Baroque Paintings (page 2)

Showing 49 to 96 of 144 paintings

Portrait of a Man, Anthony van Dyck, ca. 1618, oil on wood

Anthony van Dyck Portrait of a Man, ca. 1618 The Met

Portrait of a Woman, Called the Marchesa Durazzo, Anthony van Dyck, probably ca. 1622–25, oil on canvas

Anthony van Dyck Portrait of a Woman, Called the Marchesa Durazzo, probably ca. 1622–25 The Met

Self-Portrait, Anthony van Dyck, ca. 1620–21, oil on canvas

Anthony van Dyck Self-Portrait, ca. 1620–21 The Met

Shown from the knees up, a pale-skinned woman wears a wide, pleated collar and a black gown in this vertical portrait painting. Her body is angled to our left, and she looks at us from the corners of her light brown eyes.

Anthony van Dyck Portrait of a Flemish Lady, probably 1618 National Gallery of Art

Virgin and Child with Saints Dominic and Hyacinth, Giovanni Battista Tiepolo, 1730–35, oil on canvas

Giovanni Battista Tiepolo Virgin and Child with Saints Dominic and Hyacinth, 1730–35 Art Institute of Chicago

James Stuart (1612–1655), Duke of Richmond and Lennox, Anthony van Dyck, ca. 1633–35, oil on canvas

Anthony van Dyck James Stuart (1612–1655), Duke of Richmond and Lennox, ca. 1633–35 The Met

Robert Rich (1587–1658), Second Earl of Warwick, Anthony van Dyck, ca. 1632–35, oil on canvas

Anthony van Dyck Robert Rich (1587–1658), Second Earl of Warwick, ca. 1632–35 The Met

Philip IV (1605–1665), King of Spain, Diego Velázquez, probably 1624, oil on canvas

Diego Velázquez Philip IV (1605–1665), King of Spain, probably 1624 The Met

St. Albert of Louvain, Peter Paul Rubens, 1620, oil on panel

Peter Paul Rubens St. Albert of Louvain, 1620 Art Institute of Chicago

Rinaldo and the Magus of Ascalon, Giovanni Battista Tiepolo, c. 1742–45, oil on canvas

Giovanni Battista Tiepolo Rinaldo and the Magus of Ascalon, c. 1742–45 Art Institute of Chicago

María Teresa (1638–1683), Infanta of Spain, Diego Velázquez, 1651–54, oil on canvas

Diego Velázquez María Teresa (1638–1683), Infanta of Spain, 1651–54 The Met

Diana and Her Nymphs Departing for the Hunt, Peter Paul Rubens, c. 1615, oil on canvas

Peter Paul Rubens Diana and Her Nymphs Departing for the Hunt, c. 1615 Cleveland Museum of Art

Saint John the Baptist in the Wilderness, Diego Velázquez, c. 1622, oil on canvas

Diego Velázquez Saint John the Baptist in the Wilderness, c. 1622 Art Institute of Chicago

Shown from the waist up, a woman with pale skin and brown hair, wearing a dark corset and white fabric over her shoulders, looks down at needlework in her hands in this vertical painting.

Diego Velázquez The Needlewoman, c. 1640/1650 National Gallery of Art

Midas Washing at the Source of the Pactolus, Nicolas Poussin, ca. 1627, oil on canvas

Nicolas Poussin Midas Washing at the Source of the Pactolus, ca. 1627 The Met

Rest on the Flight into Egypt, Claude Lorrain, early 1640s, oil on canvas

Claude Lorrain Rest on the Flight into Egypt, early 1640s Cleveland Museum of Art

Mariana of Austria (1634–1696), Queen of Spain, Diego Velázquez, 1640, oil on canvas

Diego Velázquez Mariana of Austria (1634–1696), Queen of Spain, 1640 The Met

Wolf and Fox Hunt, Peter Paul Rubens, ca. 1616, oil on canvas

Peter Paul Rubens Wolf and Fox Hunt, ca. 1616 The Met

The Capture of Samson, Peter Paul Rubens, 1609–10, oil on panel

Peter Paul Rubens The Capture of Samson, 1609–10 Art Institute of Chicago

The Return of the Holy Family to Nazareth, Nicolas Poussin, c. 1627, oil on canvas

Nicolas Poussin The Return of the Holy Family to Nazareth, c. 1627 Cleveland Museum of Art

The Holy Family with Saint Elizabeth, Saint John, and a Dove, Peter Paul Rubens, ca. 1608–9, oil on oak

Peter Paul Rubens The Holy Family with Saint Elizabeth, Saint John, and a Dove, ca. 1608–9 The Met

The Holy Family with Saint John the Baptist, Nicolas Poussin, ca. 1627, oil on canvas

Nicolas Poussin The Holy Family with Saint John the Baptist, ca. 1627 The Met

The Agony in the Garden, Nicolas Poussin, 1626–27, oil on copper

Nicolas Poussin The Agony in the Garden, 1626–27 The Met

A young woman sitting with a nude infant lying in her lap is flanked on either side by an older woman to our left and an elderly man with a nude young boy to our right in this vertical painting. They all have pale skin tinged with blue.

El Greco The Holy Family with Saint Anne and the Infant John the Baptist, c. 1595/1600 National Gallery of Art

A seated woman with an infant on her lap and three children are clustered on a terrace overlooking green hills and a body of water in this square painting. They all have pale skin with flushed cheeks.

Peter Paul Rubens Deborah Kip, Wife of Sir Balthasar Gerbier, and Her Children, 1629/1630, reworked probably mid 1640s National Gallery of Art

The Holy Family with Saints Francis and Anne and the Infant Saint John the Baptist, Peter Paul Rubens, early or mid-1630s, oil on canvas

Peter Paul Rubens The Holy Family with Saints Francis and Anne and the Infant Saint John the Baptist, early or mid-1630s The Met

A woman wearing a voluminous black dress with a wide, ruffled collar sits holding the hand of a young boy, who stands next to her, in this vertical portrait painting.

Anthony van Dyck A Genoese Noblewoman and Her Son, c. 1626 National Gallery of Art

Saint Peter Repentant, Georges de La Tour, 1645, oil on canvas

Georges de La Tour Saint Peter Repentant, 1645 Cleveland Museum of Art

Christ and the Virgin in the House at Nazareth, Francisco de Zurbarán, c. 1640, oil on canvas

Francisco de Zurbarán Christ and the Virgin in the House at Nazareth, c. 1640 Cleveland Museum of Art

The Coronation of the Virgin, Annibale Carracci, after 1595, oil on canvas

Annibale Carracci The Coronation of the Virgin, after 1595 The Met

The Fortune-Teller, Georges de La Tour, probably 1630s, oil on canvas

Georges de La Tour The Fortune-Teller, probably 1630s The Met

The Penitent Magdalen, Georges de La Tour, ca. 1640, oil on canvas

Georges de La Tour The Penitent Magdalen, ca. 1640 The Met

Virgin and Child, Bartolomé Esteban Murillo, 1670s, oil on canvas

Bartolomé Esteban Murillo Virgin and Child, 1670s The Met

The Immaculate Conception, Guido Reni, 1627, oil on canvas

Guido Reni The Immaculate Conception, 1627 The Met

People walk, sit, or stand on a plaza along a canal lined on the far side with buildings in this horizontal landscape painting.

Bernardo Bellotto The Campo di SS. Giovanni e Paolo, Venice, 1743/1747 National Gallery of Art

We look through shadowed trees at a river winding into the distance in this horizontal landscape painting.

Annibale Carracci River Landscape, c. 1590 National Gallery of Art

Ecce Agnus Dei, Bartolomé Esteban Murillo, c. 1655, oil on canvas

Bartolomé Esteban Murillo Ecce Agnus Dei, c. 1655 Art Institute of Chicago

Don Andrés de Andrade y la Cal, Bartolomé Esteban Murillo, ca. 1665–72, oil on canvas

Bartolomé Esteban Murillo Don Andrés de Andrade y la Cal, ca. 1665–72 The Met

A Knight of Alcántara or Calatrava, Bartolomé Esteban Murillo, ca. 1650–55, oil on canvas

Bartolomé Esteban Murillo A Knight of Alcántara or Calatrava, ca. 1650–55 The Met

Saint John the Baptist Bearing Witness, Annibale Carracci, ca. 1600, oil on copper

Annibale Carracci Saint John the Baptist Bearing Witness, ca. 1600 The Met

This painting shows a group of people engaged in various activities within a wide green landscape. In the background are distant white-and-blue mountains and a blue sky with soft gray clouds.

Francesco Guardi Erminia and the Shepherds, 1750/1755 National Gallery of Art

Boy Drinking, Annibale Carracci, 1582–83, oil on canvas

Annibale Carracci Boy Drinking, 1582–83 Cleveland Museum of Art

Two women with pale skin look out at us from the other side of a rectangular window opening with a shadowy interior behind them in this vertical painting.

Bartolomé Esteban Murillo Two Women at a Window, c. 1655/1660 National Gallery of Art

A barefoot man wearing tattered clothing, with his hands clasped at his chest, kneels at the feet of an old, bearded man in this almost square painting. The pair is flanked by five people on our right and a man, boy, and calf on our left.

Bartolomé Esteban Murillo The Return of the Prodigal Son, 1667/1670 National Gallery of Art

The Adoration of the Eucharist, Peter Paul Rubens, c. 1626, oil on panel

Peter Paul Rubens The Adoration of the Eucharist, c. 1626 Art Institute of Chicago

Nymphs and a Satyr (Amor Vincit Omnia), Nicolas Poussin, c. 1625–27, oil on canvas

Nicolas Poussin Nymphs and a Satyr (Amor Vincit Omnia), c. 1625–27 Cleveland Museum of Art

A Genoese Lady with Her Child, Anthony van Dyck, c. 1623–25, oil on canvas

Anthony van Dyck A Genoese Lady with Her Child, c. 1623–25 Cleveland Museum of Art

Virgin and Child with Saint Catherine of Alexandria, Anthony van Dyck, ca. 1630, oil on canvas

Anthony van Dyck Virgin and Child with Saint Catherine of Alexandria, ca. 1630 The Met

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