll; ink and color on paper

Yao Shou Pillars of the Country, Ming dynasty (1368–1644), 1494 Art Institute of Chicago

The Holy Family with the Young Saint John the Baptist, Andrea del Sarto, ca. 1528, oil on wood

Andrea del Sarto The Holy Family with the Young Saint John the Baptist, ca. 1528 The Met

Close to us, a young man and four boys sit or recline in a small sailboat that tips to our left on a choppy dark green sea fringed with white foam in this horizontal painting.

Winslow Homer The Flirt, 1874 National Gallery of Art

A butter-yellow sky fills the top two-thirds of this square landscape painting while in the bottom third, a brown structure is surrounded by golden yellow and pine-green forms like clouds.

Joseph Mallord William Turner The Evening of the Deluge, c. 1843 National Gallery of Art

Composition with Red, Yellow, and Blue, Piet Mondrian, 1927, oil on canvas

Piet Mondrian Composition with Red, Yellow, and Blue, 1927 Cleveland Museum of Art

Frieze of Dancers, Edgar Degas, c. 1895, oil on fabric

Edgar Degas Frieze of Dancers, c. 1895 Cleveland Museum of Art

The Beach, Late Afternoon, Winslow Homer, 1869, oil on wood

Winslow Homer The Beach, Late Afternoon, 1869 The Met

Four light-skinned ballerinas with russet-orange hair tied back in buns adjust the straps of their bodices as they gather close together, their bodies and wide, knee-length tutus taking up the left half of this horizontal painting.

Edgar Degas Four Dancers, c. 1899 National Gallery of Art

Fir Trees and Storm Clouds, Albert Bierstadt, c. 1870, oil on paper mounted on canvas

Albert Bierstadt Fir Trees and Storm Clouds, c. 1870 Cleveland Museum of Art

Willows and Farmhouse at Sainte-Catherine-lès-Arras, Camille Corot, 1871, oil on fabric

Camille Corot Willows and Farmhouse at Sainte-Catherine-lès-Arras, 1871 Cleveland Museum of Art

This painting depicts a young boy sitting in a relaxed position, with his right arm leaning on a black surface. He has pale skin, wide eyes, and a small, slightly downturned mouth.

Camille Corot Italian Peasant Boy, 1825/1827 National Gallery of Art

The Ferryman, Camille Corot, ca. 1865, oil on canvas

Camille Corot The Ferryman, ca. 1865 The Met

A light-skinned man in red and woman in blue sit with an infant between them, angels beside and above them, a small town in the background.

Fra Bartolommeo The Nativity, 1504–7 Art Institute of Chicago