Realist Paintings (page 4)

Showing 145 to 192 of 255 paintings

A Fisherman, Eastman Johnson, 1865, brown inks on tan-color sized canvas

Eastman Johnson A Fisherman, 1865 The Met

Sanford Robinson Gifford, Eastman Johnson, 1880, oil on academy board

Eastman Johnson Sanford Robinson Gifford, 1880 The Met

Catherine Brooks Hall, William Sidney Mount, ca. 1830, oil on canvas

William Sidney Mount Catherine Brooks Hall, ca. 1830 The Met

Gideon Tucker, William Sidney Mount, 1830, oil on canvas

William Sidney Mount Gideon Tucker, 1830 The Met

Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene, William Sidney Mount, 1852, oil on canvas

William Sidney Mount Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene, 1852 The Met

Long Island Farmhouses, William Sidney Mount, 1862–63, oil on canvas

William Sidney Mount Long Island Farmhouses, 1862–63 The Met

Martin Euclid Thompson, William Sidney Mount, 1830, oil on canvas

William Sidney Mount Martin Euclid Thompson, 1830 The Met

Mrs. Gideon Tucker, William Sidney Mount, 1830, oil on canvas

William Sidney Mount Mrs. Gideon Tucker, 1830 The Met

The Raffle (Raffling for the Goose), William Sidney Mount, 1837, oil on mahogany

William Sidney Mount The Raffle (Raffling for the Goose), 1837 The Met

Tall, billowing, lavender-purple and shell-pink clouds line the distant horizon over a vast plain of flat grassy land in this horizontal landscape painting.

Martin Johnson Heade Sunlight and Shadow: The Newbury Marshes, c. 1871/1875 National Gallery of Art

Three Pears and an Apple, Eastman Johnson, 1857, oil on board

Eastman Johnson Three Pears and an Apple, 1857 National Gallery of Art

This is a painting of a woman reaching to pick a water lily from a pond. She is crouching atop a fallen log, leaning over to submerge her right hand in the water.

Eastman Johnson Gathering Lilies, 1865 National Gallery of Art

Far below us, a river winds through a valley lined with hazy mountains in this horizontal landscape painting.

Thomas Moran The Juniata, Evening, 1864 National Gallery of Art

Three people gather around the doorway of a small cottage set in a sun-warmed yard in this almost square painting.

George Caleb Bingham Cottage Scenery, 1845 National Gallery of Art

This painting shows a serene forest setting with a wide, shallow stream flowing gently towards us. The scene is enclosed by tall trees on either side.

Worthington Whittredge Trout Brook in the Catskills, 1875 National Gallery of Art

This painting shows a young woman lying on her stomach on a brown, rocky surface near the water's edge, looking towards the sea.

Jules Breton The Cliff (La Falaise), 1874 National Gallery of Art

Charlotte Morton Dexter (Mrs. Andrew Dexter), Gilbert Stuart, 1808/c. 1825, oil on wood

Gilbert Stuart Charlotte Morton Dexter (Mrs. Andrew Dexter), 1808/c. 1825 National Gallery of Art

From under an elevated train track, we look at a cluster of people hammering and working on the far side of a wooden fence, all against a silvery-blue building that fills most of the background in this horizontal painting.

George Bellows Blue Morning, 1909 National Gallery of Art

A six-story, narrow building stands alone in an otherwise unoccupied lot under the deck of a high bridge, with a river and cityscape in the background in this horizontal painting.

George Bellows The Lone Tenement, 1909 National Gallery of Art

This painting shows a young boy sitting on a wooden rocking chair next to a dark metal stove. He is leaning forward with one arm extended towards the stove door, which is partially open, revealing bright orange light.

Eastman Johnson The Early Scholar, c. 1865 National Gallery of Art

Roiling, churning waves breaking against a patch of a sandy beach fill most of this wide, horizontal landscape painting. The water deepens from aquamarine blue to teal, slate, and midnight blue amid clouds of ivory-white crests and spray.

Thomas Moran The Much Resounding Sea, 1884 National Gallery of Art

This painting shows the upper body of a woman seated in a chair. She is wearing a white bonnet with ruffled edges, covering her wavy, light brown hair. Her facial features include fair skin, thin lips, a long nose, and a pointed chin.

Gilbert Stuart Sarah Homes Tappan (Mrs. Benjamin Tappan), 1814 National Gallery of Art

This painting shows a busy scene at the edge of the water. The horizon is visible on the left, where blue-gray sky meets blue-gray water behind a line of tall masts.

Robert Henri Volendam Street Scene, 1910 National Gallery of Art

This painting is a portrait of a seated woman shown from the knees upwards. She is seated in a woven yellow armchair, with her right arm resting on one arm of the chair, while her left hand rests on her lap.

George Bellows Florence Sittenham Davey (Mrs. Randall Davey), 1914 National Gallery of Art

We look slightly down onto a crush of pedestrians, horse-drawn carriages, wagons, and streetcars enclosed by a row of densely spaced buildings and skyscrapers opposite us in this horizontal painting.

George Bellows New York, 1911 National Gallery of Art

The painting is of an older woman from the waist up, her body slightly turned to the left and her head facing us. She has pale skin with soft lines, rosy cheeks, deep-set eyes, thin eyebrows, and thin red lips in a neutral expression.

Robert Henri Elizabeth Virginia Laning Bradner Smith (Mrs. George Cotton Smith), 1908 National Gallery of Art

Sheer, vertical, cliffs, brightly lit in cream white and rust orange by the low sun, tower over a band of people riding horses into the distance in this long, horizontal landscape painting.

Thomas Moran Green River Cliffs, Wyoming, 1881 National Gallery of Art

Weaning the Calves, Rosa Bonheur, 1879, oil on canvas

Rosa Bonheur Weaning the Calves, 1879 The Met

Two men wearing brief-like shorts, shoes, and boxing gloves curl toward each other as they grapple in the middle of a boxing ring in this horizontal painting. We look at the ring from across the heads of the crowd below and around us.

George Bellows Club Night, 1907 National Gallery of Art

This painting shows a woman standing outdoors, facing the left. She has pale skin, and her face is in shadow, obscured by a wide-brimmed flat white hat with a red stripe around the edge, tied with a black bow behind her head.

Eastman Johnson Lambs, Nantucket, 1874 National Gallery of Art

A shaft of warm light from our left pierces a dark wood filled with tall trees in this horizontal landscape painting. The light falls on a stout white trunk and a portion of the moss-green forest floor near the center of the composition.

George Inness Sunset in the Woods, 1891 National Gallery of Art

Boy Fishing, Eastman Johnson, 1860s, oil on canvas

Eastman Johnson Boy Fishing, 1860s Cleveland Museum of Art

The Drinkers, Honoré Daumier, by 1861, oil on wood

Honoré Daumier The Drinkers, by 1861 The Met

Honoré Daumier In Church, 1855/1857 National Gallery of Art

Feast of the Gods, Honoré Daumier, c. 1849/1850, with later additions by other hands, oil on wood

Honoré Daumier Feast of the Gods, c. 1849/1850, with later additions by other hands National Gallery of Art

This painting shows a seated woman from the waist up. Her body faces us, and she looks off to the right with a neutral expression. She has light skin, brown eyes, and rosy cheeks.

George Bellows Maud Murray Dale (Mrs. Chester Dale), 1919 National Gallery of Art

This painting shows a dynamic scene of a green tennis court with a player in action near the bottom-right corner, their hand extended behind their head and one leg in the air.

George Bellows Tennis Tournament, 1920 National Gallery of Art

The Laundress, Honoré Daumier, 186[3?], oil on oak

Honoré Daumier The Laundress, 186[3?] The Met

A snowy street with a horse and carriage is flanked to each side by tall buildings in this vertical painting. The overcast scene is loosely painted with visible brushstrokes throughout, so some details are difficult to make out.

Robert Henri Snow in New York, 1902 National Gallery of Art

The Farm at the Entrance of the Wood, Rosa Bonheur, 1860–80, oil on fabric

Rosa Bonheur The Farm at the Entrance of the Wood, 1860–80 Cleveland Museum of Art

Environs of Fontainebleau: Woodland and Cattle, Rosa Bonheur, 1864, oil on canvas

Rosa Bonheur Environs of Fontainebleau: Woodland and Cattle, 1864 The Met

Portrait of Genio C. Scott, Eastman Johnson, 1859, oil on canvas

Eastman Johnson Portrait of Genio C. Scott, 1859 Cleveland Museum of Art

The Funding Bill, Eastman Johnson, 1881, oil on canvas

Eastman Johnson The Funding Bill, 1881 The Met

This painting shows four individuals - three women and one child - in an indoor setting. One woman is seated on a chair on the left, wearing a purple and blue dress under a black coat, with white gloves and a gray hat.

William Glackens Family Group, 1910/1911 National Gallery of Art

A Peasant Girl Knitting, Jules Breton, ca. 1870, oil on canvas

Jules Breton A Peasant Girl Knitting, ca. 1870 The Met

The Hatch Family, Eastman Johnson, 1870–71, oil on canvas

Eastman Johnson The Hatch Family, 1870–71 The Met

Christmas-Time, The Blodgett Family, Eastman Johnson, 1864, oil on canvas

Eastman Johnson Christmas-Time, The Blodgett Family, 1864 The Met

Corn Husking at Nantucket, Eastman Johnson, ca. 1875, oil on canvas

Eastman Johnson Corn Husking at Nantucket, ca. 1875 The Met

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