Realist Paintings (page 3)

Showing 97 to 144 of 255 paintings

Women Working in a Field, Winslow Homer, 1867, oil on wood

Winslow Homer Women Working in a Field, 1867 Cleveland Museum of Art

The Chess Players, Thomas Eakins, 1876, oil on wood

Thomas Eakins The Chess Players, 1876 The Met

Alphonse Promayet (1822–1872), Gustave Courbet, 1851, oil on canvas

Gustave Courbet Alphonse Promayet (1822–1872), 1851 The Met

Louis Gueymard (1822–1880) as Robert le Diable, Gustave Courbet, 1857, oil on canvas

Gustave Courbet Louis Gueymard (1822–1880) as Robert le Diable, 1857 The Met

Madame Auguste Cuoq (Mathilde Desportes, 1827–1910), Gustave Courbet, ca. 1852–57, oil on canvas

Gustave Courbet Madame Auguste Cuoq (Mathilde Desportes, 1827–1910), ca. 1852–57 The Met

Woman in a Riding Habit (L'Amazone), Gustave Courbet, ca. 1855–59, oil on canvas

Gustave Courbet Woman in a Riding Habit (L'Amazone), ca. 1855–59 The Met

Garden Scene, Jean-François Millet, 1854, oil on canvas

Jean-François Millet Garden Scene, 1854 The Met

Facing away from us, a light-skinned woman blowing a silver horn stands in a grassy landscape in this vertical painting. The woman is lit brightly from the upper right, making her ankle-length, white dress glow.

Winslow Homer The Dinner Horn (Blowing the Horn at Seaside), 1870 National Gallery of Art

In this painting, a person appears to pull a long brown-and-green canoe out of the water and onto a grassy stretch of land. The person wears a hat and a green shirt with brown trousers, and their face is indistinct.

Winslow Homer Sunset, c. 1875 National Gallery of Art

Eagle Head, Manchester, Massachusetts (High Tide), Winslow Homer, 1870, oil on canvas

Winslow Homer Eagle Head, Manchester, Massachusetts (High Tide), 1870 The Met

Mrs. George Swinton (Elizabeth Ebsworth), John Singer Sargent, 1897, oil on canvas

John Singer Sargent Mrs. George Swinton (Elizabeth Ebsworth), 1897 Art Institute of Chicago

Riter Fitzgerald, Thomas Eakins, 1895, oil on canvas

Thomas Eakins Riter Fitzgerald, 1895 Art Institute of Chicago

Beggar with a Duffle Coat (Philosopher), Édouard Manet, 1865–67, oil on canvas

Édouard Manet Beggar with a Duffle Coat (Philosopher), 1865–67 Art Institute of Chicago

The Thinker: Portrait of Louis N. Kenton, Thomas Eakins, 1900, oil on canvas

Thomas Eakins The Thinker: Portrait of Louis N. Kenton, 1900 The Met

Venetian Glass Workers, John Singer Sargent, 1880–82, oil on canvas

John Singer Sargent Venetian Glass Workers, 1880–82 Art Institute of Chicago

The Woodchopper, Jean-François Millet, c. 1858–66, oil on canvas

Jean-François Millet The Woodchopper, c. 1858–66 Art Institute of Chicago

Jo, La Belle Irlandaise, Gustave Courbet, 1865–66, oil on canvas

Gustave Courbet Jo, La Belle Irlandaise, 1865–66 The Met

This painting shows a waterfront with boats and buildings in the distance. The shadowy horizon line divides the composition between the gray sky and gray water. The distant shore features faint outlines of buildings.

James McNeill Whistler Grey and Silver: Chelsea Wharf, c. 1864/1868 National Gallery of Art

Study for "The Dancing Lesson": The Boy, Thomas Eakins, probably 1877, oil on canvas

Thomas Eakins Study for "The Dancing Lesson": The Boy, probably 1877 National Gallery of Art

White Mare, Winslow Homer, c. 1868, oil on panel

Winslow Homer White Mare, c. 1868 Cleveland Museum of Art

Saddle Horse in Farm Yard, Winslow Homer, ca. 1870–75, oil on wood

Winslow Homer Saddle Horse in Farm Yard, ca. 1870–75 The Met

The Little Shepherdess, Jean-François Millet, 1868–72, oil on panel

Jean-François Millet The Little Shepherdess, 1868–72 Art Institute of Chicago

The Sheepshearers, Jean-François Millet, c. 1857–61, oil on canvas

Jean-François Millet The Sheepshearers, c. 1857–61 Art Institute of Chicago

Return from the Fields, Jean-François Millet, c. 1846–47, oil on fabric

Jean-François Millet Return from the Fields, c. 1846–47 Cleveland Museum of Art

Thomas Eakins Study for "The Dancing Lesson": The Banjo Player, probably 1877 National Gallery of Art

Two men with pale skin, wearing white sleeveless shirts and royal-blue caps, row in unison in a long, narrow boat on a placid blue river in this horizontal landscape painting.

Thomas Eakins The Biglin Brothers Racing, 1872 National Gallery of Art

Close to us, a young man and four boys sit or recline in a small sailboat that tips to our left on a choppy dark green sea fringed with white foam in this horizontal painting.

Winslow Homer The Flirt, 1874 National Gallery of Art

The Beach, Late Afternoon, Winslow Homer, 1869, oil on wood

Winslow Homer The Beach, Late Afternoon, 1869 The Met

Shepherdess Seated on a Rock, Jean-François Millet, 1856, oil on wood

Jean-François Millet Shepherdess Seated on a Rock, 1856 The Met

Young Woman, Jean-François Millet, 1844–45, oil on canvas

Jean-François Millet Young Woman, 1844–45 Art Institute of Chicago

Woman with a Rake, Jean-François Millet, probably 1856–57, oil on canvas

Jean-François Millet Woman with a Rake, probably 1856–57 The Met

Shown from the knees up, a pale-skinned woman stands close to us with a red schoolhouse in the distance under a sunset sky in this vertical painting.

Winslow Homer The Red School House, 1873 National Gallery of Art

Young Girl Meditating, Thomas Eakins, 1877, watercolor and gouache on off-white wove paper

Thomas Eakins Young Girl Meditating, 1877 The Met

This is a painting of an outdoor scene with a group of people gathered in front of a blue-gray wooden building with a dark door and two windows. Sunflowers grow on either side of the entrance, stretching up to the windows.

Winslow Homer Sketch of a Cottage Yard, c. 1876 National Gallery of Art

A young woman with pale, peachy skin, wearing a long, flowing white dress, stands in front of a white curtain in this vertical portrait painting. Her auburn-red hair cascades down over and behind her shoulders.

James McNeill Whistler Symphony in White, No. 1: The White Girl, 1861-1863, 1872 National Gallery of Art

A woman with dark hair pulled up in a bun, wearing a long, muted lilac-purple silk dress, stands singing in front of woman playing a piano and a man playing a cello in a dimly lit room in this vertical painting.

Thomas Eakins Singing a Pathetic Song, 1881 National Gallery of Art

The Studio, Winslow Homer, 1867, oil on canvas

Winslow Homer The Studio, 1867 The Met

Retreat from the Storm, Jean-François Millet, ca. 1846, oil on canvas

Jean-François Millet Retreat from the Storm, ca. 1846 The Met

We look onto two black-headed ducks twisting and flailing midair against a slate-gray landscape in this horizontal painting. The silvery white body of the bird to our left faces us as its neck twists to our left, its black wings extended.

Winslow Homer Right and Left, 1909 National Gallery of Art

The Power of Music, William Sidney Mount, 1847, oil on canvas

William Sidney Mount The Power of Music, 1847 Cleveland Museum of Art

The Third-Class Carriage, Honoré Daumier, 1864, oil on canvas

Honoré Daumier The Third-Class Carriage, 1864 The Met

Herself, Robert Henri, 1913, oil on canvas

Robert Henri Herself, 1913 Art Institute of Chicago

Himself, Robert Henri, 1913, oil on canvas

Robert Henri Himself, 1913 Art Institute of Chicago

Portrait of Franklin H. Delano, Eastman Johnson, c. 1881, oil on board

Eastman Johnson Portrait of Franklin H. Delano, c. 1881 Cleveland Museum of Art

Winding Yarn (Interior of a Nantucket Kitchen), Eastman Johnson, 1872, oil on board

Eastman Johnson Winding Yarn (Interior of a Nantucket Kitchen), 1872 Cleveland Museum of Art

Bayside, New Rochelle, New York, Eastman Johnson, 1886, oil on canvas

Eastman Johnson Bayside, New Rochelle, New York, 1886 The Met

Near Squam Lake, New Hampshire, Eastman Johnson, 1856, oil on canvas

Eastman Johnson Near Squam Lake, New Hampshire, 1856 The Met

On the Unadilla, New York, Eastman Johnson, 1884, oil on canvas

Eastman Johnson On the Unadilla, New York, 1884 The Met

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