Famous Landscape Paintings (page 6)

Showing 241 to 288 of 488 paintings

From Ávila, John Singer Sargent, ca. 1903, watercolor and gouache on white wove paper

John Singer Sargent From Ávila, ca. 1903 The Met

From Jerusalem, John Singer Sargent, 1905–6, watercolor, gouache, and graphite on off-white wove paper

John Singer Sargent From Jerusalem, 1905–6 The Met

Sellar Alp, Dolomites, John Singer Sargent, ca. 1913–14, watercolor and gouache on white wove paper

John Singer Sargent Sellar Alp, Dolomites, ca. 1913–14 The Met

Spanish Landscape, John Singer Sargent, 1879–80, oil on wood

John Singer Sargent Spanish Landscape, 1879–80 The Met

Sunset, John Singer Sargent, 1905–6, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Sunset, 1905–6 The Met

Clouds, Thomas Cole, ca. 1838, oil on paper laid down on canvas

Thomas Cole Clouds, ca. 1838 The Met

Stoke-by-Nayland, John Constable, ca. 1810–11, oil on canvas

John Constable Stoke-by-Nayland, ca. 1810–11 The Met

Honfleur: Calvary, Camille Corot, ca. 1830, oil on wood

Camille Corot Honfleur: Calvary, ca. 1830 The Met

Study for "The Destruction of Sodom", Camille Corot, 1843, oil on canvas

Camille Corot Study for "The Destruction of Sodom", 1843 The Met

Landscape at Saint-Ouen, Georges Seurat, 1878 or 1879, oil on wood, mounted on wood

Georges Seurat Landscape at Saint-Ouen, 1878 or 1879 The Met

View of the Seine, Georges Seurat, 1882–83, oil on wood

Georges Seurat View of the Seine, 1882–83 The Met

This painting depicts a vast landscape with a horizon line in the lower third of the painting. A range of dark brown and purple mountains or hills stretches across the width of the image.

Thomas Cole Study for "Catskill Creek", c. 1844/1845 National Gallery of Art

Two minuscule people stand in the center of an expansive, rugged landscape dusted with snow in this horizontal painting.

Caspar David Friedrich Northern Landscape, Spring, c. 1825 National Gallery of Art

This painting shows an expansive green and yellow grassland under a textured blue and white sky. The horizon line is high, separating the fields and clouds with a thin line of dark trees and small white buildings.

Georges Seurat A Summer Landscape, 1883 National Gallery of Art

This painting shows a scene with several people spaced out across a grassy expanse. The horizon is high in the painting, lined with white structures with red roofs and green trees.

Georges Seurat Figures in a Landscape, c. 1883 National Gallery of Art

This painting depicts a landscape with several haystacks in the center, arranged in a line that cuts diagonally across a green field from left to right.

Georges Seurat Haystacks, c. 1882 National Gallery of Art

The painting depicts a rural scene with a wide, cloudy blue sky over a riverbank. On the right there are tall, dark green trees that stretch up to the top of the painting.

Camille Corot River View, 1868/1872 National Gallery of Art

This horizontal landscape is painted with broad, visible strokes in shades of laurel, fern, and pine green, dark yellow, and ash brown.

Pierre-Auguste Renoir Landscape between Storms, 1874/1875 National Gallery of Art

Tall grasses lead back to a body of water and then perhaps a town in this loosely painted, horizontal landscape.

Pierre-Auguste Renoir Landscape at Vétheuil, c. 1890 National Gallery of Art

This painting depicts a while villa partially hidden by greenery. The villa has several buildings on different levels with small windows and reddish-brown roofs. The brushstrokes are loose and broad, giving the image a blurred effect.

Pierre-Auguste Renoir Maison de la Poste, Cagnes, 1906/1907 National Gallery of Art

This horizontal landscape is painted with dots and dashes in fresh green, shimmering blue, amethyst purple, shell pink, pale yellow, and cream white against the brown wood of the panel, which is visible throughout.

Georges Seurat Study for "La Grande Jatte", 1884/1885 National Gallery of Art

We look slightly down onto a bare, gnarled tree near a gray, dirt path, which leads back to a hamlet in this horizontal landscape painting. The scene is loosely painted with visible brushstrokes, so many details are indistinct.

Camille Pissarro The Fence, 1872 National Gallery of Art

The dark, forest-green canopies of trees to our right are silhouetted against a sky that warms from pale blue along the top edge of the composition to butter yellow along the horizon, which comes about a quarter of the way up this…

Jean-Honoré Fragonard Mountain Landscape at Sunset, c. 1765 National Gallery of Art

Rinaldo and the Magus of Ascalon, Giovanni Battista Tiepolo, c. 1742–45, oil on canvas

Giovanni Battista Tiepolo Rinaldo and the Magus of Ascalon, c. 1742–45 Art Institute of Chicago

Irises, Claude Monet, 1914–17, oil on canvas

Claude Monet Irises, 1914–17 Art Institute of Chicago

New England Scenery, Thomas Cole, 1839, oil on canvas

Thomas Cole New England Scenery, 1839 Art Institute of Chicago

Saint Martin and the Beggar, El Greco, c. 1597–c. 1600, oil on canvas

El Greco Saint Martin and the Beggar, c. 1597–c. 1600 Art Institute of Chicago

Souvenir of Italy, Camille Corot, 1855–60, oil on canvas

Camille Corot Souvenir of Italy, 1855–60 Art Institute of Chicago

The Woodchopper, Jean-François Millet, c. 1858–66, oil on canvas

Jean-François Millet The Woodchopper, c. 1858–66 Art Institute of Chicago

Nevada Falls, Yosemite, Albert Bierstadt, 1872 or 1873, oil on canvas

Albert Bierstadt Nevada Falls, Yosemite, 1872 or 1873 The Met

Sunrise on the Matterhorn, Albert Bierstadt, after 1875, oil on canvas

Albert Bierstadt Sunrise on the Matterhorn, after 1875 The Met

The House with the Cracked Walls, Paul Cézanne, 1892–94, oil on canvas

Paul Cézanne The House with the Cracked Walls, 1892–94 The Met

Tahitian Landscape, Paul Gauguin, 1892, oil on canvas

Paul Gauguin Tahitian Landscape, 1892 The Met

Côte des Grouettes, near Pontoise, Camille Pissarro, probably 1878, oil on canvas

Camille Pissarro Côte des Grouettes, near Pontoise, probably 1878 The Met

A person rides a horse away from us on a narrow dirt path curving through a forest dominated by golden yellow trees in this vertical landscape painting.

Camille Corot The Forest of Coubron, 1872 National Gallery of Art

Shown from the waist up behind a stone ledge, a young woman nestles a nude baby against her chest in this vertical painting.

Giovanni Bellini Madonna and Child in a Landscape, c. 1480/1485 National Gallery of Art

Shown from the hips up, a woman sits facing our left as she cradles a child in her lap in this vertical painting. A ginger-brown parapet spanning the lower edge of the composition separates them from us, and they have pale skin.

Giovanni Bellini Madonna and Child in a Landscape, c. 1490/1500 National Gallery of Art

Two pale-skinned women sit together surrounded by five sheep and a dog in a lush forest in this vertical painting. The woman to our right sits slightly above the other, with her arm draped around the shoulders of her companion.

François Boucher The Love Letter, 1750 National Gallery of Art

We look across a placid pond at sandstone-white buildings with brown and terracotta-red roofs nestled within a grove of green trees and plants in this vertical landscape painting.

Paul Cézanne House of Père Lacroix, 1873 National Gallery of Art

A woman sits among loosely painted, crescent-shape blades of emerald and lemon-lime green grass, under tall trees in this vertical scene. The brushstrokes are unconnected and visible, so many of the details difficult to make out.

Claude Monet Woman Seated under the Willows, 1880 National Gallery of Art

We look slightly down across a sun-drenched plaza with people scattered among ruins, buildings, and around a free-standing column in this vertical landscape painting. The people we can see have light skin.

Canaletto English Landscape Capriccio with a Column, c. 1754 National Gallery of Art

Sun pours across a landscape with trees and plants growing around and on an arched stone ruin, a bridge and river, and, in the distance, buildings along a flat-topped hill carpeted with grass in this vertical painting.

Canaletto English Landscape Capriccio with a Palace, c. 1754 National Gallery of Art

Saint John the Baptist in the Wilderness, Diego Velázquez, c. 1622, oil on canvas

Diego Velázquez Saint John the Baptist in the Wilderness, c. 1622 Art Institute of Chicago

The Little Shepherdess, Jean-François Millet, 1868–72, oil on panel

Jean-François Millet The Little Shepherdess, 1868–72 Art Institute of Chicago

Return from the Fields, Jean-François Millet, c. 1846–47, oil on fabric

Jean-François Millet Return from the Fields, c. 1846–47 Cleveland Museum of Art

The Titan's Goblet, Thomas Cole, 1833, oil on canvas

Thomas Cole The Titan's Goblet, 1833 The Met

Virgin and Child with Two Angels, Sandro Botticelli, 1485–95, tempera on panel

Sandro Botticelli Virgin and Child with Two Angels, 1485–95 Art Institute of Chicago

Mrs. Henry Hill (Anna Barrett), John Singleton Copley, c. 1765–70, pastel on paper mounted on linen

John Singleton Copley Mrs. Henry Hill (Anna Barrett), c. 1765–70 Art Institute of Chicago

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