Impressionist Paintings (page 6)

Showing 241 to 288 of 489 paintings

A Woman Ironing, Edgar Degas, 1873, oil on canvas

Edgar Degas A Woman Ironing, 1873 The Met

The painting features a large gray watering can in the bottom right corner, set against a lush garden background. Bushes on the right side are speckled with dots of pink, yellow, blue, orange, and purple, suggesting flowers.

Georges Seurat The Watering Can - Garden at Le Raincy, c. 1883 National Gallery of Art

Shown from about the waist up, a woman with pale, peachy skin and dark hair holds a blond, light-skinned child on her lap at a table as they play with several small toys in this horizontal painting.

Pierre-Auguste Renoir Child with Toys - Gabrielle and the Artist's Son, Jean, 1895-1896 National Gallery of Art

A band of several galloping horses and riders move across the center of this vertical painting. The color palette is dominated by blended earthy brown, green, and pale pink.

Edgar Degas Scene from the Steeplechase: The Fallen Jockey, 1866, reworked 1880-1881 and c. 1897 National Gallery of Art

The Apple Seller, Pierre-Auguste Renoir, c. 1890, oil on fabric

Pierre-Auguste Renoir The Apple Seller, c. 1890 Cleveland Museum of Art

A pale-skinned young man with a carrot-red beard and hair faces us, straddling a green chair in a sunny outdoor setting in this vertical painting. The scene is loosely painted so his features are indistinct.

Édouard Manet George Moore in the Artist's Garden, c. 1879 National Gallery of Art

A woman with pale skin and dark brown hair is swathed in silky fabric as she reclines along a gray couch in this horizontal painting. Her head rests along the backrest of the sofa to our left, so her body extends to our right.

John Singer Sargent Nonchaloir (Repose), 1911 National Gallery of Art

Two green pears lit from the upper right sit on a pale blue tabletop or ledge against a dark background in this horizontal still life painting. The left pear sits upright against the other.

Édouard Manet Pears, 1880 National Gallery of Art

Bullfight, Édouard Manet, 1865–66, oil on canvas

Édouard Manet Bullfight, 1865–66 Art Institute of Chicago

Peach Blossoms, Winslow Homer, 1878, oil on canvas

Winslow Homer Peach Blossoms, 1878 Art Institute of Chicago

The "Kearsarge" at Boulogne, Édouard Manet, 1864, oil on canvas

Édouard Manet The "Kearsarge" at Boulogne, 1864 The Met

The Ballet from "Robert le Diable", Edgar Degas, 1871, oil on canvas

Edgar Degas The Ballet from "Robert le Diable", 1871 The Met

This painting shows a woman standing, facing the right, her head slightly angled downward. She has pale skin and dark hair and is wearing a long, pale, blue-gray dress with wide sleeves adorned with black stripes.

Pierre-Auguste Renoir Woman in a Park, 1866 National Gallery of Art

Woman in a Garden, Berthe Morisot, 1882–83, oil on canvas

Berthe Morisot Woman in a Garden, 1882–83 Art Institute of Chicago

Madame Paul Escudier (Louise Lefevre), John Singer Sargent, 1882, oil on canvas

John Singer Sargent Madame Paul Escudier (Louise Lefevre), 1882 Art Institute of Chicago

After the Bullfight, Mary Cassatt, 1873, oil on canvas

Mary Cassatt After the Bullfight, 1873 Art Institute of Chicago

Snow at Louveciennes, Camille Pissarro, c. 1870, oil on panel

Camille Pissarro Snow at Louveciennes, c. 1870 Art Institute of Chicago

Beggar with Oysters (Philosopher), Édouard Manet, 1865–67, oil on canvas

Édouard Manet Beggar with Oysters (Philosopher), 1865–67 Art Institute of Chicago

Roses in a Vase, Pierre-Auguste Renoir, c. 1890, oil on fabric

Pierre-Auguste Renoir Roses in a Vase, c. 1890 Cleveland Museum of Art

James-Jacques-Joseph Tissot (1836–1902), Edgar Degas, ca. 1867–68, oil on canvas

Edgar Degas James-Jacques-Joseph Tissot (1836–1902), ca. 1867–68 The Met

Sulking, Edgar Degas, ca. 1870, oil on canvas

Edgar Degas Sulking, ca. 1870 The Met

Boy with a Sword, Édouard Manet, 1861, oil on canvas

Édouard Manet Boy with a Sword, 1861 The Met

Madame Edouard Manet (Suzanne Leenhoff, 1829–1906), Édouard Manet, ca. 1873, oil on canvas

Édouard Manet Madame Edouard Manet (Suzanne Leenhoff, 1829–1906), ca. 1873 The Met

A Matador, Édouard Manet, 1866–67, oil on canvas

Édouard Manet A Matador, 1866–67 The Met

This painting shows an expansive green and yellow grassland under a textured blue and white sky. The horizon line is high, separating the fields and clouds with a thin line of dark trees and small white buildings.

Georges Seurat A Summer Landscape, 1883 National Gallery of Art

This painting shows a scene with several people spaced out across a grassy expanse. The horizon is high in the painting, lined with white structures with red roofs and green trees.

Georges Seurat Figures in a Landscape, c. 1883 National Gallery of Art

Four women and two children, all with pale skin, carry baskets as they walk along a beach under a brilliant blue sky in this horizontal painting. The scene is painted with visible dabs and blended strokes.

John Singer Sargent En route pour la pêche (Setting Out to Fish), 1878 National Gallery of Art

A woman with pale skin, wearing a sheer, lace shawl over a high-necked, ink-black dress sits in an upholstered chair in front of a dark, cranberry-red curtain in this vertical portrait painting.

John Singer Sargent Ellen Peabody Endicott (Mrs. William Crowninshield Endicott), 1901 National Gallery of Art

A young woman with pale, peachy skin, wearing a long, silvery blue dress with a rose-pink train looks out at us in this vertical portrait painting.

John Singer Sargent Miss Mathilde Townsend, 1907 National Gallery of Art

Shown from the knees up, a young woman with pale skin and flushed cheeks looks at us, wearing a long, shimmering white dress partially draped with powder-blue fabric in this vertical portrait painting.

John Singer Sargent Mary Crowninshield Endicott Chamberlain (Mrs. Joseph Chamberlain), 1902 National Gallery of Art

A plate of oysters, a halved lemon, an oyster fork and shells, and a dish of salt are arranged on a wooden tabletop in front of a gray wall in this horizontal still life painting.

Édouard Manet Oysters, 1862 National Gallery of Art

Shown from about the knees up, a young woman with pale skin, wearing a long, flowing, peachy-pink satin dress, looks at us in this vertical portrait painting.

John Singer Sargent Miss Grace Woodhouse, 1890 National Gallery of Art

An older woman wearing a long black dress sits reading a book in front of a younger woman wearing cream white, who sits on a couch just beyond, in this vertical portrait painting.

Berthe Morisot The Mother and Sister of the Artist, 1869/1870 National Gallery of Art

Shown from the shins up, a woman with pale skin, iron-gray hair, and wearing a high-collared, long-sleeved black dress, stands next to a table against a caramel-brown wall in this vertical portrait painting.

John Singer Sargent Eleanora O'Donnell Iselin (Mrs. Adrian Iselin), 1888 National Gallery of Art

A small child stands facing us on a sun-dappled path that runs up the center of a garden dominated by towering yellow and burnt-orange sunflowers in this loosely painted, vertical scene.

Claude Monet The Artist's Garden at Vétheuil, 1881 National Gallery of Art

This horizontal landscape is painted with broad, visible strokes in shades of laurel, fern, and pine green, dark yellow, and ash brown.

Pierre-Auguste Renoir Landscape between Storms, 1874/1875 National Gallery of Art

Tall grasses lead back to a body of water and then perhaps a town in this loosely painted, horizontal landscape.

Pierre-Auguste Renoir Landscape at Vétheuil, c. 1890 National Gallery of Art

This painting depicts a while villa partially hidden by greenery. The villa has several buildings on different levels with small windows and reddish-brown roofs. The brushstrokes are loose and broad, giving the image a blurred effect.

Pierre-Auguste Renoir Maison de la Poste, Cagnes, 1906/1907 National Gallery of Art

We look slightly down onto a bare, gnarled tree near a gray, dirt path, which leads back to a hamlet in this horizontal landscape painting. The scene is loosely painted with visible brushstrokes, so many details are indistinct.

Camille Pissarro The Fence, 1872 National Gallery of Art

Boats at Berck-sur-Mer, Édouard Manet, 1873, oil on fabric

Édouard Manet Boats at Berck-sur-Mer, 1873 Cleveland Museum of Art

Shown from about the waist up, a young woman wearing white sits in an armchair cuddling a brown and black striped cat in this vertical painting. The scene is painted with blended brushstrokes, giving it a soft look.

Pierre-Auguste Renoir Woman with a Cat, c. 1875 National Gallery of Art

We look slightly down onto the surface of a river in which three narrow canoes, each paddled by a single person, are being rowed toward us in this horizontal landscape painting.

Gustave Caillebotte Skiffs, 1877 National Gallery of Art

We look slightly down onto a baby tucked into an oval-shaped cradle with a woman sitting on the far side looking down at the child in this vertical painting. Both the woman and baby have light skin.

Claude Monet The Cradle - Camille with the Artist's Son Jean, 1867 National Gallery of Art

Six men on horseback and wearing jockeys’ uniforms line up on a grassy field in front of us in this loosely painted horizontal scene. The jockeys and horses’ features are especially freely painted so much of the detail is indistinct.

Edgar Degas The Riders, c. 1885 National Gallery of Art

A woman stands on a sun-dappled path, which runs past a bank of blooming flowers and back to a cottage in this vertical painting.

Gustave Caillebotte Dahlias, Garden at Petit Gennevilliers, 1893 National Gallery of Art

Mrs. George Swinton (Elizabeth Ebsworth), John Singer Sargent, 1897, oil on canvas

John Singer Sargent Mrs. George Swinton (Elizabeth Ebsworth), 1897 Art Institute of Chicago

Beggar with a Duffle Coat (Philosopher), Édouard Manet, 1865–67, oil on canvas

Édouard Manet Beggar with a Duffle Coat (Philosopher), 1865–67 Art Institute of Chicago

Young Man in the Costume of a Majo, Édouard Manet, 1863, oil on canvas

Édouard Manet Young Man in the Costume of a Majo, 1863 The Met

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