Impressionist Paintings (page 9)

Showing 385 to 432 of 489 paintings

We look across a profusion of vivid red, blush-pink, and white flowers lining a stony shoreline in this almost square landscape painting.

Childe Hassam Poppies, Isles of Shoals, 1891 National Gallery of Art

This painting shows a landscape with a horizon in the lower third of the composition. On the left side of the painting, there are tall trees along a canal.

Johan Barthold Jongkind The Towpath, 1864 National Gallery of Art

The painting depicts a golden, grassy landscape with low green trees in the distance, leading towards vibrant blue water on the horizon.

William Merritt Chase Gathering Autumn Flowers, 1894/1895 National Gallery of Art

This painting depicts a coastal scene overlooking a quiet shore. At the bottom of the painting, an open sandy expanse leads to blue waters.

Odilon Redon Village by the Sea in Brittany, c. 1880 National Gallery of Art

We look down at the end of a narrow table at a white plate, pot, knife, and spoon set on the white tablecloth in this horizontal still life painting.

Henri Fantin-Latour Still Life with Mustard Pot, 1860 National Gallery of Art

A rocky shoreline juts into a vivid, aquamarine-blue body of water in this loosely painted, nearly square landscape.

Childe Hassam A North East Headland, 1901 National Gallery of Art

This is a painting of a park filled with tall trees and people in colorful clothes. Some people are seated on chairs, while others are walking or standing on the tan ground.

William Glackens Luxembourg Gardens, 1906 National Gallery of Art

The painting shows a bright-green landscape with rolling hills in the distance.

Julian Alden Weir Obweebetuck, c. 1908 National Gallery of Art

We look across a channel of choppy water at three masted ships, a sailboat, at least one steamer, and three rowboats in this horizontal seascape painting.

Eugène Boudin Le Havre, 1883 National Gallery of Art

This painting depicts a man from the waist up, facing us. He has light skin with a curled white mustache and pointed beard, and gray, wavy hair.

William Merritt Chase Self-Portrait, 1915 National Gallery of Art

The image features a seascape scene with a beach, ocean, and sailboats. The horizon is high in the image, separating the sea from the sky, where sailboats are present.

Eugène Boudin Low Tide at Scheveningen, 1875 National Gallery of Art

About three dozen men and women sit, stand, or stroll along a sandy beach beneath a sunset-streaked sky in this horizontal landscape painting.

Eugène Boudin The Beach at Villerville, 1864 National Gallery of Art

This is a painting of a seaside scene with people sitting on a sandy beach. In the center is a group of three women and one child. The women wear high-necked dresses and tall hats in shades of red, yellow, and pink.

Eugène Boudin On the Beach, Trouville, 1887 National Gallery of Art

This painting shows a beach scene with people gathered on the sandy shore, facing away from us, looking towards the water. The horizon is in the center of the image, with the pale green-blue sea meeting the slightly darker blue sky.

Eugène Boudin On the Beach, 1894 National Gallery of Art

Henri Fantin-Latour Duchess de Fitz-James, 1867 National Gallery of Art

This painting shows a man's head and shoulders in a portrait. He is turned slightly to the left, looking out towards us. The left half of his face and torso are in shadow.

Henri Fantin-Latour Self-Portrait, 1858 National Gallery of Art

A two-masted ship with sails furled has been pulled onto a beach as dozens of people bustle on and around it in this horizontal landscape painting. The scene is loosely painted and many details are indistinct throughout.

Eugène Boudin Return of the Terre-Neuvier, 1875 National Gallery of Art

We look slightly down onto a wooden table or buffet with a basket of fruit, a vase of pink and white flowers, a book, and a small tray holding a teacup, saucer, and two oranges in this horizontal still life painting.

Henri Fantin-Latour Still Life, 1866 National Gallery of Art

This painting shows a riverside with a cream-colored bridge cutting horizontally across the scene in front of a bustling city. The bridge is decorated with flags that have stripes of red, white, and blue.

Armand Guillaumin The Bridge of Louis Philippe, 1875 National Gallery of Art

A stream meanders back through snowbanks in this wooded landscape, which is created entirely with cool, pale tones of white, gray, blue, lilac, and golden beige in this nearly square painting.

John Henry Twachtman Winter Harmony, c. 1890/1900 National Gallery of Art

Eight men, women, and children stand or sit in straight-backed, wooden chairs gathered along a sandy beach near low, gently breaking waves with sailboats floating in the ocean beyond in this horizontal landscape painting.

Eugène Boudin Beach at Trouville, 1864/1865 National Gallery of Art

Eleven men, women, and children stand around a freestanding flagpole near a floating dock on a beach in this horizontal landscape painting. The scene is loosely painted, and dozens more people are gathered on the dock.

Eugène Boudin On the Jetty, c. 1869/1870 National Gallery of Art

A row of about a dozen men and women sit, stand, or stroll along a sandy beach beneath a pale blue sky in this horizontal landscape painting. The scene is loosely painted so many of the facial features and other details are indistinct.

Eugène Boudin The Beach, 1877 National Gallery of Art

This painting depicts a sandy beach under a vast, light blue sky. The horizon is in the center of the painting where the blue sky blends into the blue water.

Eugène Boudin Women on the Beach at Berck, 1881 National Gallery of Art

This painting shows a coastal scene with a rocky tan cliff on the left side extending down to the blue sea. The horizon is in the middle of the painting, with a bright, slightly cloudy blue sky above the sea.

Eugène Boudin Washerwomen on the Beach of Etretat, 1894 National Gallery of Art

Holding a bunch of peonies in one hand, a woman with brown skin leans forward, toward us from behind a large basket holding dozens of flowers in this horizontal painting.

Frédéric Bazille Young Woman with Peonies, 1870 National Gallery of Art

This is a painting depicting several ships on a stretch of water. The horizon is situated in the lower third of the painting, creating a vast expanse of sky above.

Eugène Boudin Ships and Sailing Boats Leaving Le Havre, 1887 National Gallery of Art

A dozen men, women, and children walk, stand, or sit on a waterside wharf that spans this horizontal painting. A jetty stretches into the distance at a right angle, starting to the left of center. Dozens more people pack the jetty.

Eugène Boudin Jetty and Wharf at Trouville, 1863 National Gallery of Art

This horizontal painting shows a harbor scene filled with tall-masted ships and steamships adorned with colorful flags. The masts of the ship to our left dominate the composition, reaching almost to the top edge of the painting.

Eugène Boudin Festival in the Harbor of Honfleur, 1858 National Gallery of Art

The painting depicts a seascape. The horizon is visible in the bottom third of the composition, with several ships floating on the water, including a large sailing ship to the left of center.

Eugène Boudin Coast of Brittany, 1870 National Gallery of Art

Twenty men, women, and children sit, stand, or stroll along a sandy beach beneath a bright, cloud-filled sky in this horizontal landscape painting.

Eugène Boudin Figures on the Beach, c. 1867/1870 National Gallery of Art

The painting shows a beach scene with several people gathered on the shore. The people are gathered between four white tent-like structures in the center of the painting.

Eugène Boudin Beach Scene, 1862 National Gallery of Art

About two dozen men and women sit in straight-backed, wooden chairs gathered along a sandy beach near low, gently breaking waves with sailboats floating in the ocean beyond in this horizontal landscape painting.

Eugène Boudin Beach Scene at Trouville, 1863 National Gallery of Art

The painting features a sandy shore and a calm sea with sailing boats in the distance. At the bottom of the painting, people sit on the sand by the water.

Eugène Boudin Washerwoman near Trouville, c. 1872/1876 National Gallery of Art

The painting depicts a busy harbor scene with ships and masts rising into the blue-gray sky. The brushstrokes are loose and impressionistic, in shades of soft grey, brown, and blue, with some pops of red and yellow from indistinct objects.

Eugène Boudin The Trawlers, 1885 National Gallery of Art

This painting is a close-up portrait of a man's head and shoulders. He has pale skin and light, slightly disheveled brown hair with a strong widow's peak, and a short brown beard.

Henri Fantin-Latour Self-Portrait, 1861 National Gallery of Art

The Banks of the Marne at Charenton, Armand Guillaumin, c. 1895, oil on fabric

Armand Guillaumin The Banks of the Marne at Charenton, c. 1895 Cleveland Museum of Art

This painting shows a woman seated on a wooden chair, facing the right with her head slightly tilted down. She is focused on the thin silver needles she holds in her hands.

Edmund Charles Tarbell Josephine Knitting, 1916 National Gallery of Art

A Roadside Tavern, Johan Barthold Jongkind, 1863, oil on canvas

Johan Barthold Jongkind A Roadside Tavern, 1863 Art Institute of Chicago

Roses in a Bowl, Henri Fantin-Latour, 1881, oil on canvas

Henri Fantin-Latour Roses in a Bowl, 1881 Art Institute of Chicago

For the Little One, William Merritt Chase, ca. 1896, oil on canvas

William Merritt Chase For the Little One, ca. 1896 The Met

Alice Gerson in Prospect Park, William Merritt Chase, 1886, oil on panel

William Merritt Chase Alice Gerson in Prospect Park, 1886 The Met

Frieda Schiff (1876–1958), Later Mrs. Felix M. Warburg, Anders Zorn, 1894, oil on canvas

Anders Zorn Frieda Schiff (1876–1958), Later Mrs. Felix M. Warburg, 1894 The Met

Edward R. Bacon (1846–1915), Anders Zorn, 1897, oil on canvas

Anders Zorn Edward R. Bacon (1846–1915), 1897 The Met

Mrs. Walter Rathbone Bacon (Virginia Purdy Barker, 1862–1919), Anders Zorn, 1897, oil on canvas

Anders Zorn Mrs. Walter Rathbone Bacon (Virginia Purdy Barker, 1862–1919), 1897 The Met

Seven roses in full bloom are clustered in a wide bouquet set against a dark brown background in this horizontal still life painting. The blossom to our left is peach, and a bud dips down in front of that flower.

Henri Fantin-Latour _Roses de Nice_ on a Table, 1882 National Gallery of Art

A blue and white bowl overflowing with grapes, two loose bunches of grapes, and a vivid pink carnation lie on a white tablecloth against a dark brown background in this still life painting.

Henri Fantin-Latour Still Life with Grapes and a Carnation, c. 1880 National Gallery of Art

The image shows a still life of round fruits, such as grapes and peaches, placed on a white plate. The color scheme consists of warm browns, muted greens, and deep reds. The fruits have a natural sheen.

Henri Fantin-Latour Still Life with Peaches and Grapes, 1896 National Gallery of Art

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